A bunch of JPEGs @lam0rt-jpeg - Tumblr Blog

Brassaï

Brassaï, originally named Gyula Halász, was a renowned photographer, born on September 9, 1899, in Brassó, which is now known as Brașov in Romania. His early endeavors included studying painting in Budapest and Berlin, where he developed a keen artistic sensibility. In 1924, seeking broader horizons and new opportunities, he moved to Paris as a journalist, a city that would profoundly shape his creative vision.

In 1929, Brassaï began his exploration of the nocturnal world, borrowing a Voigtländer camera to capture the essence of Paris by night. Over the ensuing three years, he ventured through the city’s empty boulevards, gaslit squares, and hidden corners, confronting the technical challenges posed by low light and long exposure times. This intimate engagement with the city at night culminated in his landmark book, Paris de Nuit, published in 1932 (Brassaï | Artnet). This work interwove stark cityscapes with candid portraits of the city’s “night owls”. Usually tramps, prostitutes, lovers, and dancers, illuminating a diverse tapestry of human experience under the glow of street lamps and the shadows of the night. Throughout the 1930s, Brassaï actively contributed to various Surrealist journals, notably Minotaure. During this vibrant period, he developed meaningful friendships with influential writers and artists within the Surrealist movement, enriching his own artistic journey. In 1937, he forged a significant relationship with Harper’s Bazaar, where he created elegant photographic essays that celebrated literary and artistic figures, merging high fashion with the avant-garde spirit of his time(Brassaï | Artnet).

After the poignant passing of his patron, Carmel Snow, in 1962, Brassaï gradually stepped away from new photographic endeavors. Instead, he dedicated his later years to meticulously printing his extensive collection of negatives and issuing new editions of his most influential works, ensuring his legacy continued to resonate. Brassaï passed away on July 8, 1984, at his residence on the picturesque French Riviera near Nice. He was laid to rest at Montparnasse Cemetery in Paris at the age of 84. His work masterfully blended documentary precision with poetic sensitivity, crafting a unique photographic language that transcended simple realism. Rather than adhering strictly to surrealism or straightforward reportage, Brassaï’s artistry celebrated the enchantment and enigma of urban life. His evocative images have profoundly influenced our collective imagination of Paris at night and remain timeless references in the annals of modern photography.

“To gauge my shutter time, I would smoke cigarettes - a Gauloise for a certain light, a Boyard if it was darker. The policemen on patrol wondered what kind of crime I was in the midst of committing. They had never seen anyone take pictures at night and for good reason. To clear myself, I always had some prints with me to show them. I have noticed that policemen are always very interested in photography. So they immediately became friendlier.” –Brassaï (Brassaï, 1899 - 1984 (Getty Museum))

I have a deep appreciation for Brassaï's work, as it brilliantly captures the essence of Paris after dark. His photographs exude a captivating blend of mystery and intimacy, drawing viewers into a cinematic realm that immerses them in the enchanting whispers of the city's nightlife. Each image captures the soft glow of streetlights casting shadows along cobblestone pathways, while the subtle play of light and darkness reveals fleeting moments of life in the twilight. This artistic vision not only evokes a sense of wonder but also invites audiences to explore the hidden stories waiting to unfold in the nocturnal tapestry of urban life. Through his lens, Brassaï transformed the streets of Paris into a captivating stage where beauty, danger, and desire intertwine seamlessly. Each image not only showcases the urban landscape but also evokes a sense of intrigue and emotion, inviting us to explore the stories hidden within the shadows. His ability to portray the complexities of nightlife in the city is truly remarkable.

#art30 #photography #artist research

Elliott Erwitt

Elliott Erwitt was a renowned photographer whose work provided insightful commentary on the human experience, capturing life’s ironic, comedic, and often absurd moments with brilliance and an element of surprise. Born in Paris in 1928 to Russian-Jewish parents, Erwitt's early years were spent in Milan, where he developed a keen sense of observation and artistry. In 1939, amid the tumult of World War II, his family emigrated to the United States(Magnum Photos).

While residing with his father in Los Angeles, Erwitt began to explore photography as a means of income, taking portraits of locals and developing his unique style. He honed his skills in a commercial darkroom, where he spent countless hours printing images of Hollywood actors and learning the intricacies of the photographic process. This foundational experience fueled his passion for photography, leading him to further his education at Los Angeles City College, where he engaged in more experimental approaches to the medium.

