[literallv]

- discontinued 2018 -

[wrote-you-a-poem]

[neshamama]

bonfire (1910s) / mendieta silueta en fuego (1970s)

[emmanuelleriva]

Persona (1966) dir. Ingmar Bergman Mulholland Drive (2001) dir. David Lynch

[steelfeel-deactivated20190113]

[nemfrog]

“Diagram illustrating psychophysical colour perception.” Colour-blindness and colour-perception. 1891. Frontispiece.

[nobrashfestivity]

Unknown, Japanese Hairstyles

[detailedart]

Tapestry of sculptures, II.

[lotsofpinkplaid]

It ends or it doesn’t. That’s what you say. That’s how you get through it. The tunnel, the night, the pain, the love. It ends or it doesn’t. If the sun never comes up, you find a way to live without it. If they don’t come back, you sleep in the middle of the bed, learn how to make enough coffee for yourself alone. Adapt. Adjust. It ends or it doesn’t. It ends or it doesn’t. We do not perish.

Caitlyn Siehl  (via jameskirke)

[nevver]

The Unvierse next door, Jack Bool

[woshibai]

“Competitive“ by Woshibai

Translator: @paradisesystems, Sally

[annagrostina]

[heavensghost]

[light-of-being]

“The gap between what one wants to say (or what one perceives there is to say) and what one can say (what is sayable), words provide for a collaboration and a desertion. We delight in our sensuous involvement with the materials of language, we long to join words to the world—to close the gap between ourselves and things—and we suffer from doubt and anxiety because of our inability to do so.”

— Lin Hejinian, “The Rejection of Closure”, in A Guide to Poetics Journal : Writing the Expanded Field (via antigonick)

[met-ancient-art]

Relief depicting a cavalryman leading his horse beside a stream, Ancient Near Eastern Art

Gift of John D. Rockefeller Jr., 1932 Metropolitan Museum of Art, New York, NY Medium: Gypsum alabaster

http://www.metmuseum.org/art/collection/search/322625

[kontrollsysteme]

the prehistory of the camera

[lonequixote]

Pablo Picasso

Still Life Under the Lamp (1962) 

(via @lonequixote)