Le Domaine d'Arnheim 1962

Invisible essence.

[specialnights]

Somalia. Literacy teaching. 1974.

[loveletters2myself]

mentally here

[metamorphesque]

van gogh green | monet violet | salman toor green | van gogh yellow

[1five1two]

Carved ripples on granite. Shen Lieyi.

[besidebloomingirises]

Habōki (羽箒): feathers for brushing ash off the rim of the sunken hearth (Ro)

[expressions-of-nature]

by Zhou Hong

[boyx-deactivated20190424]

[maureen2musings]

Early morning visitors

osugisan108

[leaottavi]

"I don't believe architecture has to speak too much. It should remain silent and let nature speak." — Tadao Ando

[livesunique]

Mariquita & Moonbeam IV

Built by the legendary Scottish yacht designer and builder William Fife III, Mariquita (1911) and Moonbeam IV (1920) are among the most elegant classic yachts ever created.

Designed as masterpieces of speed, beauty, and craftsmanship, they remain enduring icons of classic sailing.

Credit: Historic Vessel Vega

[soft-lovely]

foxgloves

[peaceinthestorm]

Koichi Nabatame (b. 1933, Japanese) ~ Resting in Spring, 2014

[Source: satosakura.jp]

[achillesinhighheels]

Realizing nothing can fill my void other than doing everything I said I would do for myself

[expressions-of-nature]

by Zhou Hong

[milk-honey-tea]

Vyjayanthimala in Phoolon Ki Sej (1964)

[antigonick]

“—words, as light as rose- petals, rest on the face of someone who has put his book away and shut his eyes: to see you—”

—

Rainer Maria Rilke, excerpt of “The Gazelle [Die Gazelle]”, from New Poems, trans. by Stephen Mitchell in The Selected Poetry of Rainer Maria Rilke

Source—Worte, weich wie Rosenblätter, dem, der nicht mehr liest, sich auf die Augen legen, die er schließt: um dich zu sehen—

[thekimonogallery]

神々の巨樹. Kyoju of the Gods. Ancient tree in Japan.  Photography by Yoshida Shigeru on Ganref