Essays, Classics & Soulmates ⭑.ᐟ chapter one
pairings: boss!mattheo riddle x assistant!reader
(incl. characters: Fay Dunbar, Ernie Macmillan, Hannah Abbott, Draco Malfoy, Lorenzo Berkshire, Pansy Parkinson, Theodore Nott, Blaise Zabini, Katie Bell, Zacharias Smith, Hermione Granger, Harry Potter)
summary: moving from one city to another was already difficult, but moving from a city generally considered slow-paced and relaxed to one that's fast-paced and constantly crowded was not for the weak. add a boss that makes your life a living hell, prices you can't exactly afford, paces you can't always keep up with, missing home, and you've got the full lovely picture.
author's note: set in london, england, circa 2004-2005, characters aged around 24/25. heads up: reader is supposed to be overly bubbly/passionate about the smallest things & it definitely might be a bit over the top at times so I'm sorry if that's the case, lol!
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Moving to London all the way from Norwich was quite the change, apparently. One could have expected it, after all. A few people became many. Your life, which you often considered calm and easygoing, quickly turned fast-paced, perhaps even busy. You have never lived such an engaged life before, never dreamt of it, either. It’s rather odd, and you can't pinpoint the exact moment you started thinking of your slow-paced life as an active, overly involved with everything, life. What went from a weekly get-together with your childhood friends hesitantly formed into a daily cup of tea with a handful of your acquaintances.
It was thrilling at first. You suppose everything is when it’s new, but even then, you definitely weren't the type to complain. You could fit well into this lifestyle, you were sure of it, you even rang your parents, and they too confirmed that you could do this.
Exhilarating, curious, filled with a lot of hopes and dreams. Being away from home, leaving your norm and everything you've ever known behind for such a lively city was not for the weak. And the prices? Everything you considered cheap had risen to prices you considered expensive.
“Babe,” Fay tells you over the phone, and it’s so incredibly easy to hear the smile in her voice. She’s been your closest friend for ages, and as she lives right outside the city, ten minutes tops, you stayed with her for a while right before you moved into your flat in the heart of London. “Fancy going out for afternoon tea sometime?”
“I’m not exactly, ah, rolling in it right now,” you shuffle around, phone pushed between your ear and shoulder as you struggle with your bag. You place it on your desk with a heavy thud, rapidly taking out a notebook and pen, and finally plopping down in your stiff desk chair with a groan. “My boss is making me work too much for too little.”
She sighs, “He is such a prick. I hate him.”
“You haven't met him,” you retort.
“It’s a solidarity thing,” she light-heartedly argues, always having a quick comeback ready to launch. “When I hate someone, you hate them too. All of my exes, as an example. Remember Mandy? When she broke up with me after we graduated from school, you also hated her!”
You let out an exaggerated gasp of disbelief, which fades into a chuckle, “That’s because she once got you flowers she knew you were allergic to, Fay. She was crazy.”
Her energy is quite infectious, so much so, that you can feel it through the thin screen of the phone, “Ah, you're right about that, I reckon. Anyway, I have to go, love. Good luck at work today. Ring me later to rant about your annoying but ‘oh-so-sexy’ boss.”
“I have never said those words in my life, Miss Dunbar.”
She lets out a high-pitched giggle, “Bye, bye!”
Your desk is placed right next to your boss’s office. Any sort of movement coming from you, or if you're gone longer than five minutes, be prepared for him to immediately take notice of it. The chair you're sitting in is lacking proper back support. If you'd lean back, you might as well fall back. It is also too narrow for comfort, and despite complaining about it countless times, you're still sitting in the same chair from when you first started working here.
Picturing your younger self doing a corporate job isn't something you're able to do. It never aligned with your true passions, but then you ended up here, in the middle of London, among media and publishing organisations. As an assistant, yes, but you enjoy it nonetheless.
There are only a few tasks on your to-do list until the meeting planned for later this afternoon.
1. Schedule Mr Riddle’s meetings & calls
2. Prepare the agenda for tomorrow
3. Flag urgent agent/author e-mails
4. Ship proofs to the reviewer
Mr Riddle has this sort of unspoken rule, well, he has many, but his PowerPoint one takes the win. Every presentation you prepare needs to have fifteen slides otherwise it doesn't please him. Try figuring this out while having a boss who ignores your very existence.
During your first week of working here, you had your first presentation, ten engaging and educational slides. High hopes, twitchy hands, and— oh, a nasty glare in return.
During week four of working here, you had another presentation, twenty slides were the way to go, you felt like. A confident smile, a relaxing demeanour, and… a disapproving sigh in response. You’d grown rather fond of your boss's side profile, for it was the only thing you got to see.
But then, week eight rolled around. This was it. Fifteen slides, shoulders straightened, head held high, voice precise and certain. There it was— he leant forward in his seat, thumb on his bottom lip, eyes slightly squinted together. Having his full attention was rather terrifying, you realised then, and he even spoke to you outside the meeting. A grumbled, ‘Nice work,’ and before he allowed you to even open your mouth, he had already turned around and left.
You still took that compliment with grace.
Now, week fifteen. Your laptop is neatly placed on the table as the projector it's connected to lights up the room. Your introduction slide appears on the wall, a bright pink presentation, with film references thrown into it. A twitch of the eye is all you get.
“A pink PowerPoint, hm? And what were all the references about?” Mattheo muses. The meeting has long ended by now, but at least he had the decency to cool down before he called you into his office. He hasn't been completely nice to you, admittedly, but a pink PowerPoint?
“I like the colour, and I like films,” you tell him, hands neatly folded in your lap, curious eyes sparkling as you subtly look around his office. He doesn't call you inside often, quite the contrary, actually, he tries to keep you out as much as possible. He gets his work done, and you get yours done, it’s been working perfectly so far. Fair is fair, he assumes. “All the power points are relatively dull, if I may say so. Oh, may I, sir?”
He raises a bored eyebrow, before begrudgingly jutting his chin at you, signalling for you to continue.
You let out a delighted sigh, before leaning forward in your seat, “Well,” you excitedly say, cheek dimples deepening. “It is actually proven that people can remember coloured information better than black-and-white. And isn't black-and-white so terribly boring? I mean, it is so unproductive, sir. It certainly makes me feel that way. Doesn’t it make you feel that way?”
His eyes bore into yours, and something small was sparkling in there. Perhaps a glint of amusement as he gazes at you, “No, it does not,” he dryly comments.
“Oh, how lucky we are that you don't represent all of humanity,” you brightly chirp. “Humans are drawn to colour. That’s also proven. What is life all about if we don't have a little bit of colour? What is your favourite colour?”
Mattheo tilts his head to the side, “I do not have a favourite colour, Y/N.”
