âââââââ đđđ đđđ đđ đđđđđ
đ©đđąđ«đąđ§đ : platonic!damian wayne x batmom!reader / bruce wayne x wife!reader
đŹđźđŠđŠđđ«đČ: Damian doesn't like you, he barely tolerates you. But when the museum you work at comes under attack, things change.
đ°đđ«đ§đąđ§đ đŹ: fluff, crack, insults, bruce and reader are disgustingly in love, like a lot, Damian HATING your ass, 5k words, tried to not make it too ooc #keywordtried, and ik the sun is at Oslo university but for the sake of the story lets pretend it isn't
An abrupt squeal cuts through the air; Damian pinches his brows and sneers at his eggs.
One would expect that a woman of a certain age wouldnât do something as stupid and childish as squealing. Youâd be wrong. Because you, his new step-mother, the harlot who has his father bewitched, does strange things like squealing.
The kitchen of Wayne manor had been peaceful (Damian canât believe heâs having breakfast in the kitchen of all places, and not the dining room--- the proper way. This was probably your idea).
The sizzling of eggs on a pan, soft notes of bacon overpowered by brewing coffee and a sweeter something else Alfred had baked for after patrol. His father was at the head of the tableâ reading his paper and every thirty two seconds eyeing Damianâ usually you and father came together for breakfast, but as of lately itâs just him and Damian for about fifteen minutes alone. He suspects this is one of your ploys. Every so often, Damian could hear the brushing of thin paper against the wooden table and the ping of a toaster or another kitchen device.
Steps come from the depths of the manor, quiet and sharp, these are not yours. Instead Tim Drakeâ his new step-brotherâ comes in, he scrapes the chair against the floor and sits left to his father, leaving one empty chair between him and Damian. The younger boy did try to kill him, so maybe thatâs why. His eyebags arenât as pronounced as last weekâs but still prominent, he mumbles a quiet good morning that only Alfred returns good naturedly. He pours himself half of the coffee jug in front of him into a Wonder Woman themed mug.
The silence resumes; most mornings are like theseâ the days Drake is hereâ the quiet opens itself to introduce a new piece and then it restitches itself.
But you come and rip it apart.
The way his father lifts his head to look at you makes him want to boke. Really, that man needs to get a grip around you. Despite none of them being morning people (except Alfred), Drake and father greet you in varying tones of good morning.Â
You make your way to Drake, ruffling his hair and pressing a kiss on his forehead. Drake mumbles something that just makes you smile wider, he re-adjusts his hair and stretches his neck to be able to kiss you on the cheek. You then go to Alfred, and ask if thereâs anything else you can doâ this always happens, his answer is always the same.
âPlease, sit down and enjoy breakfast, miss.âÂ
You let him win and go to Damian; you smile and ask how heâs slept. You never kiss or hug or coddle or rub or ruffle or anything that involves touch. You maintain a healthy distance and always wait with a smile for his reply.Â
You always linger for a second longer in case he wants to add something else (he doesn't), but eventually go to Bruce. He settles his hands around your waist and presses a kiss against your lips. You always give him one back and sit down.
Damian still remembers the first week of breakfasts at the manor, your kisses with Bruce lasted far longer, Damian suspects theyâre chaster know because of him.
Cassandraâ another resident of the houseâusually counteracts your ever present loudness with her calmness. Why did she have to go to that mission?
âI have amazing news!â
Alfred sets a plate of still sizzling bacon in front of you, you take two pieces and two scoopfuls of scrambled eggs. Mixing everything together. Alfred then sets a warm batch of golden brown toast and replenishes the jug of orange juice. You pile things on your plate, while the others wait to hear these amazing news.
Your breakfasts are anything but healthy and balanced. Just another of your many faults.
âI managed to convince Ingridâ you know Ingrid, the curator at Oslo, great woman, amazing hair.â Damian hates ramblers. You ramble when youâre excited. âSorry, anyways, she said the Sun will arrive today!â
You look at the rest of them in expectation and excitement practically brimming out of you.Â
Bruce smiles. âThatâs great, darling. When are you planning on opening the exhibition for it?â
Oh yeah, because if you werenât gaudy enough, youâre an art museum curator. Art museum curator. You have a nine to four job, at a museum. Where did Damianâs mom send him again? Ah, that's right, New Jersey.
