You did wrong, mi niña, but I love you the same.

Product Placement
sheepfilms

❣ Chile in a Photography ❣

No title available
Cosimo Galluzzi
No title available

titsay
todays bird

oozey mess
Not today Justin
Keni
Sweet Seals For You, Always
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ

⁂
noise dept.
art blog(derogatory)
TVSTRANGERTHINGS

ellievsbear

blake kathryn
seen from United States

seen from United States

seen from United States
seen from Germany

seen from Austria
seen from Türkiye
seen from Malaysia
seen from Germany

seen from United States

seen from Brazil
seen from Indonesia

seen from Brazil
seen from United States
seen from United States
seen from United States
seen from Malaysia
seen from United States

seen from United States
seen from United States

seen from Türkiye
@lgbteca
You did wrong, mi niña, but I love you the same.
Meus deus! Que difícil para ambas.
E que épico vai ser tudo isto!!
Pelayo, hijo de puta!!!!!
Source - Eleonora
See it on instagram with music.
It's... wow!
E se a Bianca era o contacto de Pelayo?
Is anyone else enjoying this plotline? 'cause I'm LOVING IT!!!
I understand Fina's indecision; it's not about choosing between two women, but about deciding how she wants to live her life. If the telenovela was about to end, things would be easier because Marta would follow her to Argentina. However, we're in it for the long run, so things will get complicated before they get easy. Buckle up.
I want Marta to go nuclear over this crucial information delay. It's time to leave Wonderland.
@naituxx
🛏️
Trahison
It's fitting, perhaps, that Marta and Fina left the Mafinca at nearly the same moment as this occurred:
It is finished.
171 shells. Countless hours and endless skeins of white cotton. A whole ocean of fiber arts.
Thank you to everyone who's liked, commented, followed this journey with me - fandom as art as community is my favorite kind of place and devotion is my favorite place to live within all of them.
I'm going to regroup a little bit (and dig up some historical pattern archives!), but I do plan on knitting our heroines into their future together.
I think it’s fair to say that Fina isn’t returning as a supporting character, but rather as one of the protagonists. She returns with greater depth than her "caracter peleón"; with conflicting inner dimensions that push her towards both light and shadow. Her return marks the most successful character transformation in the series since it first aired.
I'm proud of you, novelita.
The Devil Wears Prada 2 (2026)
Is Fina going to shake up the status quo? Who should I give my money to? I’ll buy everything in duplicate.
Now it's getting interesting.
i love dwp1 so fucking much, but at its very core that movie says: you have to choose, and there's only one right choice. andy's friends are assholes, nate is a bastard, and andy is the one who framed as wrong for choosing her very good job that is a legitimately good entry into the industry she wants to work in. miranda's divorce, while inadvertently making miranda more interesting than the movie ever intended, is a narrative device to show andy that if she keeps this up, she will end up alone. what's crazy about all that is that, at the same time, the movie tries to argue that the choice to be made isn't whether or not to be a good person, but whether or not to be in a situation that makes you a bad person. this is insane, btw. but andy at the end is like, i don't want to be like you therefore i must not be here. the abdication of personal responsibility for your actions is, actually, wild.
so you could have knocked me over with a fucking feather by the time i walked out of dwp2. because i never in one hundred trillion years expected them to come back 20 years later and recognise that actually, andy made all those choices, they didn't happen to her, and yes, actually, she's that selfish bitch (huge fucking compliment). she didn't get married, she didn't have kids, she's flounced in and out of lily's life for 15 years, and the moment someone threw her a piece of driftwood to cling to, she leapt on board. even at the last moment, she still couldn't quite bring herself to not look down on the genuine potential runway offered her, but hell, she'll settle for it.
that car scene made me insane. miranda calling her out again, and andy finally agreeing, and more than that, going all on this arrangement that neither of them actually wants, exactly, but could be mutually beneficial to them both? i practically moaned.
that compromise was both the theme and the hero of this film blows my mind. miranda, who will do anything for advertisers, who will sit her assistant next to her and have her call out all the politically incorrect things she cannot say anymore, who hangs up her own coat, but is still, fundamentally the same person she was 20 years ago: she loves her job, and will do anything to keep doing it. and that is, from start to finish, who andy always was.
and instead of judging them this time, dwp2 says: yes, there are choices to make, and there are always costs whichever way you choose. but there's no wrong choice this time. just find a way to do what you love and you'll be fine.
(and if you can, along the way, make it up to the people you hurt as you do. because there will always be people you hurt, but actually there isn't some natural order of punishment that goes with that. guys, that emily wanted to be friends all that time? i cried. the nigel resolution? bawled.)
Hiroshi Yagi, Clouds
Mi niña! Tão longa a espera, mi amor.