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This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.

Gary Provost

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Before her marriage she had thought that she had love within her grasp; but since the happiness which she had expected this love to bring her hadn’t come, she supposed she must have been mistaken. And Emma tried to imagine just what was meant, in life, by the words “bliss,” “passion,” and “rapture” - words that had seemed so beautiful to her in books.

Gustave Flaubert, Madame Bovary

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It was only a smile, nothing more. It didn’t make everything all right. It didn’t make ANYTHING all right. Only a smile. A tiny thing. A leaf in the woods, shaking in the wake of a startled bird’s flight. But I’ll take it. With open arms. Because when spring comes, it melts the snow one flake at a time, and maybe I just witnessed the first flake melting.

Khaled Hosseini, The Kite Runner

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What baffled him was that there should be all this fuss about something so simple as love.

Gustave Flaubert, Madame Bovary

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When a child first catches adults out—when it first walks into his grave little head that adults do not always have divine intelligence, that their judgments are not always wise, their thinking true, their sentences just—his world falls into panic desolation. The gods are fallen and all safety gone. And there is one sure thing about the fall of gods: they do not fall a little; they crash and shatter or sink deeply into green muck. It is a tedious job to build them up again; they never quite shine. And the child’s world is never quite whole again. It is an aching kind of growing.

John Steinbeck, East of Eden (via literaryfragments)

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All right then, I’ll go to hell

Mark Twain, The Adventures of Huckleberry Finn (via literaryfragments)

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He was bored now when Emma suddenly began to sob on his breast; and his heart, like the people who can only stand a certain amount of music, became drowsy through indifference to the vibrations of a love whose subtleties he could no longer distinguish.

Gustave Flaubert, Madame Bovary

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This is why a woman makes things up: Because, when she dies, those lives she never got to are all going down with her. All those possibilities will just sit there like a bunch of schoolkids with their hands raised and uncalled on - each knowing, really knowing, the answer.

Lorrie Moore, Annagram

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It was a great peace, as if the earth had been one grave, and for a time I stood there thinking mostly of the living who, buried in remote places out of the knowledge of mankind, are still fated to share in its tragic or grotesque miseries. In its noble struggles too -- who knows? The human heart is vast enough to contain all the world.

Joseph Conrad, Lord Jim

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It would have been so much in accordance with the wisdom of life, which consists in putting out of sight all the reminders of our folly, of our weakness, of our mortality; all that makes against our efficiency — the memory of our failures, the hints of our undying fears, the bodies of our dead friends.

Joseph Conrad, Lord Jim

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Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.

Mark Z. Danielewski, House of Leaves (via literaryfragments)

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Doesn't it seem to you," asked Madame Bovary, "that the mind moves more freely in the presence of that boundless expanse, that the sight of it elevates the soul and gives rise to thoughts of the infinite and the ideal?

Gustave Flaubert, Madame Bovary

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[T]he truth is that fullness of soul can sometimes overflow in utter vapidity of language, for none of us can ever express the exact measure of his needs or his thoughts or his sorrows; and human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.”

Gustave Flaubert, Madame Bovary

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Children are the vessels into which adults pour their poison

Salman Rushdie, Midnight’s Children (via literaryfragments)

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Then there are the addicts, the hunger addicts, the rage addicts, the poverty addicts , and power addicts, and the pure addicts who are addicted not to substances but to the oblivion and the tenderness the substances engender.

Jeet Thayil, Narcopolis

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Wonder had gone away, and he had forgotten that life is only a set of pictures in the brain, among which there is no difference betwixt those born of real things and those born of inward dreamings, and no cause to value the one above the other.

H.P. Lovecraft, The Silver Key

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She loved the sea for its storms alone, cared for vegetation only when it grew here and there among ruins. She had to extract a kind of personal advantage from things and she rejected as useless everything that promised no immediate gratification — for her temperament was more sentimental than artistic, and what she was looking for was emotions, not scenery.

Gustave Flaubert, Madame Bovary