âNext week definitely, Iâm still wrapping up some stuff but everyone at the museum is super psyched for it."
Drake smiles at you. âWeâll be the first there.â He pours himself more coffee. âIâve never seen it in person actually.â
âItâs Miss's favourite painting,â Alfred says from behind Damian.
All eyes snap to him, he hates this part. When they break away from their circuit to switch onto him, their eyes are always saying something. Damian knows, despite being his fatherâs only blood son, that heâs not really part of their tight knit group. But he doesnât care.Â
âOh, yes!â You finish swallowing a bite. âThat andâŠâ
âThe Ninth Wave.â Bruce finishes.
You smile at Bruce, and he doesnât really smileâ but he does this thing with his body, his shoulders slump and itâs like he physically feels you, making him feel lighter. He doesnât smile like you do, but itâs his version of it; up-turned lips and softening eyes.
Itâs disgusting to witness.
Judging by Drakeâs groan, he feels the same.
"Please, no goo-goo eyes this early."
You ignore Drake's protest. âBruce and I went to see it while we were dating, I had only seen it in pictures, I fell in love with it.â Damian doesnât really care, but because he hasnât interrupted with one of his usual nasty comments, you continue. âWe bought it a couple of years back at an auction, but gifted it to the original museum after a week.â
Drake replies with something witty and you laugh.
Alfred picks up an empty bacon plate.
IF Damianâs day at Gotham Prep hadnât been long and tedious enough, it was about to become a lot worse. The moment he saw that familiar black SUV, he knew he was done for.
Inside your car the heating was on, the leather seats pristine and warm, a sweet scent floating around, a faint song in the background. Damian wants to jump out the window.
You drum your fingers on the wheel, looking at him from the driverâs seat and then to Gothamâs usual afternoon traffic. âDamian, I know you donât like me muchââ
âUnderstatement of the century.â
âBut,â you continue, seemingly unaffected, âI wish we could reach a truce. Iâm not trying to become your mother, or make your father love you any less. I just want you to be happy here.â
Damian scoffs. âYou clearly couldnât substitute my mother even if you wanted to.â
You donât say anything again, but he notices the way your shoulders slump a little. The way back to the manor continues as it always does, but just when you have to take the turn towards Old Gotham you switch to the left lane.
âWhere are we going?â He demands.
âThe museum, I still have stuff to do but I had to go pick you up from school.â
Damian humphs and stares at the window, taking in the new streets and buildings. The city sometimes feels like a painting, one you slowly discover with time, details and colours revealed to you the more you stay to look at it. Amidst the greying day and Gothamâs usual streets, Gotham Museum stands proud and tall. Bright, white and with several greek columns framing a massive entrance. There are two banners put up, and on the left side of the building a big bulletin board where different pamphlets are stuck on. Thereâs trees dotting the area, several benches where only a handful of older Gothamites are seated.
In the usual gloominess of the city, that area seems particularly bright.
You quickly park behind the building and enter through a backdoor, Damian follows you silently but at a generous distance. You two enter a sort of work place, it looks like an ordinary office but with far more colour and pamphlets and two large tables with all sorts of devices. You greet the people there, introduce them to Damian and vice versa and then usher him into your office.
Itâs not that big, but itâs okay. Nothing is amiss, except for the back wall; itâs brimming with books of all shapes and colours and fonts, pictures, so many pictures of Graysonâ young and oldâ Drake, Cassandra, Alfred, Father, Clark Kent (alias Superman) with Lois Lane, and the second robin, Jason Todd. Thereâs some others but Damian doesnât recognise them.Â
Itâs blurry, Damian remembers itâs because he caught his father taking it and tried to move out of the way. Damian is dressed in Gotham Prepâs uniform, holding tightly the straps of his backpack and sporting a nasty scowl. The picture is there, next to a family one and another from one of yours and Bruceâs trips.
You catch him looking. âOh yeah, thereâs a tradition at home that when itâs your first day of school year you get your picture taken, and then we compile an albumâ
âThatâs a ridiculous tradition.â
You leave your coat on a chair. âIâm going down to the lobby, if you need anything. If not, you can stay here and do your homework.â
Damian sits at your chair, rather than the two opposite ones and stares at you with a brow raised.
