Le Rocher

Horreur Rétro, Gribouillis & Bandes Dessinees

[justineportraits]

Rlchard A. Williams Sultry Beauty 2024

[timetowar]

[thewindowofthesummerhouse]

Bernie Wrightson

[aeontriad]

Tomohiro Takagi

[kawiza]

[phantastische-illustrationen]

Artwork for 'Date d'expiration' by Tim Powers, 1996 (Philippe Caza)

[beautifulbizarremagazine]

What incredible design and beadwork in this upcycled wearable art couture built from unsold garments from @lvmh!

"Les Chardonneuses" SS26:

CREATIVE DIRECTION @kevingermanier

STYLING @kevingermanier

HAIR @charlielemindu

MAKE-UP @domii_mua

SHOES @carelparis

CASTING DIRECTOR @alexandrejuniorcyprien

MUSIC @raphparpex

PRODUCTION @oboglobal

MODEL @nicolkosinova

PRESS @spreadtheword_communications

PHOTO @alexandre_haefeli

Plus @atelier_dianamartinez and her team @gustav.13 @maevabessis @13.99stoli @dipietrooceane @raphpayet @bleugabriel

[sex-death-rebirth]

The Raftsman Death by Franz Lippisch, 1897

[charnel-grounds]

Dmitry Khramtsov (Храм), “Eyelashes,” 2026

[daily-art-academy]

Witches' Sabbath

Francisco de Goya, 1798

Oil on canvas, 43 × 30 cm, Lázaro Galdiano Museum, Madrid, Spain

[charnel-grounds]

Francisco de Goya y Lucientes (1746–1828)

“Lo que puede un Sastre!” (What a tailor can do!)

plate 52 from ‘Los Caprichos’, 1799

etching, burnished aquatint, drypoint, burin

[diaryofafadedqueen]

Witches Flight - Francisco Goya (1797-98)

[charnel-grounds]

Krzysztof Iwin, “Dualitatem Mundi”

acrylic on board, 2019

[charnel-grounds]

Gustav Adolf Mossa (1883–1971)

“Les Mortes” (The Dead Women)

watercolour, graphite, gouache & Indian ink on paper, 1908

source

[lovelylittleheartbreakers]

Knife Point

[lovelylittleheartbreakers]

Lèvres de sang 1975

[thewindowofthesummerhouse]

Karel Thole