“Everybody has a favourite colour,” you roll your eyes at him, impatiently tapping your long nails on his desk. You shift in the chair again, placing one leg over the other, and you can feel his eyes dart to the motion. For a mere second, the office is quiet, and his eyes linger on your bare legs. You awkwardly tug at the hem of your skirt, “So?”
“Tell me your favourite colour.”
He’s biting back the urge to snap at you now, mostly because this entire conversation is childish. His eyes dart back to your face, he stays quiet, and you don't dare utter a single word, for you have just rambled on and on about colours in front of your boss, the same man who hates you with his entire being. Finally, he clears his throat, “Red.”
“That is so cliché!” You let a laugh burst out of your throat, before slapping your palm in front of your mouth, swallowing the rest of the obnoxious sound you allowed to slip. “Sorry. I like red as well. Shall I do my next PowerPoint in red, sir? It would work well with the line graphs. Oh, I could do the annotations in black! And the diagrams could—”
“Red will do just fine,” he easily interrupts, swiftly rising from his seat, posture a bit slouched as he gazes down at you. “I have a phone call to make. You can see yourself out, I'm sure?”
“You don't have any phone calls,” you tell him as you stand up, quickly smoothing down your skirt and reaching for your laptop that’s still resting on his desk. “I know your agenda. In fact, I make it for you every morning. Did I miss an important call that you had scheduled? I’m terribly sorry, sir. It wasn't with an author or agent, I hope?”
“A personal phone call,” he steps toward the door anyway, opening it, and holding it wide for you. “And Mattheo will do just fine, Y/N. No need for such formalities.”
“I’ve been calling you sir ever since I started working here,” you say as you usher past him, before spinning in a half-arsed circle to look up at him. Although you are above average height for women, he still towers over you by a bit. “Calling you Mattheo would feel weird.”
“I’m sorry. I’ll go now. Have a great da—”
The door slams shut in front of you, your mouth still hung wide open, only just managing to form the letter ‘y’. “Oh, quit gawping, love,” Katie laughs from behind you, taking you by the arm and slowly leading you back to your desk. It’s not further than fifty metres.
“He’s so rude, Katie,” You frustratedly drop your laptop on your desk, plopping down in your stiff chair. “I don’t understand what the matter is with him.”
“He’s just moody,” she pats your hand, and then leans closer, her voice low and full of laughter. “And a prick.”
Your lips twitch up in surprise. Katie’s never been the kind of woman to bring another person down, not even Mattheo, which is a shocker, since he deserves all the hatred he can get. Katie and Zacharias work directly alongside you in the office, all three on the same floor, next to that excruciating office. You’ve bonded over it by now, all is well, as long as you have your two colleagues by your side.
Your new PowerPoint ends up being in a dark-ish red colour. A cheeky smile plastered on your face, voice sounding immensely proud like you know what you're doing, and really, you do. You don't get any sighs in return nor does he complain even once. When you’re packing up your stuff, his eyes are locked onto your figure moving around. Once you’re out of sight, he lets his head slump forward with a slight smile.
Turns out you were right, after all. Colour is, indeed, so much more intriguing than black-and-white.
Begging made people seem weak, in Mattheo’s eyes, you hesitantly started to realise. How, one may ask. The story is rather simple; you had politely inquired of Mattheo that you could, perhaps, write one column in the next paper that was coming up. He denied your request, which by now had turned into something familiar, something you (although not positively) expected each day you came into the office.
Every idea you had was brushed aside, so you gradually started slipping them to Katie before meetings. Oh, how awfully surprising that all your ideas have suddenly become a reality.
Whenever Katie opened her mouth during meetings, starting with, “Hm, maybe we could—” Mattheo knew you had slipped her yet another note before she entered the meeting. He couldn't help it, not exactly, he loathed you tremendously, yet you were very creative, even he had to admit.
You have an insanely big mouth, always blabbering away, never sitting still, speaking before thinking, head lost in possibilities and fantasies that would never become a reality.
That brings us to the present. His cousin had come in, which is something he should've told you beforehand so you could have written it into your agenda. You have an obsession with the thing, detailing every small appointment with utter precision and care. Long story short: he never mentioned it to you, and now you're yelling. Well, not exactly at him, but—
“Bloody hell,” Lorenzo breathes out, eyes slightly wide and the barest hint of panic visible as he gazes at you. “All I said was that you look like you could poke my eyes out.”
“I definitely could,” you hiss back, letting out a scoff as you scan him from top to bottom, the judgment as clear as day. “You pig. We had an entire conversation and you were only staring at my breasts.”
“I wasn’t staring at your—”
“Lorenzo,” Mattheo interrupts in a firm voice, steering his cousin into his office, making sure to ram the door shut behind him. He almost rests his forehead against the office door while still standing in the hall, and for a moment he second-guesses himself, but he ends up turning around anyway. “Are you all right?”
“Not like you care,” you mutter, fingers fiddling with your fountain pen, repeatedly taking the cap off and placing it back on. “But, yes.”
“I do care,” he immediately says. The words, unfamiliar albeit comfortable on his tongue, make you both pause. The tips of his ears flush a little, the barest hint of it, and it still manages to make you feel warm inside. “My apologies for not notifying you of my cousin’s visit today.”
You nod, eyes flickering between your closed laptop, fountain pen that’s now dripping ink over your notebook, the bowl on your desk, and then the safest part of the room: his office door. Just enough to see him out of the corner of your eye, and just enough not to put your entire focus on him. “It’s a personal visit, so it doesn't exactly fit in the agenda.”
“I suppose that is true, yes,” he quietly muses, eyes trained on your rigid form. “You can be honest. Regarding my cousin, I mean.”
“Thank you. I don't necessarily dislike him, but he's rather rude. He barged right in, disrupting people from their work due to his loudness, and insulted Katie while walking past. Red’s totally her colour, so he doesn't have the right to tell her it’s not. Who even says something as silly as that to another person?”
“I am confident they are dating.”
You gasp, whipping your head around to look at Katie, who unashamedly grins in response.
“You could have all the guys in the world,” you tell Katie as the two of you walk home together later that night. The leaves fall from the trees, leaving a colourful path in front of you as you continue at the comfortable pace you're going at. “And you’re telling me you're dating our boss’s cousin?”
Katie shrugs, adjusting her overly bright red hat on top of her head, a sweet flush concealing her cheeks. When she scratches her nose you can see the dark red nail polish has been slightly chipped off, “He’s really sweet! I promise. You swoon for the entire arm thing, trust me, if you could see his biceps when he has me a—”
“I don't want to know,” you’re fast to interrupt with a chuckle, hands raised in front of you, head shaking from left to right. When she giggles, you hook your arm into hers, tugging her impossibly closer for warmth, and she leans into it without hesitation, “If you’re happy, then that’s great. I genuinely thought he was insulting you earlier today when he walked into the office. I guess that’s why I was so hesitant.”
