Lou Fai & M:Soundtrack present: Â Mile Me Deaf (AT) & Jolly Goods (Berlin) @ ACUD MACHT NEU, April 19th
Doors: 20.00
Start: 21.00
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Tour is presented by by ByteFM / THE GAP / FM4 / Intro Magazin
MILE ME DEAF’s new album is a swan song for the human race. In his previous albums, mastermind Wolfgang Möstl has hinted at his penchant for dystopic fictions that he links to the fragile status-quo of the current state of affairs. With ALIEN AGE, however, he has abondoned the fuzz-and-thrash sound of his previous albums. Sampled beats and loops set the stage for his new album, reducing the 90s indie rock sound of past records to homeopathic doses. This time, dub, vaporwave, jazz and ambient come in the foreground.
The entire album was single-handedly produced by Möstl, who used a vintage Akai sampler to lay down the base tracks in classic old school hip-hop fashion. Möstl created an album full of idiosyncratic and unconventional MILE ME DEAF pop songs drawing from a variety of sources: from thrift store bin records, to recordings of friends’ bands, to audio curiosities from all over the world. For the first time on a MMD song, Möstl has handed over the microphone to Sex Jams band mate Katarina Trenk, who sings lead vocals on the hypnotic dance track “Shibuya+”.
ALIEN AGE offers a tongue-in-cheek infatuation with extraterrestrial visitations, human extinction, and all manners of bizarreness from the depths of the internet. It’s an exercise in encapsulating the “weird vibe” of the modern age. Between the lines, the album can be interpreted as a posthumanism record. It’s the inconsistencies of the world that leave Möstl to doubt the role of man as the spearhead of the social hierarchy—he throws into question —the traditional thought that the (western) man’s reasoning trumps all else. http://www.siluh.com/artists/milemedeaf/
JOLLY GOODS
"...Bisher waren es nur Gitarre (Tanja Pippi) und Schlagzeug (Angy). Jetzt schraubt Pippi zu Klavier, Glockenspiel und Kontrabass ihre Stimme bisweilen in verletzliche Höhen, während sie an anderer Stelle zu klirrenden Gitarren und treibendem Schlagzeugbeat jault und grölt, dass die junge Patti Smith vor Neid erbrechen würde. (...)“ – Sonja Erken for Missy Magazine
„Welcome to Jolly Goods: a tingle of Amanda Palmer, a shiver of Little Annie … a mither of Riot Grrrl. Too smart to be American.“
– Everett True on Collapse Board •
„Lennonesk herausfordernd taxieren einen die Schwestern von den Jolly Goods auf dem Cover ihres zweiten Albums Walrus, das bei staatsakt erschien.Der Sound ist hartkantig und splitterfaserig. Gehacktes Klavier, leadige Gitarren, PJ Harvey-Gesang. Glühend spröde. Die Texte beschwören
wunderschöne, abjekte Unordnungen. Dazu passen die Kooperationen der Band. Jolly Goods arbeiteten u.a. mit Peaches, Hans Unstern, Dirk von Lowtzow und Moses Schneider zusammen.“ Falk Quenstedt for Down By The River Festival
Jolly Goods are the sisters Tanja Pippi and Angy Lord. They founded Jolly Goods in a basement in Rimbach, Odenwald (Germany) in 2003. Tanja Pippi sings, plays guitar, piano, and organ. Angy Lord plays drums, percussion and sings backing vocals.
Their music is inspired by Punk, Folk, Shoegaze, Riot Grrrl, Garage, Pop and Noise. In 2007 they released their debut album „Her.Barium“ on the berlin-based label Louisville Records. In 2010 they became part of the organization and bandcoaching team of Ruby Tuesday Rock Camp for girls, trans * and inter* in Berlin. In October 2010, Jolly Goods were part of the theatre rock opera „Peaches Does Herself“ by Peaches at HAU Berlin. In November 2011, their second album „Walrus“ was released on the Berlin label staatsakt. They are currently recording and producing their third album all on their own. Tanja Pippi is also working as an artist and photographer. (www.tanjapippi.net).
http://www.JollyGoods.net/
http://www.facebook.com/JollyGoods
https://jollygoods.bandcamp.com/
Videolink: https://www.youtube.com/watch?v=aDlE36aahBs
Soundcloudlink: https://soundcloud.com/jolly-goods/jolly-goods-if-i-were-a-woman
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