After completing his studies, Erwitt moved to New York City, where he enrolled at the New School for Social Research, focusing on film between 1948 and 1950 (Magnum Photos). His time in New York proved pivotal, setting the stage for his future success as a freelance magazine photographer, which flourished in 1953. This period followed his military service, during which he also worked as a staff photographer for Roy Stryker at the Standard Oil Company of New Jersey, a role that further developed his eye for compelling imagery (Magnum Photos).

Throughout the 1950s and 1960s, Erwitt’s documentary photographs gained significant recognition, appearing in major U.S. magazines that showcased his ability to capture candid moments of everyday life with humor and poignancy. His association with the Magnum Photos agency allowed him to publish impactful work and collaborate with other influential photographers of the time. Erwitt was not just a member; he served as a dedicated officer within the organization, even assuming the role of president in 1966, where he contributed to shaping its direction.

Elliott Erwitt continued to be an influential figure in the photography world until his later years. He passed away peacefully in his sleep at his home in New York on November 29, 2023, at the age of 95. His legacy remains as a testament to the power of photography as a medium for storytelling and human connection.

“You can find pictures anywhere. It's simply a matter of noticing things and organizing them. You just have to care about what's around you and have a concern with humanity and the human comedy.” –Elliott Erwitt

I have a deep appreciation for his work as it offers a profound and insightful commentary on the complexities of the human experience. He has a unique talent for capturing the irony, humor, and often the absurdity of life’s moments, weaving them together with a brilliance that resonates with many. His ability to reflect on our shared vulnerabilities while highlighting the comedic aspects of our existence makes his work not just entertaining but also thought-provoking. Each piece invites the audience to explore the intricacies of everyday life, revealing truths that are both impactful and relatable.

#photography #art30 #artist research

Final Theme Project

Final Theme Project ART30 | Spring 26 Created and presented by Isabella Gomez A look into a day of a student lab Assistant working for the S

#art30 #photography #themed project

Best two photos of my Themed Project. :)

#art30 #themed project #photography

Weegee (Arthur Fellig)

Weegee, or Arthur Fellig, was a photojournalist who transformed tabloid news photography into a respected form of art. He worked as a freelance news photographer in New York from 1935 to 1947, highlighting the city's darker side through images of violent crime scenes, arrests, fires, and various urban chaos (BrunoB). Although Weegee's primary intention was documentary, his photographs exhibit an aesthetic quality and psychological depth that go beyond mere reporting.

Born Usher Fellig on June 12, 1899, in Zloczow, Ukraine (previously a part of Poland), he adopted the name Arthur after moving to New York with his family in 1909. In New York, Weegee took various odd jobs, including working as a "squeegee boy" in the darkrooms of The New York Times. His responsibilities included wiping excess water off prints so that they could be placed on chrome sheets for drying. As his skills improved, the initial title "squeegee boy" evolved into the nickname "Weegee." This role provided him with the opportunity to work for several newspapers until he became a freelance news photographer in 1935.

Weegee centered his work around police headquarters and, in 1938, obtained permission to install a police radio in his vehicle. This advancement allowed him to capture the first and most dramatic images of news events, which he sold to publications such as the Herald-Tribune, Daily News, and The Post, among others (“Weegee”). During the 1940s, Weegee's photographs reached audiences beyond mainstream media and achieved considerable success. In 1941, New York's Photo League featured his work in an exhibition, and he published several books, including *Naked City* (1945), *Weegee's People* (1946), and *Naked Hollywood* (1953).

After relocating to Hollywood in 1947, Weegee shifted much of his focus to creating 16-millimeter films and photographs for his "Distortions" series, which consisted of experimental portraits of celebrities and political figures (BrunoB). He returned to New York in 1952 and continued to lecture and write about photography until his death on December 26, 1968.

“When you go out on a story, you don’t go back for another sitting. You gotta get it.” – Weegee (Arthur Fellig)

I enjoy Weegee’s work, particularly due to the striking aesthetic quality of his photographs. His exceptional ability to capture moments of intense emotion, often amid gritty and challenging subjects, reveals a remarkable artistry that dives deep into the human experience. This unique combination of artistry and authenticity invites the viewer to engage with the complexities of life, encouraging a profound reflection on both the subjects and the narratives unfolding within each frame. Despite the often somber or controversial themes of his images, the composition, lighting, and emotion conveyed in each photograph draw me in and evoke a powerful response. It’s this juxtaposition of beauty and starkness that makes his body of work so compelling.

