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@lockpicklupin-blog
℧
Well uh.
Sorry Ogata.
Lupin seems... hideously gleeful that he’s essentially got a captive audience. “Ogata. Ogataaaa. Pay attention. I’m going to give you a freebie okay because I know how you are. Will you promise not to get me killed if I give you maximum five shots to mess with me? It’ll keep it interesting.”
He figures he can actually use Ogata’s general distaste for him to disarm the enemy. If they think Lupin’s got a mutiny on his hands, they’ll let their guard down some...
“ and you want me to believe you had nothing to do with it?”
“I want you to believe that truth is probably stranger that fiction, at the very least.” He smiles. “I mean I wish I did, that was an awful lot of work someone went through just for some shinies from the Temple... As much as it pains me I didn’t have anything to do with it!” And then, under his breath, “Yet.”
℧
oh
oh no
The thief tosses a suitcase on the desk and unhooks it, revealing the stolen SPD uniforms inside.
“I have stuff to do and I’ve got one more piece I need on the board.... you wanna come with?”
*: ・゚✧ interrogation starters.
feel free to change pronouns etc as needed.
CALM / QUESTIONING.
“ tell me, what happened?”
“ did you see anything?”
“ what do you remember?”
“ do you remember anything unusual?”
“ please, try to remember as much as you can.”
“ every detail is important.”
“ and what happened next?”
“ and what did you do when all this took place?”
“ what were you doing around __ am/pm?”
“ where were you around __ am/pm?”
“ can anyone verify that?”
“ was someone with you?”
“ and you had nothing to do with it?”
“ and you weren’t involved?”
“ did you see it happen?”
“ did you see who did it?”
“ did you see or hear anything? anything at all?”
CARING / UNDERSTANDING.
“ you seem scared… is that why you don’t want to talk?”
“ did someone hurt you?”
“ it’s okay. you can tell me.”
“ you were just trying to defend yourself, weren’t you?”
“ we can take a break, if you want.”
“ everything will be okay, i promise. but you need to talk to me.”
“ it’s okay if you don’t want to talk about it. but it really would help if you did.”
SUSPICIOUS.
“ there is something you’re not telling me.”
“ i think you’re lying.”
“ you looked away just now when you said that. are you sure you’re telling the truth?”
“ except what you’re telling me doesn’t align with what we already know.”
“ seems to me like you know more than you’re letting in on.”
“ what aren’t you telling me?”
“ who are you trying to protect?”
“ so you really don’t know what any of it means? no clue at all?”
“ they must’ve told you more than that.”
“ you have to have seen more than that.”
“ and you want me to believe you don’t remember?”
“ and you want me to believe you had nothing to do with it?”
“ an accident? is that what you’re going with?”
DEMANDING.
“ i need you to tell me the truth.”
“ i need you to tell me what happened.”
“ i know you’re not telling me the truth.”
“ that doesn’t line up with the evidence. so… you wanna try that again?”
“ stop lying. i already know that’s not what happened.”
MAKING A DEAL / ASKING FOR HELP / DEMANDING HELP.
“ what do you want in exchange for this information?”
“ i’m listening…”
“ you’re coming with me.”
“ since you’re the only one who knows how to find them, i don’t really have a choice but to take you with me.”
“ fine. i’ll take you with me, but if you try anything…”
“ i can’t give you that. you know that.”
“ if we’re going to make a deal, you’re gonna have to ask for something a little more rational than that.”
“ okay. we have a deal.”
“ sorry. no deal.”
What canon character do you really wish your muse could interact more with?
This is a tough question because Lupin is SUPER social and is more or less super capricious and arbitrary in his social choosings. I want him to talk to everyone he can and honestly, so does he.
In Lupin III canon? I’d LOVE to interract with a Clarisse.
I’d say the only “wishlist” character out of Lupin’s canon would be Favaro from RoB, I’d love to see just how shitty those two could be together
Send me ℧ for me to generate a scenario for our muses
Using THIS generator. .
HEY ARE WE DOING TWITTER DROPS
5, 7
5: What is an aspect of your muse’s canon material or canon existence that you never had the opportunity to explore but really want to?
I already answered but I’ll give another one: I want him to make enemies. I want him to root out the damned. But some of the people threading in this direction have dropped since... I REALLY WANT SOME VILLAINS, TO SCREW OVER,
7: For movie or TV muses, what is your muse’s favorite scene? Why? Can you show a screenshot?
This is fucking impossible to ask me this. But recently it’s been the [SPOILERS AHEAD] look on his face when Jigen said he was serious about getting Lupin to retire, and then the monologue that followed
4, 5, 6
4: Have you made any outright changes to the canon material in order to write your muse the way you wanted (entire scenes you chose to omit, chapters you say never existed, things you assume were never said, etc.)?
For the most part I only completely ignore nazi-based episodes, and for reasons discussed with my cast the series “A Woman Called Fujiko Mine” isn’t something “Yellow Jacket” Lupin experienced (it’s considered a different timeline/reboot compared to the rest of the series anyway)
5: What is an aspect of your muse’s canon material or canon existence that you never had the opportunity to explore but really want to?
