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JVL
I'd rather be in outer space 🛸
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2025 on Tumblr: Trends That Defined the Year
Sweet Seals For You, Always

izzy's playlists!
d e v o n
Not today Justin
Stranger Things

titsay
almost home

Discoholic 🪩

Product Placement
we're not kids anymore.
noise dept.
🩵 avery cochrane 🩵
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@life-breathing
Horst P. Horst Mainbocher Corset. Paris (1939)
Elliott Erwitt St. Tropez. France (1981)
Woman Dressing, by Hashiguchi Goyô, circa 1920
Katsushika Hokusai(葛飾北斎 Japanese, 1760-1849}
“You love the accidental. A smile from a pretty girl in an interesting situation, a stolen glance, that is what you are hunting for, that is a motif for your aimless fantasy. You who always pride yourself on being an observateur must, in return, put up with becoming an object of observation. Ah, you are a strange fellow, one moment a child, the next an old man; one moment you are thinking most earnestly about the most important scholarly problems, how you will devote your life to them, and the next you are a lovesick fool.”
— Søren Kierkegaard, from Either/Or (via violentwavesofemotion)
Brassaï, Woman Nude Torso, 1949
Itō Shinsui, Washing her hair.
Bernhard Handick
‘Silence’
«Why is one compelled to write? To set oneself apart, cocooned, rapt in solitude, despite the wants of others. Virginia Woolf had her room. Proust his shuttered windows. Marguerite Duras her muted house. Dylan Thomas his modest shed. All seeking an emptiness to imbue with words. The words that will penetrate virgin territory, crack unclaimed combinations, articulate the infinite. The words that formed Lolita, The Lover, Our Lady of the Flower.
There are stacks of notebooks that speak of years of aborted efforts, deflated euphoria, a relentless pacing of the boards. We must write, engaging in a myriad of struggles, as if breaking in a willful foal. We must write, but not without consistent effort and a measure of sacrifice: to channel the future, to revisit childhood, and to rein in the follies and horrors of the imagination for the pulsating race of readers.»
(p. 87)
Ερωτηματικό-.
RITUMS IVANOVS. Afternoon
Woman Leaving the Psychoanalyst, Remedios Varo
“God circled her. Fire. Time. Fire. Choose, said God.”
— Anne Carson, God’s Woman from Glass, Irony & God.
Lawrence Durrell, Balthazar
Submitted by panicinmotion.
Monet Refuses the Operation
by Lisel Mueller Doctor, you say that there are no halos around the streetlights in Paris and what I see is an aberration caused by old age, an affliction. I tell you it has taken me all my life to arrive at the vision of gas lamps as angels, to soften and blur and finally banish the edges you regret I don’t see, to learn that the line I called the horizon does not exist and sky and water, so long apart, are the same state of being. Fifty-four years before I could see Rouen cathedral is built of parallel shafts of sun, and now you want to restore my youthful errors: fixed notions of top and bottom, the illusion of three-dimensional space, wisteria separate from the bridge it covers. What can I say to convince you the Houses of Parliament dissolve night after night to become the fluid dream of the Thames? I will not return to a universe of objects that don’t know each other, as if islands were not the lost children of one great continent. The world is flux, and light becomes what it touches, becomes water, lilies on water, above and below water, becomes lilac and mauve and yellow and white and cerulean lamps, small fists passing sunlight so quickly to one another that it would take long, streaming hair inside my brush to catch it. To paint the speed of light! Our weighted shapes, these verticals, burn to mix with air and changes our bones, skin, clothes to gases. Doctor, if only you could see how heaven pulls earth into its arms and how infinitely the heart expands to claim this world, blue vapor without end.