Darkroom Workbook (Part 1)
YOU ARE THE REASON

Janaina Medeiros

@theartofmadeline
Today's Document
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2025 on Tumblr: Trends That Defined the Year
"I'm Dorothy Gale from Kansas"
Lint Roller? I Barely Know Her
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Darkroom Workbook (Part 1)
Darkroom Workbook (Part 2
Graded Unit - Workbook Progress (Part 1)
Graded Unit - Workbook Progress (Part 2)
Graded Unit - Workbook Progress (Part 3)
Graded Unit - Workbook Progress (Part 4)
Graded Unit Test Shots
Contact Sheet
Useful Article
https://www.adorama.com/alc/14-basic-cinematography-techniques-for-better-cinematic-shots
Research- Wide Shot & Tracking
In this scene from Christopher Nolan’s ‘Dunkirk’ we see the use of a wide shot multiple times effectively and also the tracking technique.
Multiple times in this scene Nolan employs a wide shot. The use of this type of shot helps the audience appreciate the scale of the scenario. How big the beach is, how many people there are on it, how many need saving. Another technique used in this scene is tracking. At the very start of the scene we see the camera tracking the main character walking through the queues of people. This technique is effective because it helps put us in the characters shoes, we are going where he is, seeing the same things at the same time as him which helps build a sense of fear later on in the scene during the bombing as we already feel closely connected to the scene.
Research- Over the Shoulder
In this clip from Greta Gerwigs ‘Little Women’ (2019) we see effective use of the over the shoulder technique.
This scene is of a conversation between Laurie and Amy where eventually Laurie tells Amy not to marry the person she is planning to and marry him instead. She does not take this well and walks away upset. Throughout the scene the over the shoulder shot is employed multiple times. It is effective because it allows us to see the reactions of the person listening whilst also telling us clearly who is doing the talking though the latter point is less important in this scene as there are only two people talking. The reactions are really important in this scene as it is a highly emotional deep conversation and we learn a lot about the characters by seeing their expressions change while the other talks.
Research- Close Up
In this clip from Spielberg’s ‘Jaws’ we see effective use of the close up technique.
Two minutes in Brodie has lost one of his weapons, the spear, and all he has left is his rifle. As the music speeds up and intensifies the shark turns round for a final attack. As the shark approaches the camera switches between Brodie and the shark, each time it switches the camera moves closer as a representative of the closing distance between the two of them which is a great way of building then tension and making the audience nervous. After a extreme close up of Brodie saying his one liner he successfully shoots the gas tank jammed in the sharks mouth and the camera cuts to a wide shot showing the effect of the explosion, a mixture of blood, water, and gas flying up into the air.
Research
Nowadays having the skill to create videos using your DSLR is becoming more and more of a requirement when working as a photographer. One market where this is evident is in property. Before if you were working for a real estate agent they would just ask for photographs of the property but now they often expect you to be able to create a video of the property as well. Video has become more and more popular so often clients will ask for a video as well as photographs, an example of this could be any high street business. They would like photographs but also a small video that they can put on social media or on a website for example.
Below are some of the techniques used in moving image sequences,
- Panning
- Tilt
- Over the shoulder
Panning is where you turn the camera while shooting. Often used to follow someone walking. See example below.
Tilt is essentially the vertical version of the panning shot, often used as an establishing shot or to reveal something at the end of the shot. See example below.
Over the shoulder shots show an out of focus head and shoulder in the foreground while another person or object in the background is in focus. This shot is often used during dialogue scenes or to show a persons perspective.
Contact Sheets
Research- Joel Robinson
Joel Robinson is a 33 year old Canadian photographer who has a interest in story telling and self expression in photography and has been sharing his conceptual portraiture work with the world for 9 years. I like this photograph as for the element of mystery in it. It makes you ask questions like who is there under the hood? How are they making the butterflies come out? The blue of the butterflies goes well with the rest of the colours in the shot as the grey background has a blue tint.
I like this photograph for a few reasons. I like the snowy backdrop and I think having the added detail of a dusting of snow on the mans hat really adds to the realism in this photograph helping the model fit into the backdrop. The depth of field is really good in this photograph as we can still roughly tell what the background is though all that is in focus is the model and their hat plus gears which is what is important to the photograph.
This is another picture of Robinson’s that I like. He has achieved a really strong sense of atmosphere in this shot and that is for a couple of reasons. The backdrop is one of them. The tall wiry trees with a hint of orange sunlight hitting those furthest back contribute to the strong atmosphere. Likewise the warm colour of the light bulb and the light it is casting onto the ground around the model contributes to this strong sense of atmosphere as well. Like the previous two pictures there is a strong sense of mystery to this picture which draws the viewer in.
Research- Eric Johansson
Eric Johansson is a Swedish born, 1985, photographer who is currently based in Prague. He works with composite photography and is very famous for it. I like this picture for the story it tells, the man escaping the drudgery of his job, intending to fly out the window of his dark gloomy office and into the bright sunlight. Despite it not being the case the people and objects in the picture look like little plasticine models. I think this effect adds to the story being told in the photograph.
This is another composite photograph by Johansson, and another which I like. The effect of making part of the scene daytime and another night whilst still having the clouds, rocks, etc. The story in this photograph has a charming Disney like feel to it. I really like how the moonlight is shining on the back of his head whilst the sunlight on his lower legs, this makes the photograph look more realistic if you could even use that word.
This was a commissioned piece of work by Johansson most likely for a paint company. Once more this photograph tells a story. This couple, by using the product, paint, have been able to escape the grey monotony of their home into a bright vibrant world. This story is effective if this piece were to be used in advertisement as it provides the idea that the same could happen to a customer of the product.
Research
Useful Articles
https://www.rugbyworld.com/news/how-to-make-it-in-sports-photographer-dave-rogers-70971
https://cpn.canon-europe.com/content/interviews/marc_aspland_on_sports_photography.do
https://www.canon.co.uk/pro/stories/improve-sports-photography-marc-aspland/