You give him one last smile and disappear, the sound of your heels clicking off into the distance.
Damian snoops a little. But just a healthy amount. He doesnât bother hacking your computer. Father probably has it protected from even the government. He stares at all the pictures individually, rummages through cabinets, opens some books, and doesn't leave them as perfect as before. H doesn't care if you know.
Theyâre three, sharp and booming through the air. Damian peaks through the blinds of your office, thereâs only a girl in the work spaceâ the rest mustâve been helping you at the exhibition.
The museum had been closed this afternoon to the public for the installation of the painting and removal of the current exhibition. Okay, so no other civilians aside from you and the other three workers.
Damian creaks the door open, the girlâs head snapping to him. Her eyes are bleary and thereâs snot running down her nose.
âNoâ donât go, theyâre armedââ
He shushes her with a glance, the girl cowers under the table and murmurs something.
Damian creeps out of the office and into a long hallway that probably leads to the main rooms of the museum. The noises are getting louder; loud talking, some crying. This is not good at all, and he doesnât even have a Robin suit to be able to properly save the day! Heâs reduced to being another useless civilian. Tt.
He finally gets to the source of the noise. In the lobby of the museum, three armed men hold you and three other staff members at gunpoint. Your employees are frozen in place beside half-unpacked crates and rolled banners announcing next weekâs exhibition, you are the picture perfect image of calm.
He hides himself in the depth of the hallway, and spies their movements.
âWhere is it?â Gunman One cocks his machine gun at you.
You donât flake, and instead raise your head. âI donât know what youâre talking about.â
The man shoots the air, the noise like an explosive pop that ricochets against the marble. The youngest internâ a boyâ whimpers, Damian realises it's him who was crying.Â
These are probably the stupidest thieves ever to exist.
You must be thinking the same, because you raise your brow. âUh⊠this is an art museum?â
âThe one that arrived today!â Gunman Three has gotten tired of all the chit chat.Â
âThe storage room,â you reply calmly, âat the back.â
Damian knows he has to intervene. But how? He has no weapons to eliminate them (temporarily), and his position is too tight for him to move to a better angle. He could go for help, but it would take too long.
He makes a small noise from behind the wall by purposely stepping on one of his laces and then prepares his best Iâm-just-ten face. As predicted, the gunmen approach, and he stumbles out.
This is humiliating. So much that if they shot him, it would take him out of this misery.
The gunmen drag him by the arm and toss him against the same wall as the others, your eyes widen briefly as you scan him up and down. Are you worried? That canât be right.
âNow,â Gunmen One says, âone of you is going to come with two of us, the rest stay here until we say so. No one has to come to any harm, just listen and follow our orders.â
Gunmen Three steps toward Damian, pressing the cold barrel of his gun against his temple.
âTake me,â you suddenly say to Gunman Three, your voice not even anymore, âI know where the painting is exactly, the passwords to the storage room and how to get there as fast as possible."
No! Stupid! You're going to ruin the plan!
Gunmen Three moves his eyes from Damian to you, back to you and then Damian again. He forcefully releases Damian, pushing him against the wall again.
And honestly heâs too dumbfounded to think quickly enough. Why did you take his place when youâre neither trained and Damian treats you anything but kindly? Why do you have his picture in your office? Why do you skip work to come pick him up so he doesnât have to take the bus? Why do you ask every single morning how heâs slept and every afternoon how school went? Why?
Damian doesnât like what he canât understand. And youâre far too confusing.
Gunmen Two pushes you forward and you begin walking towards the storage wing. Gunman Three flanks you, slightly pressing the weapon against your back.
The moment they and you are out of sight, Damian acts.
With a sharp kick he disarms Gunmen One, with another quick maneuver heâs on the floor. He kicks the gun away, towards the reception desk while Gunmen One finally reacts.
In just a few maneuvers Gunmen One is on the floor where Damian used to be. Talk about poetic justice.
The same intern that whimpered before, now screams. The other two just stare with wide eyes, huddling each other.
Damianâs eyes flick toward the security panel near the front desk.
A small red light blinks once.
The civilians look at the two unconscious men then at Damian, then again and slowly back to Damian.
âI do karate after school,â is what he offers in response.