#art30 #artist research #photography

Theme project proposal

For the Theme Project, I will showcase a day in the life of a Student Lab Assistant in the Science 1 Chemistry Stockroom. This essential role encompasses a wide range of responsibilities, highlighting how student assistants are crucial for the seamless operation of teaching chemistry labs, both for professors and students. They play a key role in organizing and restocking lab supplies, ensuring that all necessary equipment is readily available and in good condition. Beyond this, student assistants prepare lab materials and solutions for experiments, set up the workspace before classes begin, and ensure thorough cleanup afterward. Their efforts are vital for creating a safe, efficient learning environment, significantly enhancing the educational experience for everyone in the chemistry program.

I am eager to photograph this subject because it represents a significant and consistent aspect of my daily life since I became a student at Fresno State. Capturing this moment will allow me to showcase not only the routine I’ve established but also the unique experiences and connections I’ve formed during my time here. Through this lens, I hope to convey the essence of my journey and the environment that has shaped me as a student and individual. Additionally, I wanted to highlight a lesser-known area of Fresno State, one that many people might overlook if they aren’t directly engaged with it. This hidden corner has unique features and stories that deserve recognition, and I believe that shedding light on it could spark curiosity and appreciation among those who may not yet be familiar with its environment.

In order to authentically convey the essence of the environment of my workplace, I intend to capture scenes that showcase my co-workers and me actively engaged in our tasks throughout the stockrooms. This will involve capturing candid moments as we navigate our responsibilities, whether it's organizing supplies, receiving new shipments, or coordinating the distribution of materials. Additionally, I will focus on photographing the various spaces within both the chemical stockroom and the glassware stockroom. Each area has its own unique character and history, and I aim to highlight the intricate details and organization within these rooms.

As a student assistant, I have access to the various workspaces and can take photos while working between tasks or after doing my tasks. However, to capture real-time scenes of me working with others, I need to obtain permission from my co-workers and supervisor. I'll need to ask if they are comfortable being included in my project, ensuring that everyone consents to being featured in the photos. This is to respect their privacy and keep a good connection between us.

Overall, for this project, my primary goal is to thoroughly explore and document the crucial behind-the-scenes contributions that play a vital role in facilitating scientific education. Furthermore, I specifically intend to shine a light on a lesser-known area of Fresno State that tends to remain underappreciated by the broader community. This hidden gem encompasses unique features and compelling stories that deserve more recognition. Many individuals might pass by this area without fully understanding its significance, especially those who are not directly involved in its operations or activities. By illuminating this aspect of Fresno State, I hope to spark curiosity and foster a greater appreciation for its contributions among those who may not be familiar with its surroundings.

#art30 #photography #ThemedProject

Jaromír Funke

Jaromír Funke was a Czech avant-garde photographer known for his innovative "photographic games" that utilized mirrors, light, and everyday objects to create unique works of art. He was born into a wealthy family in Bohemia, Czechoslovakia, on August 1, 1896. After completing high school in 1915, Funke initially pursued studies in medicine, law, and philosophy, but he turned to photography following World War I (“JAROMÍR FUNKE. AVANT-GARDE PHOTOGRAPHER - FFFrankfurt”). In 1923, Funke began developing his early modern works by integrating key trends from European modernist photography, including constructivism, functionalism, surrealism, and social critique, while also incorporating traditional Czech aesthetics. His interest in modernist concepts led him to create detailed studies of basic objects. In 1924, he helped establish the Czech Society of Photography, which aimed to advance photography's role in fulfilling new social functions (Jaromír Funke (Czech, 1896) (Getty Museum)). As the decade progressed, Funke shifted his focus to producing meticulously composed still lifes that emphasized abstract forms and the interplay of light and shadow. On March 22, 1945, in Kolin, shortly before the end of World War II, Jaromír Funke died during abdominal surgery due to an interruption of the hospital's electricity from an Allied airstrike.

