IT’S CRUCIAL TO HAVE AN ACTIVE FATASY LIFE

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Cosimo Galluzzi
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todays bird

oozey mess
Not today Justin
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Sweet Seals For You, Always
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ

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IT’S CRUCIAL TO HAVE AN ACTIVE FATASY LIFE
green moodboard from my own archive cuz i thought it would look nice
pedro lourenco ss13
Portrait of Maria Frederike van Reede-Athlone at Seven Years of Age. Detail. Jean-Etienne Liotard, 1755.
Robert Irwin (b. 1928) No title, 1971. Environment, fluorescent light and scrim.
Madame de La Porte, by Jean Marc Nattier 1754
Portrait of Madame de La Porte, half length, wearing a white satin dress with gold embroidery and a blue cloak, with flowers in her hair
About:
Recently established as the portrait of a fellow painter’s wife, this image is the last word in high fashion. The sitter’s ensemble, overstated for any but an occasion of high formality, capitalises on a rumpled sash winding its attention-seeking way around Madame de la Porte’s petite torso. Her overly bright eyes and eggshell skin contribute to an effect of artificiality. Although Nattier was not capable of Boucher’s moments of naturalism, this image marks a shift in that direction, and away from the far more formally baroque language of his state portraits. In keeping with the high value placed on harmonious social relations in this age of Enlightenment, the present sitter regards the spectator with a look of courtesy mingled with candour. She is confident, yet not condescending. Her trust in Nattier is clear and clearly reciprocated.
AGNSW Handbook, 1999.
Marie Antoinette (2006), Sofia Coppola
https://www.instagram.com/p/BhqmmDvDVx-
Elisabeth Vigée-Lebrun - Portrait of Anna Pitt as Hebe
Portrait of Gabrielle Borreau, Gustave Courbet
Medium: oil,paper
https://www.wikiart.org/en/gustave-courbet/portrait-of-gabrielle-borreau
Fantasia (1940) dir. Joe Grant and Dick Huemer
Moscow, Russia. 1989
Harry Gruyaert
NAM JUNE PAIK, TV Fish (detail), 1975–88, three-channel video, 24 monitors and aquariums, live fish, 1158 × 147 × 99 cm. Courtesy Nam June Paik Art Center, Yongin.
By Katja Mayer for Numero Magazine