The eldest of the bunch, a dark skinned woman with curly hair shakes his hand, though it trembles slightly. âThank you.â She nudges at the security panel near the front desk. âShe activated it before they put us against the wall.â
Of course you wouldnât walk into the storage wing without triggering some sort of protocol. His father probably installed it there for you.
Damian tilts his head slightly, listening past the blood rushing in his ears.
Faintly in the background he can hear sirens approaching, distant but theyâre there. Response time in this district averages four to six minutes. Less, if the signal is flagged under Wayne security clearance.
That gives him three approximately to finish executing his plan.
He casts one final glance toward the lobby and the civiliansâ and the bound man still unconscious where Damian left himâ then slips into the corridor.
âCode. Now,â Gunman Three demands.
The reinforced storage gate does not open.
âWhy isnât it working?â Gunman Two snaps.
âIt has a delay,â You balance your feet, fingers barely ghosting over the number pad. Thereâs a slight tremor in your index finger, Damian notices.
He scans the hallway in a single sweep; no apparent exits, weight distribution of display plinths, overhead lighting fixtures, a maintenance cart left improperly secured against the wall.
He shoves the cart carelessly. It crashes down the corridor with a metallic shriek, tools scattering.
Gunman Two whips around. âWhat was that?!â
Damian lets his shoes scrape just enough against polished tile for them to hear and get nervous.
âDonât get funny ideas, missy,â Gunman Two warns you as both men peel off, leaving you momentarily alone beside the secured cage.
The instant they round the cornerâ
He doesnât hesitate. Hesitation is inefficiency.
Gunman Two reaches first. He would say it had been the wrong choice, but the wrong choice had been to think they could try to steal and get away with it.
Damian stomps down on the manâs instep with surgical force; not enough to shatter bone, enough to collapse balance. As the man folds, Damian pivots inside his guard and drives his elbow upward into a nerve.
The gun discharges with a deafening crack, the bullet embedding uselessly into the ceiling.
The weapon drops and Damian kicks it away without looking.
Gunman Three is faster. He brings his rifle upâ
Damian rips a fire extinguisher from the wall and hurls it low across the tile. It skids violently into the manâs shins. Momentum does the rest.
The gunman pitches forward.
Damian meets him mid-fall.
Two precise strikes to his wrist and throat.
Gunman Three crumples to the cold floor, gagging.
Gunman Two charges wildly, abandoning form entirely. Desesperation makes people sloppy.
Damian pivots, seizes the manâs sleeve, redirects his weight and slams him face-first into the reinforced wall.
Then, the body goes limp.
Silence returns and the adrenaline slowly ebbs away, broken only by approaching sirens and the faint buzz of the storage panel.
He retrieves heavy packing straps from a nearby crate ( industrial strength, designed to secure shipping frames), and binds both men efficiently. Tight enough to prevent circulation without long-term damage.
He ties them together and leaves them towards the end of the hall.
He knows the positioning matters so it looks chaotic and accidental. To make whatever story he puts out is believable. For that same reason, he scuffs his blazer sleeve against the wall. Loosens his tie. Roughs his hair with deliberate carelessness.
Thenâ and only thenâ does he allow his breathing to quicken.
He walks back toward the storage entrance.
You are still standing there.
Your eyes sweep over him once â shoulders, face, hands. You step forward and Damian steps backwards, you freeze but keep your eyes on him.
âI am unharmed.â He states.
You keep assessing him. âAlfred will check you out just in case.â
The sirens get louder in the background and for the first time, Damian doesnât know what to do. You look so⊠frazzled. Itâs unbecoming of you. Your fingers twitch, almost as if they want to hug him.
âYou shouldâve stayed hidden,â you say.
Your voice is controlled, but your index twitches again. Damian is satisfied to finally have found one of your tells.
âYou shouldnât have volunteered,â he counters.
The fluorescent lights hum above.
âI wasnât going to let them take you,â you say.
Damian studies you, but not in the usual way he does; You are not trained or participate in the familyâs nightly activitiesâ not in the action at least, youâre not hardened by that life like his father is. And yet you walked forward without hesitation. For him.
He looks away first. ââŠTt.â
It is the closest thing to a concession he will offer.
The sirens have gotten impossible to ignore, they must be already coming up the street.