“The beginning point and the objective is emotion, an emotion in a certain sense, something like a dream, where human fantasy is laid open and fairy tale-like rifts are mastered. Fairy tales, indeed, but created out of a photographic reality. A human dream, photographed in order to relate it to others.” –Jaromír Funke I greatly enjoy Funke's work, which offers a vibrant exploration of lighting and the intricacies of everyday life objects. His detailed studies illuminate how light transforms ordinary objects and scenes, revealing subtle details that often go unnoticed. Each piece invites the viewer to pause and appreciate the beauty that emerges when the mundane is captured with such skill and insight. Funke’s unique perspective encourages a deeper appreciation for the delicate play of light and shadow, making the commonplace feel extraordinary and full of life. Additionally, I really appreciate his work because it reminds me of one of my favorite films, The Cabinet of Dr. Caligari. The sharp angles and black-and-white quality of Dr. Caligari create a haunting backdrop that parallels the intense emotions and thought-provoking concepts. Each piece of Funke’s seems to capture a sense of surrealism that I find deeply compelling, much like the unsettling aesthetic of that film.

#art30 #artist research

Scavenger Hunt Project

Created by Isabella Gomez Scavenger Hunt Project ART 30 Spring 2026

#art30 #photography #scavenger hunt

Elements and Principles of Design

Elements:

Line - A straight or curved mark that links two points or represents the path of a moving point. Lines differ in weight, direction, and length. Additionally, lines can be implied rather than explicitly drawn.

Shape - A two-dimensional area that is enclosed and defined by its height and width, which can be either geometric or organic.

Form - A three-dimensional object that has height, width, and depth. It can be either geometric or organic.

Color - How we perceive light that bounces off the surface of an object or form. There are three primary attributes of color: Hue, Value, and Saturation.

Value - Refers to how light or dark a color is. The contrast in value distinguishes objects within a space. The gradual change in value indicates volume and shape.

Space - Refers to the distances and areas surrounding, between, and inside elements of a design. There are two types of space: negative space and positive space.

Texture - Refers to the quality of a surface that we can feel with our touch. It can be experienced in two ways: tactile or visual.

Principles:

Balance - Refers to the arrangement of elements such as objects, colors, texture, and space. There are three forms of balance: symmetrical, asymmetrical, and radial.

Emphasis - Refers to the aspect of the design that draws the viewer’s eye. It is achieved by highlighting an element in contrast to other elements.

Movement - Refers to the route the observer's gaze follows throughout the artwork or design. It can direct the viewer towards key areas or evoke a sense of action or dynamism.

Pattern and Repetition - The recurrence of an element throughout the artwork. Repetition collaborates with pattern to create a sense of dynamism in the artwork.

Rhythm - Happens when one or multiple components of a design are utilized repeatedly to establish a sense of organized flow or a visual rhythm.

Proportion - Refers to the comparative size and scale of different components in a design.

Variety - The incorporation of multiple design elements to capture the viewer's interest and steer their gaze throughout the image.

Unity - The sensation of balance among all elements of the design evokes a feeling of wholeness.

https://medialoot.com/blog/the-elements-and-principles-of-design/

#photography #art30 #Scavenger Hunt

Jerry N. Uelsmann

Jerry N. Uelsmann was an American photographer known for creating surreal, enigmatic photographs using his unique darkroom techniques to manipulate his black-and-white pictures into dreamlike worlds. Born in Detroit on June 11th, 1934, Uelsmann enjoyed photography in his youth and later became a wedding photographer for work. Deciding to pursue a more professional career in it, Uelsmann attended the Rochester Institute of Technology in 1957, where he received his BFA degree. He continued graduate school at Indiana University, earning his MS and MFA in 1960. In the same year, he became a professor at the University of Florida, teaching photography. During this transformative period in art history, the art world was moving into the Pop Art movement. Uelsmann emerged as one of the pioneering figures in this shift, particularly in photography, by 1965 (Jerry N. Uelsmann - Division of Arts and Culture - Florida Department of State). His innovative techniques and creative vision played a crucial role in elevating photography, ultimately leading to its broader acceptance and recognition as a legitimate form of fine art within the artistic community. After retiring from his teaching position, he stayed in Gainesville until passing away on April 4th, 2022, at the age of 87. Uelsmann’s collection of photographs is included in the permanent exhibitions of a diverse array of prestigious museums across the world. Notable institutions that feature his work include the renowned Metropolitan Museum of Art and the celebrated Museum of Modern Art in New York City, as well as the esteemed Art Institute of Chicago. Additionally, his photographs are housed in the International Museum of Photography at the George Eastman House, which is recognized for its extensive photographic archives (Jerry Uelsmann : About).

