Super rare high-res outtake of Hole photographed by Ellen Von Unwerth in late December 1993.
Courtney has scrawled WITCH on her torso. And Patty has FEMME scrawled on her arm.
Shot in the San Fernando Valley.
Please credit when re-posting.
styofa doing anything
🪼

❣ Chile in a Photography ❣
Keni
trying on a metaphor
Show & Tell
2025 on Tumblr: Trends That Defined the Year

pixel skylines
Jules of Nature

JVL

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Janaina Medeiros

Origami Around
Peter Solarz
Lint Roller? I Barely Know Her

if i look back, i am lost
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day
AnasAbdin
$LAYYYTER

seen from Germany
seen from Japan

seen from United States
seen from Peru

seen from United States
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seen from Malaysia

seen from United States
seen from TĂĽrkiye
seen from United States
seen from United States
seen from Mexico

seen from Canada
seen from Côte d’Ivoire

seen from Malaysia

seen from United States

seen from Argentina

seen from United Kingdom
seen from TĂĽrkiye
seen from Colombia
@lowpresssure
Super rare high-res outtake of Hole photographed by Ellen Von Unwerth in late December 1993.
Courtney has scrawled WITCH on her torso. And Patty has FEMME scrawled on her arm.
Shot in the San Fernando Valley.
Please credit when re-posting.
July 8th, 1994.
Drop City, Trinidad, Colorado
Lucia Fainzilber, Untitled #31 (2014). Inkjet print, 36 x 24 in. Courtesy of Praxis.
Shirin Neshat, Faceless (from the series Women of Allah), 1994
Matthew Brandt, Wai'anae 923624X, 2015
chromogenic print buried in Wai'anae, Hawai'i
85-3/4 x 30-1/8 inches - unique
Matthew Brandt, Installation View: “Pictures from Wai'anae”, M + B Gallery, Los Angeles. September 19 to October 31, 2015.
“For the past three years I have been taking photographs in Oahu. These printed photographs were rolled in dirt, leaves, burlap and lace and buried on a family farm in the town of Wai'anae. Over time, the elements of the Hawaiian earth changed these pictures. Presented in this exhibition are remains of this process.”
Christian Patterson, Where the Customer is Always Wrong (Matchbook), 2013
From the series “Bottom of the Lake”, on view at Robert Morat Galerie, Berlin. 2 October – 28 November, 2015
Heeseung Chung, Untitled, 2015.Â
Archival pigment print, 64.3 x 90 cm. Courtesy of the artist and PKM Gallery.
Adrián Villar-Rojas, The Most Beautiful of All Mothers (detail), 2015.
“Saltwater: A Theory of Thought Forms”
14TH ISTANBUL BIENNIAL
Istanbul
September 5–November 1, 2015
Hannah Whitaker, Broadside 5, 2014Â
archival pigment print, 30 x 24 inches
Channa Horwitz, Triangle/Color, 1982
Plaka on paper, 72 x 43 inches
Susanne Wellm, Road With a Twig, 2011Â
Courtesy of the artist and Sous Les Etoiles Gallery, New York
Zoe Crosher, LAX Four Points, from the series “The Window (LAX)”, 2002
27 x 27 inches
Joan Jonas, They Come to Us without a Word, 2015
Video Still
Representing the United States Pavilion at the 56th International Art Exhibition of la Biennale di Venezia
Yervant Gianikian & Angela Ricci Lucci, Rotolo armeno, 1991 (detail)
Anna Boghiguian, Ani, 2015
Mekhitar Garabedian, Untitled (Gurgen Mahari, The World is alive, Venice), 2015
“Armenity” exhibition at the Armenian Pavilion, 56th International Art Exhibition of la Biennale di Venezia. May 6 - October 18, 2015.
Artists from the Armenian diaspora, curated by Adelina CĂĽberyan von FĂĽrstenberg, on the 100th anniversary of the Armenian Genocide. Site location is the Mekhitarist Monastery on the Island of San Lazzaro degli Armen, Venicei. Winner of the 2015 Golden Lion Award. See more here.
Rose steps in Tehran, Iran