Deana Lawson, Binky & Tony Forever (2009)

祝日 / Permanent Vacation

Origami Around

Kiana Khansmith

Love Begins
we're not kids anymore.

izzy's playlists!
art blog(derogatory)
RMH
trying on a metaphor
Not today Justin
he wasn't even looking at me and he found me
AnasAbdin

JBB: An Artblog!
Keni
Jules of Nature
Sade Olutola
DEAR READER

ellievsbear

roma★

#extradirty
seen from United States

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seen from Sweden
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seen from United States

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seen from Estonia
seen from United States

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seen from Germany
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@lyndimensional
Deana Lawson, Binky & Tony Forever (2009)
Yoo hoo, friends and artists alike, are we still on this platform?
They Not Like Us. ❤️🤍💙
Happy Juneteenth Family
shesasolarbeing
slurkqueue
hello tumblr, my old friend.
“MAKING THE DISTINCTION AND SPECIFICALLY CENTERING BLACK WOMEN WHO GREW UP IN THE PROJECTS IS INTENTIONAL. IT IS A WAY TO ACKNOWLEDGE THE INNOVATORS WHO BROKE THE RULES ALL THE WHILE DEFINING THEMSELVES ON THEIR OWN TERMS. WHILE BLACK WOMEN AS A WHOLE SHARE SEVERAL EXPERIENCES, BLACK WOMEN WHO RESIDE(D) IN THE GHETTO HAVE ENDURED AN EGREGIOUS AMOUNT OF RESPECTABILITY POLITICS AT THE HANDS OF BLACK WOMEN AND NBPOC WHO LIVE(D) ACROSS THE TRACKS. OFTEN TIMES, IMAGES OF “CAREFREE BLACK WOMEN” AND/OR ARTICLES/THREADS DISPLAYING #BLACKGIRLMAGIC EXCLUDE THOSE WHO LIVE IN THE HOOD AND PORTRAY A CONTROLLED NARRATIVE WITH AN ELITIST UNDERTONE THAT FAILS TO SHOWCASE THE WOMEN WHO GREW UP ON THE BLOCK.”
@wannasworld
Janelle Monáe: Dirty Computer [Emotion Picture] (2018) dir. Andrew Donoho, Chuck Lightning