Melancholia (2011) dir. Lars von Trier

Origami Around

Product Placement

blake kathryn
official daine visual archive

No title available
Claire Keane
No title available
đ

if i look back, i am lost
untitled
YOU ARE THE REASON

izzy's playlists!
No title available

Andulka
he wasn't even looking at me and he found me

â
we're not kids anymore.
I'd rather be in outer space đ¸

bliss lane

No title available

seen from United States
seen from United States

seen from Malaysia

seen from United Kingdom
seen from Netherlands

seen from Malaysia

seen from United States

seen from France
seen from United States
seen from TĂźrkiye

seen from Mexico

seen from United States

seen from United States

seen from United States

seen from Austria

seen from United Kingdom
seen from Germany

seen from United States

seen from United States

seen from Malaysia
@londonderryair
Melancholia (2011) dir. Lars von Trier
the x files; one breath â˝
I am priestess, occult, nymph / and goddess, / then what was my fault?
H.D., from Selected Poems; âCalypso,â (via violentwavesofemotion)
Are we unfathomable night with the new moon to give it depth and carry vision further, or are we rather stupid, marred with feeling?
H.D., from Selected Poems; âSigil,â (via violentwavesofemotion)
Now she knows what she wants: she wants to remain standing still in the sea. And so she remains. The woman neither receives nor transmits. She does not need to communicate. She knows that she is gleaming from the water, the salt and the sun. In some obscure way her dripping hair is like that of a shipwrecked person.
Clarice Lispector, from âAn Apprenticeship, or, The Book of Delights,â (via violentwavesofemotion)
âAn Apprenticeship, or, The Book of Delights,â by Clarice Lispector
expectation at age 13: will grow up to become the extroverted, witty, and enchanting elizabeth bennet
reality at age 22: has grown up to become the introverted, awkward, and stressed out fitzwilliam darcy
That is the saddest part when you lose someone you loveâthat person keeps changing. And later you wonder, is this the same person I lost?
Amy Tan, The Kitchen Godâs Wife (via rebreathing)
The New York Times, New York, January 3, 1897
Diana, fighting does not make you a hero.
where do I see myself in five years? hopefully replying to multi-paragraph work emails with: cool! thanks.-Sent From My iPhone
My motto for 2017
Hereâs the thing. When people talk about the hypersexualization of children, especially young girls, they are referring to the image these girls look up to in beauty culture right now. The exaggerated âhourglassâ, âKim Kâ figure, the excessive amount of makeup being pushed at them through social media they regularly navigate. And yes I say pushed at them because when all the adults you follow are promoting âskinny teasâ, waist trainers and makeup products, it directly affects the vulnerable youth and their body images. And YES it contributes to young girls in their early teens looking like they are 18-25 years old, which predatory men WILL take advantage of. Make no mistake, all of these things are dangerous and promoting skin tight clothing & outfits that specifically accentuate cleavage & an ass is contributing to an overly sexual image. This is not me sexualizing these girls, this is the current state of the beauty culture they are growing up in doing that. It is toxic and unhealthy and you can shout âwear what you want! Do what you want!â Until youâre blue in the face but it will not change the fact that this idea of beauty- this ridiculous standard of a flawless looking mannequin did not stem from women. It is not an innate or natural idea. It is an image perpetuated by men who run the media and all forms of advertising on various platforms. It is a well thought out scheme, and it is making them millions every day. We were not born with the desire to conform to this artificial euro-centric version of beauty. And our girls do not deserve the eating disorders, the anxiety, the depression and self loathing that comes with this beauty culture.