“No,” she laughs, rolling her tongue over her front teeth, which are somehow always blindingly white. “He got me this jacket, actually. He was teasing, I believe. I haven't been in the dating scene at all, lately, which you know. It’s been tricky, but very lovely at the same time. Trust me, you don't want to know what he whispered after he said it wasn't my colour.”
You bump into her side, a big smile concealing your face, and the cold momentarily disappears, the sun coming to life due to the simple happiness on your face, “That’s great. If he hurts you, though—”
“You’ll be the first to know,” she promises with a pat of her hand. “You’ll be able to let out all that anger. Let’s go back to your place?”
“Please don't make me watch The Sound of Music this time,” she goes on to say, which makes you laugh. “I have somehow memorised Do-Re-Mi. Have I entered my own personal hell?”
You speed up the pace a bit, the colourful leaves adding cleverness to the conversation, “Let’s start at the very beginning—”
“Enough, love. For Pete’s sake.”
“I am aware I'm just your assistant,” you tell Mattheo in a rush, nervously entwining your fingers, cracking your knuckles, before you let go and push them into your pockets instead. “But could I, possibly, write essays of some sort on the side, please?”
He blinks at you, which you take as a sign to continue, “I want to write more, to be blunt. It will not interfere with my work, I promise. Only in my free time, outside of work.”
“And why, pray tell, are you asking me?”
“You’re an incredible writer, and I would love for you to review it.”
He finally tilts his head to the side, biting on the inside of his cheek, before flattening his tongue against his bottom teeth, and then he lets go with a tsk, “If that is something you wish for, then we could look into it.”
“Thank you!” you squeal, not bothering to lower your volume. Sunshine in the flesh, the embodiment of sunshine, you've heard it all before. “You don't understand how much this means to me. Goodness, I could kiss you right now! Okay, bye!”
“You told him you could kiss him?” Fay manages between her fits of laughter. Her cup of tea is wobbly in her shaky hands as she finds her seat on the couch in your flat. “I’m sorry, babe, but that’s just—”
“For crying out loud,” you drag out into a pillow, tugging it as close to your face as possible, meanwhile you kick your leg down onto the couch in humiliation. “Fay, I'm going to die out of embarrassment,” You suddenly sit upright, pillow falling into your lap with a soft thump while you shake your head. “This cannot be happening. Why do I just— blurt things out without thinking them through? I’d say I have to quit, but considering it was so unprofessional he might as well fire me.”
The laughter coming from your friend doesn't disappear, not even when she shuffles closer to you, legs tucked beneath her butt as she reaches for your hands, thumbs caressing your knuckles, “It’s just a saying. You were excited and blurted it out, I'm sure he’ll understand.”
“For a moment— one of weakness, trust me— I wanted to kiss him,” you moan in utter despair, allowing your head to pathetically slump into your best friend’s neck. You wrap your arms around her slim waist, “Fay, who does something like that? Who falls in love with their boss? The same man who hates my entire existence?”
“Not you,” she flicks your forehead, giving you a shove. “Remember how much you hate him? He’s a prick, he dismisses you, he doesn't deserve your attention.”
“You’re right,” you firmly nod, pulling your head up, jutting out your chin in a confident manner. It only lasts a second, because your thoughts slip, and you fold, like you always do. “But he’s oh-so-charming! And his arms, Fay, you haven't seen his biceps. They’re awfully huge, it’s bizarre.”
She seems to consider your words for a moment, weighing the two options causing the dilemma. She can either snap you out of your love-sick haze or listen in for a second longer. “All right,” she hesitantly starts. “How big are we talking here? ‘Oh, I go to the gym every day and work hard’ big or ‘I take steroids and call it a day’ big?”
“Big enough to turn heads,” you say instead, tightly squeezing her hands. “If a man would see them, a typical gym rat, oh, think of your last ex, right. He’d turn around and say, ‘Mate, the gym is paying off!’”
She intently looks at you, eyebrows furrowed together in concentration. Her dilemma disappears, and the answer is clear now, “Fine, let me go grab the ice cream. Get ready to talk about your annoying but very sexy boss all night long.”
As she gets up from the couch, wanting to make her way into your cosy kitchen, she looks over her shoulder, “And I want every little detail on those biceps as possible.”
[Subject: Essay 1, #Draft 1. Constructive Criticism Instead of Destructive Criticism: A Guide.]
I will attach my draft at the end of this e-mail. Thank you again for helping me out with this, it means the world to me! I’ve also printed it out, just in case it’s too difficult to look over this way.
(attachment:Constructive_Destructive_Criticism_Draft_v1.docx)
How to Spread Constructive Criticism Instead of Destructive Criticism: A Guide by [Your Name].
Destructive criticism is negative feedback that can be harmful to the recipient. Sometimes people may think they're helping someone by giving destructive criticism, but in reality, it can hurt their work, accomplishments, and reputation.
Constructive criticism, on the other hand, is intended to help people improve and grow. This sort of criticism provides actionable recommendations for change and improvement without any judgment, which ultimately leads to a more positive outcome and a better working environment.
Having criticism thrown at you is never easy, but it’s an important part of personal and professional growth. Constructive feedback can help you improve and reach new heights. Learning how to give and receive criticism can make you a better employee, friend, and team member, which makes for a great and comfortable work environment!
Here are 8 tips for giving constructive criticism:
1. Do: Use “I” statements:
“I” statements are a way to express your opinion by focusing on the situation rather than the person you are speaking to. “I” statements start with the following:
Instead of —> “You said that,” or, “You did…”
Using “I” statements in feedback can depersonalise the situation and focus on your experience. When you start each sentence with “I” it emphasises that you are expressing your thoughts and opinions, rather than presenting indisputable truths. This approach can minimise the natural defensiveness that stems from criticism and lead to a more constructive feedback exchange.
2. Don’t: Use the sandwich method
You’ve probably heard of the sandwich method before. If you haven't heard of the name, you will however recognise the method itself.
This is possibly the best-known criticism strategy. With this specific method, you start with a positive comment, continue with constructive criticism, and end with another positive comment.
Despite its raging popularity, the sandwich method is not an effective way to provide helpful, constructive criticism. The theory sounds good enough, but this is what’s happening:
You’re building in constructive criticism —> there’s little opportunity to make said feedback actionable or brainstorm the next steps.
Instead, use your time to make your feedback as specific and helpful as possible.
3. Do: Provide actionable feedback
The purpose of giving constructive feedback is to give the person something they can work on. When you provide feedback, don't forget to make it clear that you are open to discussing or brainstorming it further if that will help the person you are giving feedback to.
Good constructive criticism ≠ only pointing out what can be improved
Good constructive criticism = pointing out what can be improved but also including ideas and the next steps the person can take to further develop their skills
Feedback ≠ actionable? Don’t give it!
Without actionable advice, your feedback comes dangerously close to destructive criticism rather than constructive help.