“The primary creative gesture for most photographers used to be when they clicked the shutter. But I realized that the darkroom was a visual research lab where the creative process could continue.”

– Jerry N. Uelsmann

I have a deep appreciation for his distinctive artistic style, especially his remarkable analog technique that involves skillfully blending multiple images. This method results in mesmerizing surrealist compositions that challenge perceptions and evoke a sense of wonder. Each piece is a testament to his creativity and technical prowess, inviting viewers to explore the intricate layers and narratives he weaves together. The way he fuses different elements creates an imaginative landscape that leaves a lasting impression. His work is remarkable in that it predates the digital image-editing revolution brought about by tools like Adobe Photoshop by many years. The way he skillfully intertwines various elements creates a striking visual narrative that prompts viewers to explore the depths of their imagination, highlighting his innovative vision long before the conveniences of modern digital editing.

#photography #art30 #artist research

Philippe Halsman

Philippe Halsman was a Latvian-born American portrait photographer renowned for his iconic portraits of Marilyn Monroe and his collaborations with Salvador Dalí. Born on May 2, 1906, in Riga, then part of the Russian Empire (now Latvia), to Jewish parents, Halsman initially studied electrical engineering in Dresden. He later moved to Paris, where he established his first portrait photography studio. After the Nazi invasion of France in 1940, Halsman, with the help of Albert Einstein, successfully escaped with his family and immigrated to New York. In New York, he began working with various immigrant artists, including Salvador Dalí, with whom he created some of his most famous works, such as "Dalí Atomicus" (1948) and "Voluptas Mors" (1951). Over the next 30 years, Halsman's photographs were featured in numerous American magazines, ”including a record 101 covers for Life magazine” (Magnum Photos). This exposure brought him into contact with many renowned artists, entertainers, scientists, and other prominent personalities. Halsman passed away on June 25, 1979, in New York, NY. Today, his works are part of the collections of prestigious institutions, including The Museum of Modern Art, the J. Paul Getty Museum in Los Angeles, and the Indianapolis Museum of Art, among others.

“Every face I see seems to hide – and sometimes fleetingly to reveal – the mystery of another human being. Capturing this revelation became the goal and passion of my life.”

– Philippe Halsman

I found Philippe Halsman to be an exceptionally engaging and imaginative artist, particularly due to his innovative use of movement and his creative approach to composition. His ability to capture dynamic poses and spontaneous moments brings a sense of vitality to his photographs. Halsman's work often transcends traditional portraiture, as he skillfully combines elements such as light, shadow, and perspective to create visually striking images that tell a story. The playful energy in his compositions not only showcases his subjects in unique ways but also invites viewers to experience a profound emotional connection with the artwork.

#art30 #photography #artist research

Artist Research -- Diane Arbus

Diane Arbus was an Polish/Russian American photographer in the 1960s and early 70s who captured a wide range of subjects, including strippers, carnival performers, nudists, children, mothers, couples, the elderly, mentally disabled people, and people in the LGBTQ+ community. Born Diane Nemerov on March 14, 1923, to David and Gertrude Nemerov, Diane was a daughter of privilege who spent much of her adult life documenting those on the edge of polite society.

Rather than going to formal photography school, Diane developed her skills through mentorship, notably studying with photographers Lisette Model, Alexey Brodovitch, and Berenice Abbott. She was notable during her career as an editorial photographer and artist, working for publications such as New York Magazine, Harper’s Bazaar, and The New York Times Magazine, shooting portraits and occasionally fashion. Additionaity she became a central figure during the late 60s due to her feature in the publication Esquire and in the 1967 Exhibition New Documents (Fraenkel Gallery). After her suicide on July 26, 1971, Diane Arbus’s portraits have made her an influential figure in modern-day photography and an influence on three generations of photographers, though she was just as famous for her unconventional lifestyle.

