Post-Drag New Optimism

Post-Drag New Optimism

[ellsworth-kelly]

Green, 1951, Ellsworth Kelly

[toastistoasty]

maryam nassir zadeh ss19 

[kent-andreasen]

Table Mountain

[lintonweeks]

Even after all this time, though, Kawakubo is still not one for sentimentality. When asked if she was interested in cultivating a legacy similar to Noguchi’s, she replied: “No, I am not interested in posterity.”

https://www.thecut.com/2019/05/rei-kawakubo-noguchi-award.html

[rhubarbes]

ArtStation - Untitled, by Mark Chang

[arrangedstilllife]

Keeper, 2018, oil on linen, 56 x 56 in.

Mut(u)ate; (Un)ity, (text by Darren Bader), 2017, oil on linen, 43 x 43 in.

Fruit of the Loom, 2017, oil on linen, 54 x 54 in.

http://www.mathewcerletty.com/

[israellund]

[marceloagomes]

A rose in São Paulo, from a while ago,

[israellund]

[nemfrog]

“Group of sobralias.” Orchids for everyone. 1910.

[standardgrey]

Jesse Darling, Untitled (postcard), 2016, ink on paper, collage, 15 x 20 cm.

(via Work in Progress: Jesse Darling | Frieze)

[yimmyayo]

[lintonweeks]

Wayne Source—“Blankets”, 1986

[lintonweeks]

Oscar Gronner

[braulioamado]

New Good Room

[lintonweeks]

[lintonweeks]

Roe Ethridge, “Louise on Brass #2″