4. Don’t: Give your feedback publicly
Even the best-worded criticism wrapped in the most gentle hands can be difficult to accept, especially if the person you're giving feedback to has spent a lot of time and energy on the job.
Making feedback constructive & helpful —> open dialogue about how the person can improve
This type of dialogue is not possible when you give your feedback publicly. Instead of starting a conversation, the person feels embarrassed, ashamed, or personally attacked. They may react defensively or simply move on without internalising the feedback.
Sit down —> a comfortable, slow, nice chat = creating the best setting for a productive conversation
5. Do: Include positive comments where appropriate
Not using the sandwich method or not recommending using it doesn't mean you shouldn't give positive feedback.
Constructive criticism = more than just negative feedback
Telling someone what they did as well is just as useful. This way, they can spend time honing their strengths while strengthening their weaknesses.
6. Don’t: Force positivity
Avoid contrived positivity. The goal of providing constructive feedback is not to offer hollow praise. Rather, it is intended to facilitate growth and development.
Important: it is always crucial to approach it thoughtfully and genuinely. Insincere feedback can be unproductive and hinder future feedback sessions.
7. Don’t: Give feedback without thinking it through
Before you schedule your feedback session, ask yourself the following:
Is this feedback something that helps them improve?
Do they need to hear this feedback?
Am I willing to brainstorm with them about how they can improve?
What steps, if any, can the person take?
8. Do: Maintain a friendly tone and body language
Your ultimate goal is to help the person improve, even if the feedback is tough to deliver. If you’re unsure about giving constructive criticism, consider practising what you want to say and how you want to say it.
Pay attention to your tone and body language. Avoid frowning, staring, and crossing your arms, as these signals can increase defensiveness and hinder the feedback process.
To be completely honest, Mattheo is the managing director (a CEO, if you will) of the company for a reason. This leads to the conclusion that he isn't unintelligent by any means. He had a twinkling feeling when he skimmed over the first sentence you wrote, but he was a hundred per cent sure the essay was about him when you wrote ‘if your feedback isn't actionable, don't give it.’
What a clever, clever girl.
“She wrote an entire essay about me,” his deep voice tells Theodore the second his friend picks up the phone. “Do you want to know what it is called?”
“Yes, please. I would be delighted.”
“How to spread constructive criticism instead of destructive criticism.”
Theodore has always been remarkably laid-back, more so than his other friends, or their mutual ones. Relatively quiet, he doesn't say much, preferring to listen more than anything else. He does laugh this time, deep and genuine, “She despises you so much, mate.”
Mattheo’s eyes scan the words in front of him again, his computer screen lighting up the dark office. He skims them again, “I think it’s cute,” he snorts. “She wrote an essay about me, a guide, that is. I believe it is flattering, no?”
“She wrote an essay for you to change your shitty behaviour, it isn't directly about you. And it definitely isn't a compliment,” Theodore corrects with a raspy chuckle, clicking his tongue, some rustling on his side of the line. “I don’t see how it’s flattering, Matt. I’m a bit lost, really. Maybe you should listen to her guide, after all. You’re absolutely terrible at giving constructive criticism.”
[Forwarded: Subject: Essay 1, #Draft 1.]
I read your essay, and it is very fascinating, I must admit. Quite educational, too. I’m deeply displeased that you've been hiding this talent from me for so long.
Learning how to give and receive criticism can make you a better employee, indeed. I wholeheartedly agree, and I'm beyond delighted we see eye to eye on this. So, here I am. I will propose a deal, yes? I focus on getting better at spreading constructive criticism, and you focus on getting better at receiving any sort of criticism.
A small heads up, this is not going into the column, nor will it ever be published. Perhaps if you write about something slightly more purposeful, it will see some sort of daylight. Here are some ideas: assertiveness vs aggression, solution-oriented vs problem-focused, growth-mindset vs fixed-mindset.
Don't be afraid to reach out to me for more insight or ideas.
Dropping your heavy bag onto your desk the second you walk into the office has become a bit of a routine. A brand new day, you just had an amazing cup of coffee, extra sugar, and Katie wants to go out for dinner later this evening.
Once you feel his presence, your head snaps up within a millisecond, your eyes clashing towards Mattheo’s as he walks by. “Good morning,” he tells you, a taunting smirk tugging at his lips, brown strands of hair falling messily onto his forehead.
“Good morning,” you loudly say, voice screeching throughout the entire office, which makes a few people nearby give you an odd look. You don't hesitate to politely smile at them in return, a silent apology, before swiftly lowering your voice, “About your e-mail. Look, I—”
He halts, glancing over his shoulder, eyes focused on yours, “Your words were loud and clear. I proposed a deal. Do you accept this deal… yes or no?”
“Fine,” you grit out, glancing down at your desk and noticing a stack of papers. You had also given him the printed version of your guide, and he very neatly placed it back onto your desk when he came into the office this morning. “Maybe you should take my essay back, though. You might forget what I wrote, since I know you delete e-mails after reading them.”
“I don't think I will,” he smoothly says, rolling his broad shoulders back while sending you a snappy, charming smile. “Have a great day,” and without another word being shared between the two of you, he turns around and leaves.
When he makes his way back into his office, settling down on his chair, he stares at the copy he made of your essay. Sticky notes are piling up on the papers, since he gracefully went through every sentence you wrote and accompanied your thoughts with his. A scribbled ‘:)’ here, and a ‘how clever’ there.
A small, private smile tugs at the corner of his lips as he places it into a drawer beneath his desk.
“I’m a lot of things, just not a nerd, Fay,” you fold your arms across your chest, which automatically pushes your breasts up, scarcely spilling over the collar of your top. You take a big gulp of your drink, a confused, very small pout tugging at your bottom lip. You direct your vision onto another friend of yours, “Ernie, tell her.”
“Sorry,” Macmillan replies with a broad grin, bumping his fist against your shoulder while actively passing you to reach for the beverage he ordered. The words he utters are ridiculous on their own, considering the only true nerd at this table is him. Ernie Macmillan, the same man who is delicately shaped like a Greek God. The dozen freckles of paint from his recent artwork are still sticking to his face, and even that adds to his endless charm. A yellow fleck beneath his nose, and a blue one on his sharp cheekbone.
“Ye’re a nerd. Eh, maybe not so much of a nerd, ye just fit into that category,” he snaps his fingers, glimpsing at the table. “Could ye pass me that card, Hannah? There we go, thank ye, love.”
“How?” you confusedly ask.
“You dressed up as Marty McFly for Halloween, first of all,” Fay starts listing, holding up three fingers. “You begged Zacharias to dress up as Dr Emmett Brown. When he said no, you asked your dad.”
“What’s the Clone Wars again, darling?” Hannah asks.
“The Galactic Republic and the—” you slap your hand across your mouth, realisation dawning on you. “Not fair, Hannah!”