He looks up at you, already prepared for something insufferable. His expression settles into its usual sharp-edged scowl. âYes?â
âYou can say no, of courseâ no pressure, but, can I hug you?â
Of all the tactical maneuvers heâd anticipated today, this was not one of them.
âA hug,â he repeats flatly, as if testing the word.
You nod. Not stepping closer or reaching, just patiently waiting.
He studies you instead of answering. As if by looking close enough heâll be able to uncover a crucial piece about you. Something that will finally ease the⊠strangeness, heâs been feeling since he saw you held at gunpoint. Thereâs nothing in your expression that is faux, and whatever Damian is searching you, he does not find it.
âThat is unnecessary,â he says automatically.
âProbably,â you agree. âSaddly,â your tone is absolutely sarcastic, âIâm a hugger.â
He exhales through his nose, irritated â not at you (well, maybe a little at you. You keep putting him in complicated positions), but at himself. Physical affection is inefficient, it distracts you and makes you more vulnerable.
âŠBut you did stand in front of a gun for him. And youâre looking at him the same way you look at his father, or Drake, or Cassandra, or Grayson, when they come back hurt from patrol and youâre practically vibrating to be able to take care of them.
(Have you looked at him like that before?)
âYou are exceedingly dramatic,â he mutters.
âOccupational hazard,â you reply lightly.
He should walk away, back to where the other workers are and no doubt the police are barging in.
Stiffly and controlled, because he does not know how to do this. So he approaches it with what he does know, and thatâs a stance ready for whatever is thrown at himâ a stance for battle.
You do the rest; moving carefully, as though approaching a skittish animal, and place your arms around his shoulders; light, brief, warm. You pull him in.Â
He is stiff at first, all contained strength and careful distance, his body held upright as though affection were something to be endured rather than received. But youâre warm (surprisingly so), slow heartbeats against his, soft hands that clutch him with infinite tenderness. You hold him like who holds a precious creature in the palm of your cupped hands.Â
For a moment Damian does nothing, simply feels it. He closes his eyes for a second. His hands settle against you but not clutching, just there. He doesnât lean fully into it, but he doesnât retreat either. The warmth lingers between you, shared and steady, and for a blink he allows himself to remain held, the rigid lines of him softening just enough for you to seep through, to soak him with your warmth just enough.
Grayson always says your hugs make everything better, and while it is far too hyperbolic, Damian sees where heâs coming from.
It lasts three heartbeats.
That is the maximum he will allow.
âDo not make this habitual,â he says, smoothing imaginary wrinkles from his sleeve.
You smile softly. âI wouldn't dream of it.â
A brief silence, or well between you two; because the noise at the lobby has just increased. The cops are here.
ââŠYou may,â he adds, without looking at you, ârequest permission again in the future.â
It is, for Damian Wayne, an extraordinary concession. And he does not miss the way your smile brightens.
Before you can say something else, agents come flooding down the hall, weapons drawn.
âWhat happened?â an officer asks, taking in the tossed cart, scattered items and the two Waynes.
Two of the officers move down the hallway; theyâll find the other men in mere seconds.
Damian looks at you and opens his mouth to answer, but you gently place a hand on his shoulder. With an impressive performance of a disarrayed victim, you tell the officer what happenedâcarefully fitting the narrative to protect him. One in which Damian doesnât overpower three armed men.Â
âMcGrath!â comes a voice from down the hall. âCheck this out! Weâve found the other two!â
McGrath hums but instead of going with his colleagues, he looks at you a little longer. At first Damian doesnât understand what is happening.
McGrath scratches the back of his head and sheepishly looks at you. âUh⊠if you donât mind me saying, maâam, youâre far more beautiful in person.â
Damian stiffens immediately, his scowl sharpening. Really? Now? This is extremely inappropriate. A woman just got taken as a hostage and an officer is⊠is⊠flirting! Itâs unprofessional. He steps slightly in front of you, hands twitching at his sides, ready to interject.
But then he sees the gentle, amused smile you giveâ not mocking, not teasing, just⊠okay. And somehow, even through his scowl, Damian feels himself relaxing just a fraction. Youâre not uncomfortable, if anything you look used to it. âYouâre too kind, officer.â
âNo, seriously,â McGrath continues, oblivious to Damian who is quite literally standing there. âCould I⊠could I get a picture?â
Damian freezes. And then he catches your small nod. He checks your index finger, itâs not shaking anymore.
