apparently this blog is 11 years old (got an email), was thinking yesterday about how much tumblr changed my life and I'll be sad when they inevitably shut this website down. hope anyone who's still active here is happy & healthy <3

pixel skylines
Sweet Seals For You, Always

blake kathryn

Origami Around
Mike Driver
One Nice Bug Per Day

Kaledo Art

titsay
KIROKAZE

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let's talk about Bridgerton tea, my ask is open
will byers stan first human second
Aqua Utopia|海の底で記憶を紡ぐ
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Discoholic 🪩

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wallacepolsom
"I'm Dorothy Gale from Kansas"
Today's Document

#extradirty

seen from Venezuela

seen from Venezuela
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seen from Venezuela

seen from Venezuela
seen from Venezuela
seen from Argentina
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seen from Malaysia

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@luddyke
apparently this blog is 11 years old (got an email), was thinking yesterday about how much tumblr changed my life and I'll be sad when they inevitably shut this website down. hope anyone who's still active here is happy & healthy <3
W. Tempel. An llustration of solar coronas during a total eclipse of the sun. July 18, 1860.
I have the window open and just saw a cat run by, followed by a lady shrieking “RASPUTIN!”
@luddyke ur the shrieking lady
The duo exhibition Isamu Noguchi and Hiroshi Teshigahara ( Sogetsu Plaza, 1980.)
“Both my father Sofu and I knew Isamu well. I heard from my father that Isamu once said, “If you set a pine, it should not look like a pine. It is very difficult not to make it look like a pine, though. Am I right, Sofu?” My father took the words very seriously because, I think, they reflected Isamu’s original view of ikebana that the particularities of pine as a material are supposed to have been digested and assimilated into the completed ikebana work. I like these words very much, too.
Excerpted from an article written by Hiroshi Teshigahara on Sankei Newspaper dated January 26, 1989
Cuneiform tablet impressed with seal: account of payments to hired workers, Ancient Near Eastern Art
Medium: Clay
Purchase, 1886 Metropolitan Museum of Art, New York, NY
http://www.metmuseum.org/art/collection/search/321943
🥀instagram: ora.pro.nobis.lucifer @orapr0nobislucifer
Hand of the mysteries
Women’s Pavilion, 1921, Paul Klee
Building by Susan Hefuna, 2009, Guggenheim Museum
Size: 21.5x62.5 cm Medium: Ink on tracing paper, nine parts
Solomon R. Guggenheim Museum, New York Guggenheim UBS MAP Purchase Fund and partial gift of the artist and Pi Artworks, 2015
https://www.guggenheim.org/artwork/34597
The Chapel, 1917, Paul Klee
Size: 15x29.5 cm
The lover, 1938, Paul Klee
Size: 60.5x44.3 cm
☭ Vilnius. 2017
Let’s appreciate the top-heaviness of this temple-type in Bulgaria:
Alexander Georgiev Barov: Ruse City Hall, Ruse, Bulgaria, 1985
http://www.sosbrutalism.org/cms/18194332
Photos: © Kamila Ferens 2014 / Todor Bozhinov 2009 ((CC BY-SA 2.5))
Drawing sideboard (tavern window), Rafael Zabaleta
Size: 70x100 cm
Cyclist, 1913, Natalia Goncharova
Medium: oil on canvas