“Ye’re a bit of a nerd,” Ernie chuckles, light-hearted, soft, and minimally raspy due to the alcohol. He’s always been the most dramatic and pompous of all your friends, but his loyalty cancels it out, and so does the alcohol, apparently. He looks spent, yet undeniably gorgeous. He drags his pale hand through his wavy brown hair, making it appear more messy than presentable. “So what? Wear the title well, love. Ye’ve to honour it, so ye do.”
The conversation drags on, the music playing in the pub adding more ambience to it. Your ears block it all out as you look to the other side of the pub, where, unfortunately, Mattheo walks in. For once in his life, he's not dressed in a prim and proper suit. There are a few people behind him, and you faintly remember Theodore, having seen him around the office before. Lorenzo, his bothersome cousin. An exceedingly pale blond-haired male, a girl with pitch-black hair, and a tall dark-skinned male also follow. You don't recognise them.
Throughout the rest of the night, you try your very best to keep your unlimited focus on your own table and companions. Your eyes have a mind of their own, since they often wander towards one specific male, at another table.
“We need to get you over your boss. This is becoming pathetic,” Fay mumbles, passing you another glass of alcohol. “What are the odds of him even being here? Ah, hold on,” she leans forward, and after a full thirty seconds, her eyes slowly wander back to yours. “Now I get the entire arm argument. Totally valid on your side.”
“Yeah. It’s a bit terrifying, actually,” she snorts. “Good for you. Is that what gets you so distracted at work?”
“Sometimes,” you shamelessly admit with a shrug, the alcohol loosening up your honesty. “Most of the time I think about ways I could bash his head in, though. My most original and thought-out way is sneaking up behind him and grabbing his hair. Do you think I could hold onto those curls of his?”
Fay immediately bobs her head up and down, bangs falling in front of her eyes, before she drags it all together and puts it up into a bun, “Definitely. Hey, you could hold onto his hair during other situations as well.”
“I’m not having sex with him.”
“That’s not what I was implying at all,” she winks. “But it’s always nice to know where your priorities lie.”
Correctly recalling how it exactly happened is impossible, but here's the moral of the story: you’re absolutely pissed. One drink turned into two, a few more drinks followed, and then something stronger was thrown into the mix. You’ve always been relatively adequate at handling your alcohol, you just needed a getaway tonight. Turning to the exact opposite of sobriety is not very healthy, but for tonight, only tonight, it will do.
“I’ll take her home,” Mattheo’s deep voice speaks up from behind Fay. Louder than usual due to all the noise in the pub, and maybe your sensitive, slightly tipsy ears are making things appear differently.
Fay turns around, still holding onto your arm so you don't wander off. That’s the moment she supposes she gets it, why you're so smitten with your boss. Although her type is vastly different from yours, admitting to seeing an objectively handsome man in the flesh right before her eyes isn't something she necessarily struggles with.
Messy curls, which somehow still seem neat, perfectly coiled, a few strands falling in front of those deep brown eyes, which are intense, and not once waver from your drunken form. He’s lean but muscled. You know the type, looks lean, yet has a defined six-pack hiding beneath the shirt they're wearing. For him, it isn't exactly a guess, since his biceps strain against the material of his shirt. One look at him, and Fay can confidently say he definitely has an insane attitude. For your sake, she's trying to look at the layers beneath it, hoping to find some gentleness safely tucked away.
“I don't know,” she softly says, tugging you slightly closer to her. “I do have an early shift tomorrow, but she's my friend. I’m not leaving her with a stranger.”
“I’m not a stranger, I'm her boss,” he deadpans with a swift movement of his hand, briefly glancing at her, before his gaze settles on you again. “I still need her, it’s not like I would bring her to harm. Quite the contrary, actually.”
Fay bites back a smile. How can two stubborn people be so oblivious? Two clever, ridiculously smart people, goodness— the entire situation is beyond silly. “Right,” she slowly nods. “You still need her. I wouldn't want to stand in the way of that, of course.”
“Work-wise,” Mattheo says, eyes snapping to hers, fierce and unwavering. If he stares hard enough, he might as well be able to snap her in half.
The blond-haired male you noticed walking into the pub with him earlier walks over. He places a hand on Mattheo’s shoulder, muttering something in his ear along the lines of ‘leaving’. You catch a few other words, such as, ‘brunch’, ‘tomorrow’, ‘in-laws’, and a male name you cannot comprehend from where you're standing. A minute later he's gone with the black-haired girl.
Fay does allow Mattheo to bring you home, considering she has to drive approximately forty minutes to her flat, and it is already past midnight. It took some convincing on your part as well, and she's more than aware you wouldn't get into a car with someone you don't trust. That settled her nerves. A kiss to your cheek, and a soft, “Text me when you're home,” before she, too, left.
Mere moments later Mattheo is leading you into a taxi. “I thought you had a fancy car,” you mumble, slumping down into the strangely comfortable seat, roughly pulling on your seatbelt which blocks your advances due to the aggressiveness. He easily takes it from you, before buckling up as well.
“I do have a fancy car,” he says.
“Then why are we in a taxi?”
“My cousin drove me here.”
“How does that make me a wanker?” he dryly questions, tilting his head to the side to look at you. You look beyond pretty in the dark light, only the passing street lights making your face light up. Warm orange shades cover half of your face before it goes dark, and the motion repeats for the entire drive. Something about this setting— cosy, quiet, relaxed… it feels oddly intimate.
It makes him feel warm, somewhere in his chest, a little beneath his heart. He can't directly explain that feeling, what it means, why it’s so dead set on staying, or why it only happens when you're near.
“Well, you have a fancy car,” you slur out, pointing a shaky finger at him. “But you go to a pub with your cousin. You’re using up his fuel. Oh, for fuck’s sake, you really are a wanker.”
“Really?” his lips twitch. He straightens his shoulders and stares ahead of him, “Silly argument you have there, doll. In my book, that is called saving fuel.”
You let out an annoyed sigh, throwing your hands up in the air, a pure moment of frustration, before you let them fall in your lap, “Yes, I do.”
“Perhaps you could write about it in your next essay,” he suggests quietly. Charming, only a little hesitant, but it’s impossible not to miss the teasing tone that is attached to the sentence.
Falling for the bait, you speak up, “My next essay will be called…”
Everything sort of blurs together, and coming up with a single intellectual thought while being taken over by your drunken mind is hard, seemingly. You suddenly gasp, letting out a laugh, and while you're leaning forward, positioning one leg beneath your butt, you place a hand on his thigh to stabilise yourself. “How an annoying boss can affect your work mood.”
“Mhm,” he hums, though his eyes are trained on your hand. The same hand that is currently placed on his muscular thigh. A blink, and he's forcefully dragging his intense brown eyes upwards so he can look at you instead. How undeniably difficult it is, since your hand feels extremely warm, “You seem to be touching me a lot for someone who supposedly despises me.”