âFine,â Damian mutters, voice clipped, almost under his breath. ââŠYou may.â
McGrathâs face lights up. Damian steps back, absolutely refusing to participate. The officer takes the pictureâ profusely thanks youâ and goes down the corridor to join the others.Â
Damian exhales quietly, a ghost of relief passing through his chest. The episode at the museum is over; in the grand scheme of things, or even just Gotham, this is just another attempted robbery. But for some reason, it feels different to Damian. Something has shifted. And Damian for once is not displeased with change.
He glances at you. The scowl is still there, but the heat it used to carry doesn't burn the same way. âYouâre impossible,â he mutters, low and gruff.
âAnd youâre ridiculous,â you reply, smile warm and steady.
He doesnât answer. He simply walks beside you, allowing you to herd him to the lobby. Statements are taken. Photographs snapped. The criminals are hauled away on stretchers, and then Bruce Wayne appears.
YOUâRE talking to your fellow workers, but this time the girl that was hiding at the office is there too. Youâre moving your hands quickly but the others donât appear nervous, if anything they appear more at ease.Â
Damian and his father stay on the other side of the lobby, Bruce picking up some pamphlets that the gunmen had thrown when barging in.
âThat one,â Damian says, âthe red-head wasnât one of the hostages. The police came because of the silent alarmâ not a call. It 's suspicious she didn't call given that she had a chance to. And the painting had just arrived today, how could they have known if it hadn't been announced yet? And she said to me 'be careful, they're armed'. How could she know it's more than one person?"
Bruce quietly assesses the girl. âYouâre right.â He pauses, probably running a thousand possibilities in his mind. âIâll deal with it.â
Bruce neatly stacks the pamphlets, but his eyes keep drifting toward you, as they always do; as if itâs another bodily function like breathing or moving a finger, so deeply embedded itâs unthinkable for it not to happen. Then they return to Damian.
âYou know,â Bruce begins, voice calm but deliberate, âthe Sun is also my favorite painting.â
Damian tilts his head, expression skeptical, tone clipped. âBut youâre not a lover of the arts.â
Bruce shrugs slightly, a small, almost imperceptible smile tugging at the corner of his mouth. âThatâs true. I donât appreciate it like she does. But thatâs the thing about artâ itâs not always about the painter, or the medium, or technique. Itâs about how it makes you feel. The Sun⊠it makes me feel something every time I see it.â
Damian narrows his eyes slightly, studying his father. âFeeling things is⊠inefficient,â he mutters, almost to himself. âEmotions get in the way of logic.â
Bruceâs smile softens but doesnât fade. âSometimes, son, thatâs exactly the point.â He pauses. âWhen I took her to Oslo to see it, she looked at me, really looked at me and said; this, this is how loving you feels. Itâs how loving her feels too. Feelings don't make you weak Damian, some of them can become a strength."
Damian freezes, jaw tightening. He doesnât move, doesnât interrupt, his scowl deepens;Â not in anger, but in quiet calculation.
âIâm proud son, you managed the situation well.â
Damian stiffens at the praise, jaw tight, gaze straight ahead. âIt was⊠not difficult,â he mutters, voice low and precise, each word measured.
Bruceâs smile softens. Damian doesnât return it, but the corner of his mouth twitches, almost imperceptibly. âGood,â he adds finally, voice still flat, âI expect nothing less.â
He slowly makes his way to you, Damian only a few steps behind.Â
Immediately all the heads turn towards him, but youâre still talking. âSo yeah,â you conclude, âI will absolutely understand if you wish to resign or take a break after what happened today.â
No one answers, they're far too on edge with Bruce there. But slowly, one by one they all answer they wonât be quittingâ and actually, only one of them will take off a week from the museum. You say your goodbyes to each other and take Bruceâs outstretched arm.
âLetâs go, my dear,â he places a gentle kiss on the top of your head. You snuggle closer to him and walk towards the car.Â
The sun is sinking in the horizon, painting the sky in bold orange streaks amongst the grey. The street is more muted; less cars, less children, more adults rushing to get home before night falls.
You look at Damian and smile, for once, his scowl doesnât deepen.