ahora es nunca.

"Hemos dicho palabras, palabras para despertar muertos, palabras para hacer un fuego, palabras donde poder sentarnos y sonreír." Cenizas, de Las aventuras perdidas (1958), Alejandra Pizarnik. 

[fuckyeahwomenfilmdirectors]

My 52 Favourite Films of the Decade 2010-2019:

Portrait of a Lady on Fire dir. Céline Sciamma (2019)

Sciamma’s 4th movie shows the director reaching the full height of her cinematic powers with this lushly romantic beautiful film about a painter hired to make a pre-wedding portrait of a wealthy young noblewoman only for the two women to slowly fall in love with each other over the course of two weeks. 

[jinxproof]

Björk, 1994 | ph. Barry Marsden

[nuberrante-deactivated20240310]

XIV

Ninguna palabra nunca ningún discurso —ni Freud, ni Martí — sirvió para detener la mano la máquina del torturador. Pero cuando una palabra escrita en el margen en la página en la pared sirve para aliviar el dolor de un torturado, la literatura tiene sentido.

—Cristina Peri Rossi. De Estado de exilio.

[wildwomanradfem]

[razorcake]

The French New Wave film movement introduced the world to a new way of looking at cinema and its possibilities. While some of its male filmmakers went on to enjoy international fame, it’s real heart and soul—and true political auteur—chose a less glamorous path. Never sacrificing vision, Agnès Varda’s career has lasted over sixty years, and she’s still kicking ass to this day.

James Rosario takes on the leading lady of French New Wave Cinema, Agnès Varda in this installment of One Punk’s Guide to The Movies.

Read the full write up at Razorcake.org

[ella-eterea]

“Fall in love with someone who’s comfortable with your silence. Find someone who doesn’t need your words to know it’s time to kiss you.”

— Clairabelle Ann

[fragmentosadolescentes]

Caía en un patético estado de desconexión.

A menudo, con el mundo, con los humanos.

Ya sean buenos o malos, mis sentidos se cansaban, simplemente desconectaban y me daba por vencido.

—Charles Bukowski

[violentwavesofemotion-deactivat]

Elaine Feinstein, from Collected Poems and Translations; “Muse for E. T.,”

[viejaculturafrita]

“—A veces uno, en circunstancias difíciles, puede confundir la compasión con el amor —dije.”

— “El juego del ángel” - Carlos Ruiz Zafón.

[movies-in-images]

Breaking the Waves (1996) - Lars Von Trier

[freshmoviequotes]

Roma (2018)

[juangelman-world]

Juan Gelman. Fábricas del amor. Velorio del solo. [02]

[artist-magritte-deactivated2020]

Sixteenth of September, 1956, Rene Magritte

https://www.wikiart.org/en/rene-magritte/sixteenth-of-september-1956

[alejandrapizarnik-world]

“Vivir dolía. Vivir era una herida abierta.”

— Clarice Lispector. La partida del tren. Silencio. (via el-jujeniodeletras)

[mesogeios]

“I see the symbolism of our lives. I live on two levels, the human and the poetic.”

— Anaïs Nin, The Diary Of Anaïs Nin Volume I 1931-1934

[octaviopaz-world]

Octavio Paz. Decir: hacer. Árbol adentro. [06]

[ella-eterea]

“If you asked me now who I am, the only answer I could give with any certainty would be my name. For the rest: my loves, my hates, down even to my deepest desires, I can no longer say whether these emotions are my own, or stolen from those I once so desperately wished to be.”

— Evelyn Waugh, Brideshead Revisited