"not every story has just one perfect ending. ... stories can change along the way." - Katya Balen, October, October

if i look back, i am lost

tannertan36
d e v o n
$LAYYYTER
Lint Roller? I Barely Know Her
we're not kids anymore.
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almost home
taylor price

pixel skylines
Cosmic Funnies

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Love Begins
TVSTRANGERTHINGS
Noah Kahan

#extradirty
ojovivo

izzy's playlists!

JVL
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@littlemoondragon
"not every story has just one perfect ending. ... stories can change along the way." - Katya Balen, October, October
93 words per minute but...maan that little finger needs some work...as do my numbers and special characters to be honest. Wait, was I supposed to be doing?
Mornings With My Cat Mii
Beautiful illustrations, questionable cat care decisions. 2/5.
TW: Animal distress, illness and death
“Perks of refusing to play by the rules: you don’t have to choose between the boy who’d torture a man to death with you and the boy who welcomes you back with pastries.” ― Xiran Jay Zhao, Iron Widow
Bad D&D ideas #1
A fast food restaurant called the 'Spicy Rat Caper'. Think McDonalds but with rodent themed names...only no one is quite sure whether or not it's actual rodent, or just imitation.
Music of the Week (#1)
Liz and the Blue Bird by Akito Matsuda
A story of two friends who enjoy a blissful summer together, before being separated by circumstance.
The story of this piece resonates with me on a personal level, even without the context of the film it was written for. Through tactful use of instrumentation, tempo, and more, the piece portrays both the fairy tale story and the parallel high school drama of the film beautifully, and neither falls to the trappings of overindulgence nor showing too much restraint.
Movement III, 'Decision for Love' is perhaps the emotional precipice of the piece. The tension and the anguish between the two soloists, between betraying themselves for one another, or going their separate ways in order to be true to themselves, is very much felt by the listener throughout. The ending of the movement is bitter sweet, particularly the last phrases in the solo oboe.
As a musician, I love playing through the aforementioned duet. Whilst Blue Bird's solos aren't 'out of this world' in terms of its technical difficulty (and this goes for the entirety of the piece), approaching it with an certain level of emotional maturity is a must to convey the nuances and soul of such music. Players must also straddle the line between following strict tempo markings, which might stifle emotion, and playing completely freely, which would make it a nightmare to keep the musicians together. This isn't helped by the fact that duettists' parts are very much written with the idea of pulling the tempo around, particularly in the oboe's line.
The ideal listener for this piece has a soft spot for fairy tales and the fantastical, and appreciates storytelling through music. They may be someone who is new to the world of classical wind ensembles, or they might just be looking for something a little shorter than the 45mins-1 hour + symphonic works typical of the Western classical tradition. You don't have to watch the accompanying animated film, however I would definitely recommend giving it a try, even if you're not an anime fan.
The duet from the third movement would be ideal material for a pair of musicians looking for something a little bit different, and would make a particularly great wind and/or brass duet for a first performance as a pair. For more experienced musicians, this could also make a great warm up piece. In terms of instrumentation, alternatives to oboe/flute that I would recommend include flute/piccolo and flute/euphonium. Sheet music is pretty readily available on sites such as Musescore or even YouTube, in multiple clefs and keys.
-LittleSisterMoon xx
So I don't even remember making this blog...hooray?