Haven’t gotten to have him talk to ghosts or get possessed or run afoul of a cryptid just yet, and I would LOVE to explore his brotherly relationship he takes on for younger girls with some of the girls (Ami, Clarisse, Rei) he’s done this for in canon. I’d love him to speak the how and why out loud to them instead of fuckin around and leaving.
6. What is the general opinion of your muse’s fandom about them? Do you agree with it?
Dude everyone agrees he is both a terrible little man and an inspiration all at once, he’s bad and good, fandom tends to scold him just as much as they laud him, like a family member you look up to but get tired of their shit. I feel the same, but from a more personal perspective; I see my shortcomings, my symptoms, and my strengths tied up in this little noodle man and I curse him as much as I get excited about him.
Questions for Muns of Canon Muses
What is the biggest headcanon deviation from the canon material that you have incorporated into the way you write your muse? Why did you come up with it?
Do you have any controversial headcanons that go against what is generally accepted by the fandom? Do you incorporate this into writing your muse or keep it to yourself?
What is something that was never addressed at all in the canon material that you have independently developed for your muse?
Have you made any outright changes to the canon material in order to write your muse the way you wanted (entire scenes you chose to omit, chapters you say never existed, things you assume were never said, etc.)?
What is an aspect of your muse’s canon material or canon existence that you never had the opportunity to explore but really want to?
What is the general opinion of your muse’s fandom about them? Do you agree with it?
For movie or TV muses, what is your muse’s favorite scene? Why? Can you show a screenshot?
For movie or TV muses, what is a scene with your muse that you hate? Why? Can you show a screenshot?
For movie or TV muses, what other character played by your muse’s actor/actress has a lot in common with your muse?
For book muses, what is your muse’s favorite scene? Why? Can you provide a short excerpt?
For book muses, what is a scene with your muse that you hate? Why? Can you provide a short excerpt?
For book muses, what other character from a book or book series has a lot in common with your muse?
What canon character do you really wish your muse could interact more with?
What is your ideal AU for your muse?
What plots/interactions leave you feeling protective of your muse?
lockpicklupin:
“I’ve made one before. Several actually. They got me out of tough situations.” He pats the frame attached to the bike. “And now that you’re up here you’re coming with me! You can’t have come all this way for nothing!”
So, he’s serious. That’s unfortunate, Paz, he’s really serious. He can tell she looks iffy about the whole thing. “Look this is the first one I’ve made that doesn’t require a tandem bike, usually it takes two people pedaling so for your benefit, let’s do a test run.”
He hops on the seat. “If I fall off of savior’s respite, you can laugh at my corpse and I get to haunt the place. Win-win. Under no circumstances are you to take me to the hospital. I’ll find Gyro or something.”
Maybe if it really did work… gliding down to the festival on a flying bike didn’t seem so bad. But she needed to see that test first.
“…Right, okay. I suppose I can go with that arrangement.”
At least he didn’t expect her to clean up the mess. Maybe he was starting to understand the respect she deserved. He was… getting there. Slowly.
“Go on, then. Fly, Icarus. I cannot wait to see how you do.”
“You know, it’d be fitting to die like Icarus in the Greek ward.” He winks... and he starts pedaling.
It takes a second for him to circle around and gain momentum but with every cycle of the wheels and gears the wings of the contraption actually flap, and the steering appears to also control a rudder.
“See it’s just a glorified puppet that punches physics in the face!” He says as he rolls past her to the edge of Savior’s Respite, pedaling furiously.
At first, the whole thing just drops off the cliff. It seems for a moment like he did fail, his terrible little yelp of surprise echoing from the cliff and fading off.
But the machine worked just like it always did, such a dependable little mess it was. It had been at least twenty years since he last used the design and he himself was terrified (maybe hopeful, on some level) that the damn thing wouldn’t work, since there had definitely been some pretty drastic changes in muscle mass since he had last worn that green jacket.
But he was flying. He laughs, as much from adrenaline as at Paz’s disbelief. He circles in the sky above. “HEY. HEY I TOLD YOU!!”
So, so many lime “coins”, a book of piano compositions and a few papers(and many, many rogue post-its) full of Vigenère coding currently litter the Thief’s room, which is nothing new for the past two weeks.
What is new is a hastily drawn diagram of Styx, little painted sand dollars with landscapes from around Spirale he’s been using as messages to meet up with his friends and some pamphlets for the Temple...
And a library card.
It doesn’t take him long to hide anything incriminating inside his desk. The sand dollars and resin coins and pamphlets all stay out, his room back to looking like the messy abode of nothing more than an artist.
He grabs his coat and a few of the sand dollars to wrap up, whistling a piece of a particular tune by Gershwin (the very one featured in the piano book, in fact) to himself as he sets off.
The game is 40% complete.
❝ learning from mistakes is for people who recognise that they make mistakes. i dont give a shit ❞
"A mistake is just a really fast change of plan, right? You can Bob Ross anything into a 'happy accident"."
❝ for as long as i can remember i have been able to remember things, maybe even before that ❞
"That's good. That's real good. Your brain meat is functioning as intended. "
“You conniving /bitch/!”
"Ohhhoho Paz what's wrong? Did I say something I shouldn't know? Or do I have something I shouldn't have?"