Stephanie Hare's favorite part of her paper-making process is the mesmerizing swirl of the pulp. "The way that the graceful, long Kozo fibers float and slowly churn together, disintegrating and blending into a cloudy abyss still hypnotizes me with every batch," she says. This is also where she can experiment with color and texture. She currently loves saturated jewel tone pigments like deep blue, forest green, and rich ruby.












