Author (@LogosLiterature @synnefocorp): KRYOS (forthcoming); TATTER (2020); THE SILENCE & THE HOWL (2020). Composer: (http://u.nu/b7srk).
Books available here. New title forthcoming.

ellievsbear
almost home
Jules of Nature
dirt enthusiast
$LAYYYTER
Three Goblin Art
"I'm Dorothy Gale from Kansas"

Discoholic đȘ©
Misplaced Lens Cap
Mike Driver
No title available
trying on a metaphor
ojovivo
KIROKAZE
Sade Olutola

if i look back, i am lost

oozey mess

Janaina Medeiros
Game of Thrones Daily
Monterey Bay Aquarium

seen from Serbia
seen from Vietnam

seen from United States

seen from United States

seen from Malaysia
seen from South Korea
seen from Chile
seen from Kenya
seen from Brazil
seen from United States

seen from Poland
seen from France
seen from Egypt
seen from Uzbekistan
seen from Uzbekistan
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@logosliterature
Author (@LogosLiterature @synnefocorp): KRYOS (forthcoming); TATTER (2020); THE SILENCE & THE HOWL (2020). Composer: (http://u.nu/b7srk).
Books available here. New title forthcoming.
Factions vie for control of a chaotic city. (a serialized novella)
The Night Has A Thousand Eyes (1852)
The Night Has A Thousand Eyes (1852)
The night has a thousand eyes, And the day but one; Yet the light of the bright world dies With the dying sun.
The mind has a thousand eyes, And the heart but one: Yet the light of a whole life dies When love is done.
âFrancis William Bourdillon (1852â1921)
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Partridge Manor
The Silence & The Howl (§.27)
The Silence & The Howl (§.27)
CHAPTER 27
She found Harmon in his room, staring at a series of drawings affixed to the wall. In the center hung a meticulously detailed graphite illustration of a young dark-haired woman with handsome mediterranean features. Harmonâs eyes shimmered with strange intensity from where he sat in statuesque silence in the middle of the spartan room, on a stiff wooden chair, spine arched, hands uponâŠ
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WielandâIntroductory Inscription (1798)
From Virtueâs blissful paths away
The double-tongued are sure to stray;
Good is a forth-right journey still,
And mazy paths but lead to ill.
 âby Charles Brockden Brown (1798). Wieland, T. & J. Swords, H. Caritat, New York.
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An Inhabitant Of Carcosa (1886)
An Inhabitant Of Carcosa (1886)
For there be divers sorts of death â some wherein the body remaineth; and in some it vanisheth quite away with the spirit. This commonly occurreth only in solitude (such is Godâs will) and, none seeing the end, we say the man is lost, or gone on a long journey â which indeed he hath; but sometimes it hath happened in sight of many, as abundant testimony showeth. In one kind of death the spiritâŠ
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Cassilda's Song
Cassildaâs Song
Along the shore the cloud waves break, The twin suns sink behind the lake, The shadows lengthen
In Carcosa.
Strange Is the night where black stars rise, And strange moons circle through the skies, But stranger still Is
Lost Carcosa.
Songs that the Hyades shall sing, Where flap the tatters of the King, Must die unheard In
Dim Carcosa.
Song of my soul, my voice Is dead, Die thou, unsung, as tearsâŠ
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Aedh Wishes For The Cloths Of Heaven (1899) HAD I the heavens' embroidered cloths, Enwrought with golden and silver light, The blue and the dim and the dark clothsâŠ
"What Really Knocks Me Out Is A Book That..."
âWhat Really Knocks Me Out Is A Book ThatâŠâ
âWhat really knocks me out is a book that, when youâre all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesnât happen much, though.â  âHolden Caulfield in The Catcher In The Rye (1951) by Jerome David Salinger
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Amelia; or, The Faithless Briton (1787)
Amelia; or, The Faithless Briton (1787)
AMELIA: OR THE FAITHLESS BRITON.
âAn original novel, founded upon recent facts.â
The Columbian Magazine, 1787.
THE revolutions of government, and the subversions of empire, which have swelled the theme of national historians, have, likewise, in every age, furnished anecdote to the biographer, and incident to the novellist. The objects of policy or ambition are generally, indeed, accomplished atâŠ
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Synnefo Consortium Designs
âSynnefo Consortiumâ graphic design series (in sequence created).
#1
#2
#3
#4
#5
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Beyond The Nightingale Floor (§.03)
Beyond The Nightingale Floor (§.03)
Continued from §.02
Haru and Ayumu left Daichi where he silently lay beneath his pergola and left Kumiko to the wood and made way to the south, down the lower mountain region which swiftly flattened and let out into a hilly expanse where the forest grew more thickly and mist was heavy in the air. Insects swarmed thick and loud and Haru grew increasingly vexed by their continual incursions.
âWeâŠ
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Beyond The Nightingale Floor (§.02)
Beyond The Nightingale Floor (§.02)
Continued from §.01
*
Ayumu stood beside the jagged rocks upon SĆzĆ-ryoku peak and looked towards the undulating amber horizon as Haru knelt and prayed at the shrine. The pyrotechnic stretched his bandaged right hand over the great solar sphere until it was wholly eclipsed by his appendage. He yearned to hold it in his hand. Slowly, he withdrew his arm as the scrapping of Haruâs boots upon theâŠ
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Experimental Archaeologist Wulf Hein's Remarks Concerning The Hohlenstein-Stadel Löwenmensch
Experimental Archaeologist Wulf Heinâs Remarks Concerning The Hohlenstein-Stadel Löwenmensch
§00 The Löwenmensch of Hohlenstein-Stadel, discovered in the Lone River valley, in Southern Germany (which was occupied from the Middle Palaeolithic through the Neolithic), is the oldest known piece of man-made figurative art ever discovered. Given this, a considerable number of theories have been developed in a attempt to explain the statuetteâs role in ancient Aurignacian society. §01âŠ
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Batrachomyomachia (The Battle Of Frogs & Mice) translated by Hugh G. Evelyn-White (1914)
Batrachomyomachia (The Battle Of Frogs & Mice) translated by Hugh G. Evelyn-White (1914)
The Battle of Frogs and Mice
Translated by Hugh G. Evelyn-White
[1914]
(ll. 1-8) Here I begin: and first I pray the choir of the Muses to come down from Helicon into my heart to aid the lay which I have newly written in tablets upon my knee. Fain would I sound in all menâs ears that awful strife, that clamorous deed of war, and tell how the Mice proved their valour on the Frogs and rivalled theâŠ
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Roger Scruton & The Aesthetics Of Beauty
Roger Scruton & The Aesthetics Of Beauty
§00 In a July 29th episode of the New Culture Forum Peter Whittle engaged in a discussion with English philosopher, author and perpetual comb-eschewer, Sir Roger Scruton on the topic of beauty. It is a fascinating and wide-ranging discussion, covering everything from contemporary art to political censure. One recurring issue caught my attention, however, as deserving of some critical attention:âŠ
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