there's literally nothing more radical in 2026 than believing that humanity can become good news for each other and the only world we'll ever share.

blake kathryn

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noise dept.
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"I'm Dorothy Gale from Kansas"

romaā

Janaina Medeiros
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⣠Chile in a Photography ā£

Love Begins
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@m3ll1sa
there's literally nothing more radical in 2026 than believing that humanity can become good news for each other and the only world we'll ever share.
I think the first chapter of my fic will be finished verrrry soon, maybe even tomorrow :^) Iām so excited. Thereās so much I want to explore and I canāt wait to share it with people, aaaaaa!
Hereās the tiniest sneak peak in the world, donāt breathe at it too hard lest itāll fly away
Laura Aguilar is a Los Angeles-based photographer whose work mines the intersection between feminism, body image, queer politics, and latinx identity. Her earliest works depicted latina lesbians in intimate portraits, calling to mind the frankness of Catherine Opie, while her best known series features self-portraits of Aguilar posed nude in the California desert landscape. These photographs are instantly striking, finding in the artistās body formal elements that echo the landscape itself, as in its doubling here with the giant rock that eludes the frame. Aguilar also forces our gaze onto a body that does not conform to stereotypical images of latinx or feminine identityāa body type that is not so much othered as invisible, despite its ubiquity. The artist originally began to produce these photos as a means of grappling with her own issues with weight and self-acceptance, but quickly came to see them as something more. They offer a profound, ambivalent vision of woman and nature. We see Aguilar dissolve into the landscape in search of anonymity, at the same time that she reclaims the pride and beauty in her body far removed from the society that rejects it.
Laura Aguilar, Grounded #111, 1992
daily affirmations
i am the unkillable faggot
i can exist in grocery stores
i have the shittiest music taste in any room
i have a gun
Text of tweet under the cut because it is loooong.
But... Stochastic Parrots.
I remember watching an interview with Timnit and Emily about their paper back then. They seemed to be in the minority of experts that spoke about how the narrative for stochastic parrots is dictated by the people supposedly concerned about everyoneās future. But this future is millions of years away and what actually happens to real humans doesnāt matter to them in the slightest. Timnit even suggested a neologism for bastards like that:
Happy pride! In the name of mlm and wlw solidarity here's my humble gift for thee. Wreg and Dame pieces are both for free on my patreon. They are around a4 size if printed, 300dpi, and perfect for your wall or screen. - If you wish to support my work during this pride, consider joining my patreon for both free and exclusive print drops. Or if you wish to have any of my art pieces as high quality ready-made prints, check out my inprnt!
lipstick ross
The mere concept of a resident evil male nude mod is so funny to me. Boy put that boaner away lest a sloppy little critter grabs hold of it
I havenāt written a thing in my life but for the past couple of months Iāve been throwing so much effort to outline a whole-ass multi-chapter story about the crusty man Victor Gideon.
It was genuinely so hard for me to empathise with him in any way when I just saw him in the game, so I had to deconstruct the hell out of his characterisation just for shits and giggles. And I want to share my thoughts and findings in an engaging way that would do them justice.
Over time, as I was sketching out scenes and timelines, I realised that I needed a well-rounded original character to put in opposition to Victor. Not a friend, not a subordinate, not a perfect victim. A character of her own who suffers the consequences of power imbalance but keeps challenging the man. Sheās fat, sheās loud and morally grey. Sheās neither me or you. However, as I write, Iām starting to like her complex autonomy.
I donāt know if the story ever comes to fruition. Or even a single chapter of it that Iād like to put out without doubting that itās in the right order and of enough importance. I keep rewriting things, cannibalising paragraphs to feed them into ever-changing descriptions of events and conversations. I pester my wife to read them all despite her lack of knowledge of anything related to Resident Evil. She graciously provides notes and critique.
Iād like to share a sketch in progress here, no matter the future of the story. Iād be happy to hear your thoughts if the writing touches you enough to have any. Please be kind
An offer she canāt refuse
***
A glint of crimson on his gum. A delicate thread turned into a rivulet turned into a smear. He would be able to taste it by now but his demeanour betrayed no concern. She swallowed, licked her teeth.
Remaining professional seemed like an impossibly tall order when her emotional truth was that of unbridled animalistic disgust. She couldnāt even muster the effort to feel guilty. After all, her entire ancestral lineage took the direction of evolving aversion towards exactly what she was seeing in the dim office in front of her.
Cadaverous, his skin was. Grey and bruised. Intricate dry tendrils of erosion signified every point of stress on its surface. Death teemed and crawled underneath, seeking new contact, osmosis. She read it it the glistening moisture of fresh scar tissue.
