Joseph Bail, Nature morte à la carafe et aux couverts de voyage (détail)
1887

tannertan36

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Cosimo Galluzzi

Janaina Medeiros
will byers stan first human second
hello vonnie
noise dept.
Not today Justin
occasionally subtle
NASA

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Jules of Nature

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TVSTRANGERTHINGS
todays bird
Claire Keane
art blog(derogatory)
AnasAbdin

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@lennycohen
Joseph Bail, Nature morte à la carafe et aux couverts de voyage (détail)
1887
© Pete Purnell
Werner Herzog and a fox.
1) too cool for technicolor 2) ops just murdered someone and 3) what the fuck is going on here my dudes. the 3 cardinal emotions of noir ladies and gents.
@lennycohen honestly I think 90s Al is my fav like he’s just totally chill and the beard made him a mega babe
so true
Krzysztof Kieslowski’s “Three Colors Trilogy” Japanese poster
humphrey bogart in high sierra (1941)
Father John Misty - One of Us Cannot Be Wrong
I showed my heart to the doctor and he said I’d just have to quit Then he wrote himself a prescription and your name was written in it
in a lonely place (dir. nicholas ray, 1950)
“Jewess with Lemons” (1880-1881) by Aleksander Gierymski (Polish,1850–1901), oil on canvas, 65 x 54; National Museum, Warsaw.
to have and have not (1944)
Danae by Gustav Klimt (1907)
Humphrey Bogart as Duke Mantee in The Petrified Forest (1936)
The world has enough people in it. To have a child, that wouldn’t guarantee we would make anything better. But to take a child that’s suffering like you boys were, give you a chance in the world, that’s something.
Lion (2016) dir. Garth Davis
We’re all obscene. Everyone’s obscene. That’s the whole fucking point. We see it and we love each other anyway.
A Bigger Splash (2015) dir. Luca Guadagnino
Paul McCartney & Wings - Letting Go [Extended Version]
Fun fact: Paul McCartney wrote this song for his wife, Linda McCartney, when he saw that he needed to give his wife more space to pursue her own interests and hobbies. He goes on in the song about the admiration and love he has for her but that he “feels like letting go”, meaning giving her more freedom of her own. McCartney biographer Peter Ames Carlin claims that the song “traced the thin line between love and obsession”, with “passion in all its unhinged, dangerous glory.”