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@limb0s
musings & inspiration blog in affiliation with @devilsends.
FILE001. . . muses. FILE002. . . relationships. FILE003. . . world. FILE004. . . ask memes.
@devilsends pakorn said › “ i’m running on fumes and bad decisions ”
" yeah, no fucking shit. " eunha snaps back from his perch, breath caught in his throat. doesn't even remember what prompted the comment— aside from an earlier jab at pakorn being too juiced up to even gauge eunha's strength properly. but it ... it didn't fit, that's not what it felt; things have a weight when they're said. either they're heavy or they're light. strong or soft. this ... feels heavy, but soft in the way unflexed flesh is. this makes eunha ... sink— no, collapse, down against the floor of this makeshift base. their sparing the fumes, bad decisions everything outside of this room. hell, maybe even ... maybe even in it. ( it's bad in here. bad. bad. bad ... worse is coming. worse— )
eunha squeezes his eyes shut, wrists resting at the bends of his knees. " at least y' running on something. i can't ... can't tell you what the hell keeps me going. ain't even gonna call it fumes. " he sniffs, looking out towards the empty room instead of pakorn. it was hard, he realized, to keep a steady gaze on it. it wasn't intimidation, no, but something ... worse, if that could make any sense. worse than intimidation, worse than eye contact, worse than————everything was worse with the sound of church hymnals and old prayers humming in the background.
" one day shit is gonna catch up to us, old man. " he slugs him right in the calf, pakorn towering over him from his squat. " buuuuuut c'mon. c'moooonnn, over this shit. you haven't wandered off to squelch your money away and i ain't due for a shift until tomorrow ... take me out to get a drink. you know, since i fucking socked some phi... philosophy into you. "
there isn’t one alternate reality in which i don’t fall in love with you
shame is sharp, and my skin gives so easy
HEATED RIVALRY -> 1x04 | Rose
SMILE (2022) dir. Parker Finn COMPANION (2025) dir. Drew Hancock
Cameron Awkward-Rich, from "The Child Formerly Known As _________"
SHARP OBJECTS | 1.05
i'm sexually interested in whatever's wrong with you
一日,三秋
Richard Siken Wishbone // 刻在你心底的名字 Your Name Engraved Herein (2020) dir. Patrick Kuang-Hui Liu // Donte Collins Calling the Boy Home // Hozier It Will Come Back // Richard Siken The Long and Short of It // My Chemical Romance Demolition Lovers // 대도시의 사랑법 Love in the Big City (2024) dir. Hur Jinho, Hong Jiyoung, Son Taegyum & Kim Sein // Ari Abdul Bite Marks // Portrait de la jeune fille en feu Portrait of a Lady on Fire (2019) dir. Céline Sciamma // Anaïs Nin Nearer the Moon: The Previously Unpublished Unexpurgated Diary, 1937-1939
kiss the hand that beats you, as the saying goes
@devilsends, daria said › “ at least you didn't tell me to 'be myself.' ”
don't ask, don't tell. names don't matter here and neither do the selves. he doesn't know why he'd tell her to be herself when he isn't even sure who he is anymore. what is his name, how old is he? how long have you been here? all the questions he'd stare at her blankly with and shrug his shoulders. that's all he's done so far. shrug his shoulders, make the offhand comment of 'better to try to relax' under his breath which earned the reply. all he's done, all he can do. anything more and teeth begin to gnaw at his throat, his temple, his hands. ( rage. rage. rage. you can't rage into the good fucking night— you haven't seen the night— wait what is that— ooooooohhh )
his eyes— eye. he has one. just one eye. snap to the side of the girl's face. nothing is there, but something is there. taunting. coiling like a spiral, like a blip. seemingly trying to burrow itself into her skin. no it isn't real ... just like the vague figure at the end of the hallway today wasn't real. just like the ... he doesn't know what's real. he doesn't even know if she really is. after all, she's the first one he's been allowed to sit alone with since he'd gouged a spoon into the last—
eyes entirely tear away. looking at her entirely too much to handle, too much beginning to appear— they train to the wall bare and slightly beige instead. chin rests heavily against in palm, the too long curls of his hair turned upwards at his fingertips. " ... i wouldn't say that to you. " far too long of a pause, but he remembers he can speak even if it's quiet. contained. " no one said that to me. just ... relax. don't bite fingers like me. " he sniffs, fingers restlessly drumming the height of his cheekbone. " makes it worse. just— just relax. it's easier. they don't linger long if it's easy. " relax. repeated one too many times it reminds him of the docto— no. he couldn't think of the name. names weren't real here—
everything was real here. that's why he could never quite stomach it.
@devilsends, yoshi said › “ this isn't living, this is drifting. ”
nails on a chalkboard, the screech of tires : the sound of yoshi's voice. it pauses the lift of the sake bottle to his mouth, the spin of the laced cigarette in his mouth. this is drifing ... it isn't living. it is laced like the smoke rising between them, but unlike the smoke koji couldn't find a name for it. there's a weight, too. maybe disappointment. it's easy to be disappointed in him, after all— washed up fucking tool, dulled by the pressure of the family symbol of the sea. it makes koji's throat, raw and scratchy, roll out of a laugh. makes him lean back further, tip the last remnants of the bottle into that open and gluttonous mouth.
" — hoooooohh, but at least i'm fuckin movin' while i'm drifting, yeah? "
retorts through that slosh, head canting forward. if he weren't stubborn he'd topple over. his head is too heavy. he looks up at yoshi. yoshi, with the similar frame. yoshi, with eyes less dead than the time he sent him out the door without even a word. maybe they've shifted places. yoshi lives, koji drifts— sinks. this is sinking. someone this bloated with the family name soaked in saltwater couldn't float along the surface, they got pulled under. a grin splits, flashes teeth and raw gums. " you weren't much fucking better before. you got a lot of nerve, y'know? " fingers knock the bottle over.
takes a moment to gain the will to stand, the will to sharpen that glare ( does he look like his father? does yoshi see that man in him like he did in the fucking mirror every morning ? should punch yoshi in the nose. should lie in the middle of traffic. no, he'll just find a body to bury himself in — or likewise bury into him — that doesn't recognize him. couldn't see a man in him they didn't know ) " at least you still see me, or is that not enough? 'sides my type of livin' don't involve seeing your face again, how's that answer ? " throws his arms open wide, steps backwards with a mocking lean backwards of his spine.
" how is that, adachifuckingdono ? " spoken in a true snake's hiss. if the teahouse wasn't empty, he wouldn't hiss it. he'd scream it. he'd remind everyone the rotten fucking son was dragged back from the trash he was thrown in.
the cigarette gets yanked into his mouth, a hard reddish smoke drag sucked in. it explodes from his mouth like a bullet to the jugular. he flicks the cigarette onto the floor at yoshi's feet. " my life isn't something i get to live. you know that. " a glare towards the eye he's missing before he turns, pace quick and voice raised upon his exit. " you ... of all fucking people should know that. " he doesn't look back. he doesn't see yoshi again until he's locked inside of his newfound personal quarters. he doesn't tell him how he got sick that night, drifting between consciousness and someone elses' bed the ring on his neck doesn't belong to.
at least he drifted back — at least the wave smashing into the sand brought his body with it.
RUSLAN AND LUDMILA Aleksandr Ptushko, 1972