What died? Was it tortured? Pitiful? Tender? Beautiful? Whatever the answer, it had been metabolised long ago. Long enough for the new microbiome to establish its dreadful complexity, writhing and grasping for continuation.
ā Victor?
ā Simone, you look fresh as ever.
ā How⦠ā Her lips moved, trying out a word after a word only to discard each one before they metamorphose into sound. She hadnāt seen him in years. His looks deteriorated beyond sane imagination but being under his gaze still felt the same ā as if there was a Petri dish underneath her. She couldnāt bear it, never got used to it. Sheād better make this conversation as quick as it could get.
ā What is it that you want?
ā You have been busy, never lost your devotion to research. I admire that, you know.
ā Victor. ā She urged firmly.
ā Things have changed for you since you left. I think the time has come when we can help each other again. Youāre not a lab rat, Simone.
In the indifferent vastness of his office, her insides turned into lead. She took a slow, discreet breath to will tension away from her brow, jaw, lips.
Victorās jaw worried along a crooked axis, as if he was about to unhinge it and swallow her whole. As if it was a possibility that existed in that moment.
He gave her a lopsided smile instead, showing off uneven brass of his crowded teeth.
ā The place you work for⦠It is run by prudes. Ignorant fools who twiddle their thumbs instead of doing what needs to be done. You see, they know youāre too valuable to put yourself on the line like you did. But they wouldnāt give you any real opportunities.
ā I donāt want your āopportunitiesā, Victor.
There was a glint of malice in his eye. His mouth pressed tightly before he opened it with a wet smack. She felt as if she was already inside of it.
ā You donāt have to insist on being a disappointment. ā In the ringing velvet abyss of his voice, something dangerous stirred.
ā Everything you need youāll find here. ā His hulking figure moved slowly to circle her with uncanny grace.
ā I cannot make you take it⦠ā Mock pity slid right past her prefrontal cortex, lulling her reptile brain.
ā But your poor sister has even less time for your nonsense. ā Victorās last word came out in a gritty hiss, his breath feather-light on her temple. She didnāt know when he got so close. Here came the venom, delivered precisely to her vitals. She felt her heart seize, her fingertips go cold.
Found a really cool channel that uploads timed live videos of models for gesture drawing. Theyāve even got some variability in terms of modelsā ages, body types and gender presentation.
They donāt organise those things where I live (and gender non-conforming people have to be really sneaky here), so itās a banger of a find.
I hope whoever stumbles onto this post finds it helpful:
this is a Online resource for Gesture Drawing.
"Prairie Keeper" 11"x14" Acrylic, wax pastel, and paint pen on canvas
Horses and other heavy hoofed animals (bison, elk, deer, cattle) not only depend on the grasslands to support them but they in turn support the grassland. Their hooves break up the soil, giving seeds better purchase and moisture more opportunities to penetrate the soil. Their nibbling the grass encourages the grass to grow, and their droppings fertilize the soil and bring habitat for insects, which in turn feeds birds. In the winter, big animals can plow the snow aside to get to the ground, which frees up feeding grounds for small predators and other small grazers. The constant trimming, walking, and defecating, when multiplied across hundreds of thousands of individuals across thousands of acres creates prairies and grasslands and savannas that host tons of wildlife and plant biodiversity.
yarr i lost all me treasure fuck me salty sea dog life im gonna walk me own plank
I feel very vulnerable sharing this but sometimes screaming into the digital void brings novel opportunities.
Iāve been wondering if there are folks who like what I draw enough to commission me. Iām at a point where the question of money slowly dissolves my hope and composure, and I have to rebuild myself over and over. Ideally I wouldāve loved to spend more time just enjoying doodling and slowly honing my skills but I canāt keep doing that while negating the mental damage of financial insecurity.
So whatever I get from commissions will greatly support my learning until Iām able to draw something thatās worth enough currency to sustain myself.
If you have the opportunity and appreciate what I do and/or the sentiment, please check out my art tag (#my art) and consider helping me out. Sharing this around is also super cool. Heck, even words of advice/encouragement will fuel me greatly.
Iām proud of finding enough hope and grace to keep drawing and I donāt ever wanna quit, and I want to live a life that has plenty of space for art: the skill of it, the whimsy and profoundness and overall versatility
P.S.: Hereās a pile of stuff from various sketchbooks that is not content but I feel like is appropriate to share here. Studies and derangements
His voice is soft, his intonations ā formulaically gentle. However, he never aims to reassure. Rather, his goal is to neutralise emotion, much like base neutralises acid. Itās the difference between the lulling caress of an embrace and the pressure of a large hand around your throat. The latter is meant to collapse your emotional experience into a singular, urgent point of attention that is his voice. And once youāre there ā youāre workable.
A reptile, he produces no heat of his own. He is not averse to receiving it, however. The sensation seeping deep through his skin pleases him. He doesnāt need it but he wants it.
Look at the absolute creature. So fresh and green