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Misplaced Lens Cap
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wallacepolsom

izzy's playlists!
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trying on a metaphor

oozey mess
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we're not kids anymore.
Today's Document
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@lordm0mo
I posted 1,709 times in 2021
75 posts created (4%)
1634 posts reblogged (96%)
For every post I created, I reblogged 21.8 posts.
I added 356 tags in 2021
#fanart - 139 posts
#kuvira - 62 posts
#aang - 43 posts
#f - 29 posts
#save - 19 posts
#zuko - 17 posts
#katara - 13 posts
#korrasami - 12 posts
#atla - 11 posts
#kyoshi - 11 posts
Longest Tag: 139 characters
#the 2 moments are ‘this staff will make an excellent gift for my fathah’ and ‘strike me!! you’ve never held back befoh!’ btw in case no one
My Top Posts in 2021
#5
436 notes • Posted 2021-04-05 22:09:51 GMT
#4
488 notes • Posted 2021-03-08 22:20:56 GMT
#3
530 notes • Posted 2021-04-12 21:20:34 GMT
#2
1141 notes • Posted 2021-05-06 21:01:49 GMT
#1
2353 notes • Posted 2021-03-21 22:08:13 GMT
Get your Tumblr 2021 Year in Review →
[Picture ID: A pen and ink drawing with “#ATLAtober” written on the top left. On the far left, a crying Aang is kneeling down on the ground. Behind him, a crowd of monks depicted as skeletons in tattered robes are watching him. One of the monks has a hand on Aang’s back. Some of them are very short, suggesting that they were only children when they were killed. End ID]
Aangie <3
[id: a series of illustrations of toph. in the first, she’s cracking her knuckles with a grin. in the second, she’s wearing fire nation clothing and holding one hand up questioningly. in the third, she’s frowning with one hand on her hip and the other at her side. in the fourth, she’s earthbending, sending several chunks of rocks up with a determined expression. in the fifth, she’s chewing a piece of watermelon with a scowl, two other melons – one smashed, one intact – behind her. /end id.]
reblog and put in the tags what your blog title means
commission from a COOL PERSON, she is Pumpkin Lord!
[ID: A digital drawing of Toph Beifong from Avatar: The Last Airbender. She is wearing her typical green and white earth bender outfit accompanied by a grinning Jack-o-lantern on her head. She is spreading her arms dramatically in the foreground of the drawing with the words “I AM PUMPKIN LORD” in orange letters above her head. The background is somewhat indistinguishable, but the forms of Sokka and Aang can be seen in the distance, as well as some greenery and a building. /END ID]
Adam Raised a Cain, Bruce Springsteen
ok but it’s like in season 1 when they’re penguin sledding and katara says “i haven’t done this since i was a kid!” and aang goes “you still ARE a kid!” and zuko tells him “you’re the avatar? but you’re just a child!” and aang responds “well you’re just a teenager” and then in season 3 aang is like “there were plenty of dragons when i was a kid” referring to one hundred years ago before the genocide of his people and now apparently the dragons because he not only is no longer a child in his own mind but in the last few months alone has come to feel the weight of the past hundred years and everything he still blames himself for and this is just another way he has failed the world and the world has failed him, failed to match up to his memory of it
THE BOY IN THE ICEBERG
thinking about atla thematics as usual and fascinated by how many fans insist they wanted aang to “grow up” more at the end of the series without considering how one of the show’s major themes is the terrible ways war and imperialism rob people of their childhoods. one of aang’s major gifts to every single character is restoring a piece of their lost or stolen or brutalized childhood. aang reminds katara there’s still joy in the world, and fuels her hope.
he brings wonder to sokka’s life with his flying bison. he sees zuko not as a terrifying enemy but as a boy he might have been friends with and had fun with, he offers toph a way out of her repressive home to have the adventures she’d been longing for, and all these characters rise to fulfill their destinies through honoring their inner child - the parts of themselves that are hopeful, kind, gentle, fierce, innocent, deserving of protection - and breaking the cycles of violence and abuse that interrupted their childhoods. azula was convinced she had no need for her inner child, and killed aang in cold blood in ba sing se, after which she slowly but surely lost everything she cared about, including her sense of self.
and finally, aang shows ozai mercy, thematically reminding the latter that the children he tried to kill and brutalize are a force capable of rising above petty violence, and reshaping the world. you could even argue that the original rupture in the mythos was when both sozin and the air nation sought to rob a child of their right to childhood - sozin by hunting a child, the air nomads by hastening aang out of his childhood so he could help them - and that balance is restored when aang, who represents the world’s lost gentleness and mercy, and upholds values that a war torn world regards as “childish” and “immature”, manages to end the war with a gesture that honors those values and affirms everyone’s right to a safe and loving childhood, to a life free of violence.
Monk Gyatso encouraging aang’s love of fun is so 🥺🥺🥺
Underrated Aang line I think!
Christa Wolf, Cassandra: A Novel and Four Essays
Royal Portrait
commissioned by @princessizumi
Young Zuko and Ursa, by Lauren Montgomery
Alright, hair. It’s time to face your doom.