Lehmann Maupin

536 West 22nd Street, New York 10011 | 201 Chrystie Street, New York 10002 | Lehmann Maupin Hong Kong: 407 Pedder Building, 12 Pedder Street

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“What does it mean to ‘see?’ This is #KimGuiline’s starting point.” — Joon-Sang Yoo, @seoulmuseumofart • The artists’s first US exhibition continues at 536 W22nd Street through March 25.

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Last day at @independent_hq - @springstudios, floor six. #patrickvancaeckenbergh #independentny2017 (at Spring Studios)

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Happy birthday, @hernanbas! 🎈The artist's solo exhibition, "Florida Living" is now open at SCAD Museum of Art through May 21 • Photo by @scadmoa. #hernanbas #floridaliving (at SCAD Museum of Art)

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An exhibition of new work by #ErwinWurm will open at #LehmannMaupin on March 30 • "Spaceship to venus, One Minute Sculpture" (2016) #oneminutesculpture

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@centredartcontemporaingeneve will present “PERLA POLLINA: Roberto Cuoghi 1996-2016,” the first retrospective work work by Italian artist #RobertoCuoghi. Opening February 22. • “Senza Titolo (Untitled)” (detail, 2015) (at Centre d’Art Contemporain Genève)

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“...they use cast-off elements to express the powerful transference that occurs when, say, African or Latin American makers integrate Western components into their objects. For Attia, mixed or patched objects like these symbolize resistance and ingenuity.” — @artnet • "Untitled" (detail), 2017, ancient Dogon wooden mask, Muslim prayer beads from Senegal, and metal base. #kaderattia #reasonsoxymorons (at Lehmann Maupin)

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Final week—"Mickalene Thomas: Do I Look Like a Lady?" continues at @mocalosangeles through February 6. • "Diahann Carroll" (2016) #mickalenethomas #doilooklikealady (at MOCA | The Museum of Contemporary Art, Los Angeles)

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"Invited last summer to concve site-specific installations across the entire green space — the first time all five acres have been given over to a single artist in the park’s 30-year history — @nariward, a Jamaican-born, Harlem-based artist, has made a number of alterations to his proposed design post-election. He has created an altogether new piece titled “Scapegoat,” a 40-foot-long hobby horse with a giant goat’s head, a parody of virility and monuments to political leaders typically sited in public spaces." — @nytimes • #NariWard: "G.O.A.T., Again" will open at @socratespark on April 29. (at Socrates Sculpture Park)

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The New York debut of #KaderAttia’s multimedia contribution to the Biennale de Lyon in 2015, “Reason’s Oxymorons” presents a “video library” of 18 interviews presented in office cubicles. The interviews feature ethnographers, psychiatrists, and theorists discussing topics such as “Genocide” and “Reason and Politics.” The resulting observations reflect on the West’s antiseptic touch in dealing with its current troika of humanitarian dilemmas: immigration, assimilation, and the refugee crisis. — @artnet • Opening tonight, 201 Chrystie Street, 6-8 PM #reasonsoxymorons (at Lehmann Maupin)

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#LeeBul opens at 536 West 22nd Street on Thursday, January 12, 6-8 PM • “Untitled (Willing To Be Vulnerable - Red Velvet #3),” 2016, mother of pearl, crystal, acrylic paint, acrylic panel, PVC panel, water-based ink pen, and collage on silk velvet.

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“…#RobertoCuoghi demonstrates total fluency in any situation, employing a range of techniques to weave a sprawling, nonhierarchical and atemporal web of drawing, painting, photography, performance, digital animation, comic-book illustration, archaeological research, and musical composition. Yet his total immersion in his subject matter is what really distinguishes Cuoghi’s oeuvre from this of his peers.” — @artforum • “Perla Pollina, 1996-2016” opens at @centredartcontemporaingeneve, February 22. • “Senza Titolo (Untitled)” (2014) (at Centre d'art contemporain)

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#CatherineOpie is included in the group exhibition “Breaking News: Turning the Lens on Mass Media” at the @gettymuseum. Through photographs and videos, these artists have juxtaposed, mimicked, and appropriated media elements to transform ephemeral news into lasting works of art. • “Bush Smiling, Help Us, from the series Close to Home,” (2005) © Catherine Opie. #breakingnews (at Getty Museum)

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#ErwinWurm shot by @stefangiftthaler for @stylemagazineitalia #theartissue

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“Like my first muse, my mother, all of my muses possess a profound sense of inner confidence and individuality. They are all in tune with their own audacity and beauty in such unique ways. They are unafraid to exude boldness and vulnerability at the same time, and most importantly, they are real. — @mickalenethomas • “the desire of the other” continues at #LehmannMaupin, Hong Kong, through January 7. “Qusuquzah Lounging with Pink + Black Flower,” (detail), 2016 #mickalenethomas #thedesireoftheother (at Pedder Building)

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#DoHoSuh's "Gate" (2005) is included in #SingaporeBiennale: An Atlas of Mirrors at the #SingaporeArtMuseum through February 26. Photo courtesy @singaporeartmuseum (at Singapore Art Museum)

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Happy birthday to #JenniferSteinkamp! • Above: “The Vanquished 3” (2011) at @nationalacademymuseum, 2013 (at The National Academy Museum)

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#BillyChildish's studio by LM director @issyicoz #LMtravels