dani @littlemisssome-body - Tumblr Blog

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sorry if i was a bitch i probably wanted to go home

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i dream of having a regulated nervous system

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in the crib ignoring everybody

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after a while it just be like nvm

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If you’re an adult, do the stuff you couldn’t as a kid.

Like, me and my sister went to a museum, and they had an extra exhibit of butterflies. But it cost £3. So we sighed, walked past, then stopped. We each had £3. We could see the butterflies. And we did it was great. We followed it up with an ice-cream as well because Mum and Dad weren’t there to say no.

I was driving back from a work trip with 2 other people in their early 20s, and we drove past a MacDonalds. One of the others went “Aww man, I’d love a McFlurry.” And the guy driving pulled in to the drive through. It was wild. But it was great.

I went to a park over the weekend and I was thinking “Man, I’d love to hire one of those bikes and cycle round the park.” It took me a few minutes to go “Wait, I can hire one of those bikes!”

I guess what I’m saying is, those impulsive things you wanted to do as a kid - see the dinosaur exhibit, play in the fountains with the other kids, lie in the shade for 2 hours - you can do when you’re an adult. You have to deal with a whole lot of other bull, but at least you can indulge your inner 8 year-old.

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Coronavirus is a black light being held up to the ableist worlds stained hotel room

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The Deep (2019)

The water-breathing descendants of African slave women tossed overboard have built their own underwater society—and must reclaim the memories of their past to shape their future in this brilliantly imaginative novella inspired by the Hugo Award–nominated song “The Deep” from Daveed Diggs’s rap group clipping

Yetu holds the memories for her people—water-dwelling descendants of pregnant African slave women thrown overboard by slave owners—who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu.

Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago.

Yetu will learn more than she ever expected to about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are.

by Rivers Solomon (Author), Daveed Diggs (Author), William Hutson (Author), Jonathan Snipes (Author)

Get it now here

Rivers Solomon is the author of An Unkindness of Ghosts, and was a finalist for the John W. Campbell Award finalist for Best New Writer. They graduated from Stanford University with a degree in comparative studies in race and ethnicity and hold an MFA in fiction writing from the Michener Center for Writers. Though originally from the United States, they currently live in Cambridge, England, with their family. Find them on Twitter @CyborgYndroid.

Daveed Diggs is an actor, singer, producer, writer, and rapper. He is the vocalist of the experimental hip hop group Clipping. Diggs originated the role of Marquis de Lafayette/Thomas Jefferson in the 2015 musical Hamilton by Lin-Manuel Miranda which he won a Grammy and Tony for. He also cowrote, produced, and stars in the film Blindspotting. Find him on Twitter @DaveedDiggs.

William Hutson is a composer, known for Room 237 (2012), The Mayor (2017), and Ten Minutes Is Two Hours (2013). He is part of the rap group Clipping. Find him on Twitter @Clppng.

Jonathan Snipes is a composer and sound designer for film and theater living in Los Angeles. He occasionally teaches sound design in the theater department at UCLA, and is a member of the rap group Clipping. Find him at Jonat8han.com.

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