Your eyes stare into his, and maybe it’s the universe clashing together, but the taxi makes a turn, which automatically seats you closer to Mattheo. “I do hate you,” you tell him, glancing back at your hand. Staying focused on one thing solely never works out for anyone, since he had discreetly taken your hand off his thigh, without you noticing. So gently, and so smoothly, and now your fingers were entwined with his.
“I hate you,” you repeat.
“Maybe not as much as I want to.”
He squeezes one last time.
“Fine, I don't hate you.”
“There we go,” he breathlessly whispers, a private smile gracing his lips. When one smiles, their skin automatically stretches, it can make a person look entirely different. Younger, as an example, or in this case, more approachable. Mattheo’s entire face changes, and it’s a blizzard sight if you aren't used to it, which you most definitely aren't. It’s admittedly a very pretty view, his brown eyes softening, not appearing as sharp as they normally do.
Colours— there are so many colours complementing his face. Brown for his eyes and hair, red for the tip of his nose thanks to the cold, and a pink-ish shade for his upper cheeks. “Red,” you say. “Your favourite colour, right?”
“Not anymore,” he shrugs, tipping his head backwards.
“Uh, all right,” you awkwardly clear your throat, peeking down at your entwined hands again. They’re surprisingly warm, and they enclose around yours with an unpracticed ease. “What’s your favourite colour then? Also, stop changing colours. Normal people stick to one. Maybe two.”
“My apologies,” an amused breath flies past his lips, the fog visible due to the freezing air outside having crept its way into the taxi. “I’d have to say green.”
“I love green,” Your entire face lights up. “Why is green your favourite colour?”
Mattheo doesn't say anything, he doesn't feel the need to, so he simply looks at you. He allows his facade to drop a moment, and he looks even softer than before, if that were to be possible. When his smile turns into a smirk, the realisation hits you like a fucking truck. Green is his favourite colour because it’s yours.
You huff, “You can't steal my favourite colour. You’re my annoying boss, you already make me so disgruntled, don't take this away from me.”
“You can't like it just because I like it.”
“That doesn't seem fair, doll.”
“It is! Why would you even like it? You told me you like red, first of all, and based on your personality,” you gesture towards him. “You like black and everything depressing in the world. Such a prick, is what you are.”
He gives you a lopsided grin in response, slight dimples deepening in his cheeks, “You wore a pretty green dress once.”
“That green dress you wore for Zacharias Smith’s birthday, about a week ago?” he lets his fingertips graze your knuckles, a barely there touch, yet it leaves fire in its wake. “I liked that colour, and the dress. Or maybe I just like y—”
“That was a fern colour,” you argue.
“Still a shade of green.”
“It’s an entirely different colour.”
“Okay, fine,” he grits out, shaking his head. “Then fern is my new favourite colour.”
It goes quiet after that. Mattheo is generally a patient person, but he too has his limits. He’s not in the mood to argue with you any further, even if it’s light-hearted, for it does not have any positive consequences. While he looks out the window for the rest of the drive, you keep your eyes on him. Trained, studying his every move, every time his eyes twitch or when he scrunches his nose up from the cold.
Everything he does is calculated. From the intake of his breaths, to his blinking rhythm and the number of times he breathes out in the span of a minute. God forbid he's spontaneous for once in his life, but you're almost certain that even his last-minute plans are dotted out to the last detail in his agenda.
“Did you truly like my dress?” you finally break the silence, voice barely above a whisper. Uncertain, hopeful, eyes sparkling. If it had been any quieter, he wouldn't have been able to hear you.
Mattheo nods, humming, but it takes a while for him to finally gather his thoughts and answer. “I did,” he admits. “You looked beautiful. You always do, after all.”
You have been wooed, and in your defence, no one will hear you complaining anytime soon. It’s not what you envisioned, surely, you’d rather be in your flat this time of day, huddled beneath thick and fluffy blankets, ice cream in hand, while a film plays in the background. Hair in a messy ponytail, droopy eyes focused on the television as you rewatch The Sound of Music for the fifth time this year, acting like it’s your first time seeing the classic. Maybe it’s nice to be out for once after all.
Which brings you back to the main discourse: you have been wooed, by your boss, Mattheo Riddle. You’re neatly dressed up, a pretty green dress clinging to your curves in a rather obscene manner. Hair freshly done, having washed it yesterday, but the green dress remains the focus. It looks eerily much like the one he took a liking to. What a coincidence, huh?
The restaurant you're in is way too luxurious for your appreciation. It’s not something you often see, nor is it something you're used to. A night out is great, a small diner, cosy lights, some fast food, and you're good to go. This? A restaurant that practically screams: ‘we have three Michelin stars’ is objectively absurd, and the prices show too many zeros to your liking.
How you got to the topic of films will forever remain a mystery. One thing you've noticed about Mattheo, something that truly interests you is that whatever you do or say, he adapts to it. He moves on from what he was saying earlier, and he delves into your questions or opinions. It isn't too embarrassing to admit you're fond of that sort of undying attention.
He straightens his cutlery, before reaching for his wine glass, finally nodding, “Must be my favourite Jim Carrey film. And yours?”
“The mask,” you instantly respond, not hesitating for a minute. You scoop up some of your Crème Brûlée, “S-s-s-s-mokin’,” you drag out, swallowing your dessert. “What’s your favourite part about The Truman Show? Everyone must have a favourite part. I suppose mine is where Truman starts to realise something is off about the people around him.”
“I don't necessarily have a favourite moment,” Mattheo notes, tapping his fingers on his thigh, wine glass set back onto the fancy clothed table. He shifts in his seat, leaning forward so he can see eye to eye with you under the darker lighting. “All I know is that he wanted to go to Fiji.”
You laugh, heartfelt and genuine, “Right. I hope he got to go, he deserved that much, at least.”
“Me neither, honestly. I was just wondering. I’m sure this would upset many people, though.”
When he gets home later that night, his mind still lingering on your beautiful green dress and even more gorgeous smile, his heart feels fuller than it ever has. The way your eyes sparkled, how dimples appeared in your cheeks when you either smiled or laughed, the way your cheeks flushed red at simple compliments.
He’s sitting at his desk, with most of the lights already turned off. He’s going over his emails one last time, considering there was an issue with a publisher yesterday. No mail from the publisher, but there is one from you, sent five minutes ago.
As much as he tries, he's physically unable to wipe the ridiculously wide smile off his face.
[Subject: Essay 3, #Draft 1. The Truman Show: missed opportunities.]
Need I spend any more words on this… it speaks for itself, no?
Here are reasons why Truman deserved to go to Fiji, and I added additional reasons as to why we deserved to have that as an extra scene. In all honesty, I hope he's there, and I hope he's happy!