I found Diane’s work to be incredibly fascinating and deeply touching. Each piece carries significant emotional weight, as many of the subjects are captured in their most authentic forms, free from the constraints imposed by societal expectations. This raw and honest representation allows viewers to connect with the figures on a more profound level, revealing their true selves without the filters of judgment or limitation.

“For me, the subject of the picture is always more important than the picture,” and more complicated”.

-Diane Arbus

This perspective profoundly resonates through her body of work, which is characterized by a naturalistic approach that captures the essence of her subjects. By choosing not to crop her negatives, Diane allows the full context of her subjects' surroundings to emerge, highlighting the intricate relationship between her figures and the societal spaces they occupy. This artistic decision not only emphasizes the importance of the narrative behind each image but also invites viewers to consider the broader complexities of identity and environment.

#photography #artist research #ART30

Pinhole Camera Experience

Building my own pinhole camera turned out to be an enjoyable and straightforward experience. Initially, I felt a bit apprehensive about the process, unsure of how complex it would be to create and use one. However, after diving into several tutorials and guides, I discovered that the process was much more accessible than I had anticipated. I started by cutting the bottom ends of two Rockstar cans, overlapping them to create a snug, light-tight container. To ensure safety, I wrapped the sharp edges with black electrical tape, then poked a tiny camera hole and crafted a cover for it using more tape. To top it off, I spray-painted the interior black, eliminating any reflections that could ruin my shots.

The process of taking photos frustrated me at first. My camera was particularly difficult to open. This was because the spray paint had made the inside tacky. This sticky buildup caused the overlapping sections of the camera to jam. Additionally, I struggled with the exposure time. Determining the optimal duration for capturing images was challenging, especially with the ever-changing lighting conditions around me. I wouldn’t truly know if my timing was right until I patiently developed the film in the dim light of the darkroom. However, after persevering through these initial hurdles, I eventually honed my skills and managed to capture a series of striking photos that reflected my journey.

It was fascinating to learn how a simple concept could capture images using just the fundamental principles of physics and light. This hands-on project not only deepened my understanding of photography but also sparked a newfound appreciation for the art form.

My Pinhole Camera

My Pinhole Negatives

Inverted Versions

#photography #ART30 #pinhole photography

A Day of My Weekend :)

I had such an exciting weekend! A couple of friends and I planned a fun-filled day to celebrate Valentine's Day weekend. We kicked things off at Riverpark, where we stopped by a charming little café, Fuwa Fuwa, known for its Japanese drinks and fluffy Soufflé pancakes. As we waited for an opening at Color My Name, the café's inviting atmosphere and menu had us staying much longer than planned. I found it impossible to put my camera down as I captured the joy of my friends and the cute presentation of our treats. Every moment was like a super fun memory, and I really appreciated such a fun way to enjoy the weekend.

First Photo of the day :), taking in the scenery of Riverpark. My friends started walking ahead while I took photos.

Finding something fun to do for the day. My friends are the main figures in the mid-ground.

Some of the only decor in Café Fuwa Fuwa. The Café has a very minimalist style.

Waiting for our orders in the Café :). Didn't get the memo to dress in pink for Valentine's Day, oops.

First drink to be picked up. Didn't let my friend touch it till I took a couple of photos.

My first time having a soufflé! It was very soft and bouncy.

Took a couple of photos while she was tweaking her settings. Wanted to capture her in action.

They devoured that thing! Couldn't try it myself, unfortunately, I'm allergic to mango :(.

Got a whole piece! The Soufflés were three-layered, so everyone got a good portion :).

Cleared!! Was told it was very yummy.

#photography #foodie

Introduction Post

Helloo everyone, my name is Isabella, or bella for short :). Currently, I’m in my junior year and am majoring in graphic design through its interactive media track.

I decided to take intro photography mainly because it's been a skill and hobby I’ve always wanted to get into, but also because I wanted to enhance my designs by sourcing my own material and add a textile vibe to my career work and personal work.

Outside of school, I’m interested in art and am drawing either digitally or traditionally, or doing 3D modeling & texturing(I HATE rigging (〒▽〒)). I also enjoy playing video games (current favs are S.T.A.L.K.E.R, Minecraft, No, I am not human, & Cult of the Lamb) and listening to music.

Here is an old photo of a friend & me :). I'm the one on the bottom holding the skeleton(don't worry, it's just a model lolp).

#photography #beginner artist

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