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@sakrogoat
Mary Histia (1881-1973) an Acoma potter known for her large water vessels delicately painted with polychrome designs, photographed in 1900.
Onwards
Today, I celebrate a milestone that represents years of patience, commitment, and perseverance: my U.S. naturalization journey.
My story began in October 2017, when I got married. In 2019, I started the residency process, taking the first formal steps toward building a future in the United States. After years of paperwork, waiting, and uncertainty, I was finally able to enter the U.S. legally in 2022 and begin a new chapter of my life.
In 2025, I started the naturalization process. By then, I knew the path would require dedication, but I did not expect to navigate a period of changes in the citizenship testing standards. The civics questionnaire was transitioning from 100 to 128 questions, so I prepared for both versions to ensure I was ready regardless of which test I would face.
In 2026, my interview was approved, marking the culmination of nearly a decade of effort, hope, and determination.
This journey has taught me that borders are more than lines on a map. They can separate countries, but they cannot limit human aspirations, resilience, or the desire to belong and contribute to a community.
As Anaïs Nin once said:
“Life is a process of becoming, a combination of states we have to go through.”
Today, I’m grateful for every step of that process, for the people who supported me along the way, and for the opportunity to continue building a life defined not by where I started, but by the values, work, and purpose I bring wherever I go.
🇺🇸🦅
Anaïs Nin modeling for a painter as Cleopatra, 1921
Spanish archaeologist Manuel Esteve posing with a Corinthian helmet he found back in 1938.
Cherokee Pottery and Bead Worker
c. 1937-1938
W.M. Cline Company photographs of Eastern Band of Cherokee
An Ojibwe women weaving a bull rush mat, 1918
Miles Cleveland Goodwin, “Ghost of the Cherokee”
oil on linen, 2025
Blackfoot woman (name: Khena Bullshields), Montana, northwestern USA. Photographed by Andrew Hogarth, 1996.
Young indigenous woman of Kiowa tribe, 1894. Data records show her name is O-o-dee although her blanket indicates "O-o-be".
Photographer: George W. Bretz, at his studio in Fort Sill, Oklahoma
Steatite whale effigy, Chumash people, southern California coast, circa 1200-1600
from The Montreal Museum of Fine Arts
Monsheeda (Dust Maker), and his wife Mehunga (Standing Buffalo), of the Indigenous Ponca tribe, posed together in their wedding photo
c. 1900
Astrological Clock (detail). San Marcos, Venice.