Leonardo DiCaprio being a giant dork on the set of Titanic

shark vs the universe
Today's Document

roma★

JBB: An Artblog!

#extradirty
sheepfilms
Not today Justin
will byers stan first human second
tumblr dot com
Cosmic Funnies

Janaina Medeiros
$LAYYYTER
I'd rather be in outer space 🛸
Alisa U Zemlji Chuda

No title available

No title available

⁂
DEAR READER
AnasAbdin
No title available
seen from United Kingdom

seen from Italy

seen from United States
seen from Indonesia
seen from United States
seen from France

seen from United States

seen from United States
seen from T1

seen from Italy

seen from United States
seen from United States
seen from United States

seen from Norway

seen from Hungary

seen from Canada
seen from Luxembourg

seen from Malaysia
seen from United States
seen from United States
@leo-channel
Leonardo DiCaprio being a giant dork on the set of Titanic
Promise me you’ll survive. That you won’t give up, no matter what happens, no matter how hopeless. Promise me now, Rose, and never let go of that promise.
I promise.
Titanic (1997) dir. James Cameron
This motif plays in two parts of the film. Once when Rose is boarding the Titanic and in a V.O. she says, “To me it was a slave ship taking me back into America in chains. Outwardly I was everything a well brought up girl should be. Inside I was screaming.” Second, when she is on the Carpathia and discovers the Heart of the Ocean in her coat pocket, to then tossing it over the Keldysh. The juxtaposition of these two scenes is obvious when staring at them side by side. At closer look, James Horner purposefully connected these two scenes by using this motif to truly capture the transformation Rose has made over the course of the film.
The motif itself is meant to exude grandeur, both of the ship and of the life Rose can lead by marrying Cal. When she discovers the diamond it plays again because the opportunity to live comfortably in wealth is before her again. What’s amazing is that the second time this motif plays, she drops the Heart of the Ocean into the water, thus rejecting the life she was originally meant to lead. What happens now is pure movie music magic. This motif transitions into another motif. It transitions into Rose’s theme, which is the music played when Rose is living the life she wants for herself. The film takes us on an emotional tour of her bedside photos, which confirm that she kept her promise to Jack, and to herself.
Leonardo DiCaprio, 1994 (via @ldicapriobr)
Leonardo DiCaprio (1996)
l e o
baby
90s leo
Leonardo DiCaprio (1993)
More leo here ♡
Leonardo DiCaprio japanese commercial
Leonardo DiCaprio photographed by Greg Gorman, 1994.
But soft! What light through yonder window breaks? It is the east, and Juliet is the sun.