Forward this back to me with your thoughts, I'd be more than thrilled to know if you agree or disagree with me. Sitting at the edge of my seat, ahh!
P.S. Thank you for dinner. I had such a lovely evening. X
(attachment:Truman_Show_Fiji_Draft_v1.docx)
[Forwarded: Subject: Essay 3, #Draft 1. The Truman Show: missed opportunities.]
I’m pleasantly surprised to see you emailed me so soon.
You are totally correct. It seems that it does speak for itself.
I liked the part where you mentioned he deserved to go to Fiji to pursue true love. I personally think Sylvia also played a part in this. I noticed you didn't mention that, so get back to me and be free to share your thoughts.
I’ve left comments on the document you shared with me, so this email won't be too lengthy. If you're logged in with your email on Word, you should be able to see it. Let me know if that works. I’ll share the document again, just in case.
P.S. Don't thank me. I too had a lovely evening. I will call you in the morning. X
P.S.S. Oh, in case I don't see you, good afternoon, good evening, and good night.
(attachment:Truman_Show_Fiji_Draft_v1.docx)
“Singin’ in the Rain?” you ask while covering your mouth with the back of your hand, swallowing the popcorn you all but practically shoved into your mouth just before speaking.
“A classic,” Mattheo smiles.
“You like that one?” you probe, concentrated entirely on him, not the TV. You hand him the empty bowl of popcorn so he can place it back on the coffee table, considering he's sitting upright and you're partially lying down. “That’s grand. I think I would've lost my mind if you uttered some ‘eh, actually–’ rubbish.”
He shamelessly laughs, curls falling in front of his eyes. He places the bowl on the table before settling against the back of the couch. “I like classics,” he confesses.
“Me too,” you agree, voice lowering as your eyes get droopy due to the comfort of both his couch and flat. The lights are dimmed, the audio from the telly precisely loud enough to be considered murmured background noise. “Footloose?”
He lets his head slip backwards, leaning it to the side so he can stare at you. No shame visible in his soft, brown eyes. They used to be sharp, often intense, and even though they're still the latter, you aren't aware when they began getting so soft while looking at you. “Dirty dancing,” he adds. “Grease.”
“I somehow cannot believe you, of all people would like Grease.”
“What does that mean? I have a feeling you're insulting me.”
You burst into laughter, completely obnoxious but equally contagious, the kind of noise that would make a room full of tense people relax. It fades into the air after a while, gradually, apart from his own chuckles and your swallowed giggles, the room turns silent. Not as uncomfortable as one might think, it's surprisingly peaceful, and not once does his gaze waver.
You look back at him, still smiling, you cannot seem to stop or hold it back, “You just don't seem like the type.”
“All right,” he lets his eyelids flutter, before opening again, and diverting them to the television. The film that’s playing is long forgotten, and he can't seem to remember the title. Neither can you. “Your favourite film is The Sound of Music. What’s mine? Three guesses.”
“How do you know my favourite film?”
“You mentioned it a while back.”
Your cheeks flush bright red, starting at your upper cheeks, the tip of your nose, and your ears follow. You mentioned it during a meeting once, multiple weeks ago, you think, you can't even recall. Zacharias had an idea for the newest paper that was about to be published; somehow, the topic formed into cinema, and you had blurted it out. Luckily the meeting had come to an end, considering you had gone off into a ten-minute ramble about the musical.
“Okay,” you clear your throat, shifting on the couch so you're sitting on your knees, body turned to his, thighs barely touching. “My three guesses. Let me think, ehm, ah, okay. Hmm. I think I got it. Are you ready?”
“The Godfather,” you list with a proud nod of your chin, fully convinced you're right. “Casablanca. Dracula. Tell me one of them is right.
He nudges his tongue against the inside of his cheek, desperately trying to hide his smile. He fails miserably, because the corners of his lips tug up almost immediately. “Casablanca is my favourite film, yes.”
“You keep surprising me!” You push your hand against his bicep. “I truly didn't peg you as a romantic. I only said it because you mentioned Dirty Dancing and Grease earlier.”
He chuckles. Husky, eyes hooded, curls messy, red lips shiny.
While the silence passes by, and the moonlight brightly shines into the spacious living room, covering half of his face, you speak again. “We’ll always have Paris, huh? I know the airport scene made me cry. Did you?”
Mattheo doesn't think he’d ever outright admit that the airport scene, or generally the last twenty minutes of Casablanca made him weep when he watched it for the first time. It’s a memory with his mother he holds very dear.
He was in Spain, one of his cousins was getting married, and later that same evening, when most people had already gone back to their rooms, his mother was watching her favourite film of all time, as she always called it. He never denied her company, so he sat down next to her and watched the entire 102 minutes in silence. She shed a tear, and he laughed while discreetly wiping away his own.
“Do you think in that moment, when Rick said, ‘we’ll always have Paris,’ that he considered it more a symbol than an actual place?” you ask softly. “A symbol of freedom, where everything was possible?”
Mattheo blinks in bewilderment. Your thigh is still touching his, and he reaches out, his pinky looping through yours. “Yes,” he whispers. “They had something real, did they not? They couldn't ever relive it, but it could also never be taken away, because it would always be theirs.”
“What are the two of you bickering about?” Zabini flatly comments while walking into Mattheo’s office, posture eerily straight, like it always is. His suit is shining, not a whiff of dust detectable, the man is a fashion icon, there is no denying it, for everybody knows it’s the truth.
The two of you don't converse a lot, but you've grown fond of him while working here. He says what he thinks without caring about anyone else’s beliefs. Don’t get it twisted, he's a compassionate man, merely distant to most. Unless you, in some strange and unheard of manner manage to waltz your way into his heart.
“Blaise,” you sweetly perk up, shifting your body sideways on the chair so you can look up at him. “Mattheo told me he isn't a big fan of The Maltese Falcon, which I find a disgrace. Isn't every film with Greenstreet, Lorre and Bogart in it pure cinema?”
“Tsk-tsk-tsk,” Zabini lets out beneath his breath, loud enough for you to hear, and you don't miss the cocky smirk on his face. It’s always in place, never twitching, never wavering. “A disgrace indeed, sweetheart. I suppose he isn't a big fan of seeing one man slap another man and say he’ll ‘take it and like it.’”
“Thank you for your valuable input, Blaise,” Mattheo deadpans, eyes thoroughly unamused, lips pressed together. He takes the folders from his friend’s hands and places them on his desk. “It is a good film,” he says, fingertips skimming your arm, before dropping it. “And I would watch it again, for sure. I simply think there are better films out there.”
“Blaise, I'm curious,” you squint your eyes, patting his hand. “What kind of films do you like?”
“No rom-coms,” he immediately declares, tone never hesitating. There is something strangely alluring about how he is always so sure of everything, like he's thought of every question in the world and has an answer ready no matter what. “Unconventional, possibly tragic, complicated,” he lists while leaning against the doorframe. “Give me that, oh, and add horror too. I am sat.”
