
#extradirty

Kiana Khansmith
macklin celebrini has autism

Love Begins
styofa doing anything

⁂
noise dept.
Today's Document
Cosimo Galluzzi
trying on a metaphor
he wasn't even looking at me and he found me
Sweet Seals For You, Always
cherry valley forever

No title available
I'd rather be in outer space 🛸

@theartofmadeline

Kaledo Art

❣ Chile in a Photography ❣
Three Goblin Art

titsay
seen from Brazil
seen from Brazil
seen from Brazil

seen from Brazil

seen from Colombia
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from Saudi Arabia
seen from United States

seen from United States
@landscapereflections
dresner residence ~ andrea cochrane landscape architecture
Inlaid flowers across Sheikh Zayed mosque’s 183,000-square-foot marble courtyard.
Photograph by Dave Yoder, National Geographic
Empire of Dust Amélie Labourdette
Amélie Labourdette interrogates which is in the landscape is a priori invisible. There is always a blurred zone of concern and a landscape located below the visible landscape, another landscape that is not given at first gaze.
This series of photographs, Empire of dust has been realized in south Italy, in the regions of Sicily, Calabria, Basilicata and Puglia, where financial crises and embezzlement have made of the incompleteness, an architectural aesthetics.
Images via text via
Scars on the Earth | Emmet Gowin | Socks Studio
US artist Emmet Gowin discovered aerial photography after receiving a scholarship from the Seattle Arts Commission in 1980 and consequently being asked to photograph the massive eruption of Mount Saint Helens. Since then, she has been taking black-and-white pictures of the surface of the Earth for over twenty years documenting the landscape of the United States, Mexico, Czechoslovakia, Asia, Africa, and the Middle East.
Gowin’s pictures record the impact of human action on the planet in a subtle yet very impactful way. Her subjects are ammunition storages and disposal facilities, coal mining, pivot irrigation, nuclear test sites and battlefields which from above look like abstract shapes superposed to natural features. The reading of Gowin’s photos requires a double level of attention: while at first they appear as a compelling, almost romanticized, landscapes, at a second look they reveal the traces of man’s exploitation of the planet.
SOFTlab’s Nova Pavilion reflects kaleidoscopic views of New York’s Flatiron District
Photos by Alan Tansey
At the foot of New York’s soaring Flatiron Building, local design studio SOFTlab has built an aluminum pavilion that reflects and reveals kaleidoscopic views of the surrounding cityscape. ‘Nova’, commissioned by the Flatiron 23rd street partnership following a competition by the Van Alen Institute, offers glimpses of the ever-shifting landscape of neighboring towers and bustling pedestrian traffic through a series of scopes.
The nature of the coast (via the-rx)
obr architetti / residenza lh2, clapham old town london
Church emerges from the water in a reservoir in Mexico
The remains of a mid-16th century church known as the Temple of Santiago, as well as the Temple of Quechula, is visible from the surface of the Grijalva River, which feeds the Nezahualcoyotl reservoir, due to the lack of rain near the town of Nueva Quechula, in Chiapas state, Mexico, Friday, Oct. 16, 2015.
Picture: David Von Blohn/Associated Press
Source: Mashable
Fair Park Lagoon / Patricia Johanson // 1981-1986
Redlining is Alive and Well—and Evolving
[Map: New York Attorney General Office]
Two different versions of commercial corridors.
Streets of fire
Sea salt ponds in Tianjin, China
Banyoles old town refurbishment by JOSEP MIAS ARCHITECTS
Archeological Museum and Park Kalkriese, Osnabrück, Germany by
Gigon/Guyer Architects and Schweingruber Zulauf Landscape Architects