“You just described Dracula’s Daughter, no?”
A smile coats his face, long gone is the cocky smirk from earlier. He looks more approachable this way. “Indeed, I did,” he murmurs. He winks at you then, “I am a cynical man, sweetheart. What can I say?”
“I admire your weirdness a whole lot, I hope you're aware of that.”
“Thank you very much. I will see myself out now.”
A lot of your friendships withered after graduating from school. You moved away from home, some of your friends moved out of the country, and others remained where they were. Sometimes the path you take doesn't align with your past, and there's no shame in that.
Growing up with Hermione Granger had always been a blessing in disguise. You made a pact with her on the night of your graduation, to have dinner once every two months, and you've been going strong for a few years now.
You take off your coat, press two kisses to her cheek, and sink into the chair. From that moment on, the conversation flows easily, acting like the last time you both texted was to wish her a happy birthday roughly three months ago.
“How did you know you were in love with Ron?” you eventually ask, neatly cutting your steak into tiny pieces.
“Oh, love,” she softly speaks, placing her hand which has quite a few freckles dusted over the flesh, on top of yours. Her wedding ring sparkles dazzlingly under the low lights that are spread across the busy yet quiet restaurant. “Love isn't something you’re able to… how do I explain this? You can't pin it down to one exact moment. It isn't the same as making a list, for whatever task you haven't finalised yet, since it happens when you least expect it. It creeps up on you without even realising it.”
“No fireworks like they always say?” you chuckle, squeezing her hand.
Her lips tug up in a gentle, easy-going smile. Ever since she settled down, built a full-filled life with Ron, she's been calmer, though her clever mind never contemplated fleeing. “No fireworks,” she confidently decides. “You’d see me, and he'd be right there as well. I assume that’s how I knew. Or why everyone knew before we did, really.”
“I’m afraid I'm not following.”
She tucks a curl behind her ear, voice quietening, eyes turning soft, “Life made more sense with him than without him. Even when we argued, which we did quite a lot, especially when we were only friends, I still wanted to eat my lunch beside him. It felt wrong if I didn't. The thought of him not being near me, or the other way around, became unbearable, bit by bit.”
“You brought up a while ago that she loves films,” Theodore adds to the ongoing conversation from where he's sitting at the dining table in Mattheo’s flat. Zabini on his left, Malfoy on his right (with Potter attached to his side), and Berkshire is attempting to make himself a coffee while miserably failing at doing so. They must look exceedingly absurd and silly from an outsider's perspective, think of that group of friends you have during your first week of school, exactly that. “Get her one for Christmas.”
“Does that send a signal?” Mattheo stupidly asks, glancing at the faces sitting at the table. “I don't even know what we are, not exactly, anyway. I held her hand a couple of times, and we often speak about cinema together. She still writes essays, no longer about constructive criticism, more so my lack thereof, but about the things we discuss.”
“You are a grown man, by the way,” Draco exaggeratedly rolls his eyes, bringing the cup of tea to his mouth, lightly blowing on the hot liquid before taking a small sip. “Get her a bloody film for Christmas.”
Harry, who’s leaning his head against Draco’s shoulder, suddenly opens his eye, “A film, definitely. Oh, maybe you could get her something vintage,” he suggests in a questioning tone. “Or biographies of—”
“Angel,” Draco sighs, patting his boyfriend’s thigh in response, letting his hand rest there for the time being. “What have I told you about putting crazy ideas in his head?”
“What would it cost for you to be nice? He’s just in love.”
“He doesn't have to make it everybody else’s problem,” the blond-haired male grumbles in response.
“Mhm, children, please,” Lorenzo calls out from the kitchen, peeking his head out the doorway with a proud grin. “Didn’t she tell you which films she still had to watch? Get her those.”
“You’re absolutely brilliant, mate,” Mattheo breathes out. This proves that the situation is drastic, and that he would go to extreme depths for you, because normally he would never willingly utter those words to his cousin.
“All right,” Blaise interrupts his thinking process, snapping his fingers as he hands Theodore a notepad and a pen. “Name the films, we’ll write them down for you.”
Mattheo briefly closes his eyes, thinking back to his last conversation with you. Rubbing the bridge of his nose with his fingers, he starts listing the films, and Theodore’s neat, cursive handwriting fills up the page.
Christmas present ideas for Y/N
The Americanisation Americanization of Emily
“Is The Sound of Music not her favourite film?”
“She never gets tired of seeing it,” Theodore finishes as he writes down the last name on the piece of paper. “We know. All you do is talk about her.”
A kiss is placed on your cheek, nose, where the soft lips linger, before they move up to your forehead, and then your other cheek. Ultimately, they connect to your own lips, soft and lovely.
“Happy Christmas, doll,” Mattheo’s deep voice connects to your ear. His voice is, on average deeper than most people’s, but in the morning it’s extra hoarse and raspy.
“Happy Christmas,” you whisper, hiding a gigantic smile while pushing your face further into his warm chest. He’s able to feel your lips tugging up against his bare skin, and it makes his chest rumble with a deep laugh beneath you. “I have to go,” you tell him, shifting so you can glance at the alarm clock. “My parents are expecting me, and it’s quite a long drive.”
“I was thinking,” he slowly draws out, feeling hesitant and a tad bit pushy. He uncomfortably clears his throat, pressing a quick kiss to your temple, “I could come with, if you'd—”
“Yes!” you practically pounce on him, wrapping all your limbs tightly around him, squeezing him until he's gasping for air. You press a dozen kisses all over his face, which results in his cheeks flushing, “I cannot wait for my parents to meet you. This is so exciting. Quick, we have to get ready, we don't have a lot of time. Also, Fay always spends the holidays with my parents so you’ll see her family there as well. My favourite person is meeting all my favourite people formally.”
Your eyes go wide, and you whip your head back around to squeeze his cheeks with your thumb and forefinger, squishing them together, “They will know you as my annoying but sexy boss. You’ll have to work hard to get them to like you.”
“Your annoying but sexy boss?” he repeats, downright perplexed, eyes sparkling in amusement and subtle apprehension. “Have you been describing me—”
“Did you not hear me?” you interrupt, pinching his chin, before you roll yourself out of his bed. “There is no time.”
His Christmas present to you does end up being the five films. All the DVDs are neatly wrapped in wrapping paper, with a tight bow on top, and your name in the corner written in cursive.
“This is the kindest thing anyone has ever done for me,” you had whispered as you energetically lunged at him, a sweet kiss being pressed to the corner of his mouth. “I will forever remember this, thank you.”
If he rang Theodore later that night to tell him both the idea and the presents were a total success, voice slightly laced with nerves, then that would be his secret to keep.
© loreshonour — don't repost, translate, or copy.