The Starkeeper brings puppet theatre to Monctonâs Capitol
March 6, 2015
Quirky, dream-like puppet show The Starkeeper/Le Porteur will land on the Capitol Theatreâs stage on March 11.
Transcending language barriers, the show is a wordless (but not silent) production by Montrealâs Theatre de LâOeil and has been performed 675 times in at least 10 countries since its creation in 1997.Â
Wednesdayâs performance at the Capitol Theatre marks the showâs first performance in Moncton since 2003.
Julie Laviolette, communications director at Theatre de lâOeil, said while the play is for five-year-olds and up, it can also be rewarding for adults.âItâs a dream-like journey about a star that fell from the sky."
Protagonist Pretzel, a kind of worm, wants to place the star back in the sky, she said.Â
âHe meets different characters that try to help him. Each character has its own music for the audience to understand their feelings and express emotions.â
The show divides 20 to 30 characters between the team of four puppeteers, Laviolette said.
âSometimes the children, they donât really understand people are manipulating the puppets. Itâs really well executed. You forget people are there.â
Graham Soul has been working with puppets since his childhood.Â
âTechnically, I had a small troupe â a friend and I pushed my brother and sister into performing too.â
The four became successful enough to land paying gigs at company Christmas parties.Â
Still, despite his hobbyâs success, Soul didnât expect it to become a career.Â
But since 1992, he has been a professional with the Montreal company and is one of four puppeteers performing at the Capitol March 11.
The Starkeeper is their longest-running show, and not a show you can get bored performing, Soul said.
âDespite doing it 675 times, itâs a challenge, a fun show to do."
Itâs not a purely linear story, and itâs not always completely logical. Action can pass from one place to another, overlooking scientific details, Soul said.Â
In one scene, the main character climbs a spiderâs web and ends up on the moon.
âAnd in a cavern of dreams, where there are many beds, he goes to sleep. Water rises, and he ends up in the ocean. People are like, âWait a minute. They were on the ground, the moon, now the ocean?â Itâs a bit like a dream â magical and poetic, fantasy-like.â
Having no words in the show is an advantage, Soul said.Â
âWith this show, we can go anywhere. We were surprised.â
For instance, they were told audiences in Japan might not be as demonstrative as Western audiences because of cultural differences, but that wasnât the case, Soul said.
âPuppets remove social barriers. Theyâre funny, quirky creatures. We found (the reaction) wasnât different to anywhere else. Last summer we were in mainland China and Taiwan, and they seemed to enjoy it too.â
Dressed in black, wearing black velvet tops and hoods, the four puppeteers blend into the scenery.
âWeâre using whatâs called black theatre lighting,â Soul said. âBasically the puppets are lit in a kind of narrow corridor of light, and anything thatâs put into this corridor is visible.â
Puppets are full of materials: strings, levers, pulleys. Eventually something can go wrong, and youâre always on your toes to prevent it, Soul said.
âYouâre performing and you hear a funny sound or a leverâs not working properly. Itâs always at the back of your mind.â
The show employs a great deal of puppetry techniques, borrowing elements from such traditions as Japanese bunraku and shadow puppetry, as well as marionettes, Soul said.
âThe fun thing about puppetry, a lot of technique is invented. You want to do something that hasnât been done before? You go, âThis is what we want to do. How can we do it?ââ
In the case of a character called Bob, they knew they wanted the design to be enormous, he said.
âHeâs a character with a theatre in his belly, and other characters perform in it.
âExperimentation also makes for a better show, he said.
âIn the beginning, Bob was sort of a gruff character that would pass characterâs auditions and yell âNextâ. Our main director, Andre LalibertĂ©, didnât like that. He said it seemed too scary. Wouldnât it be neat and more original if we played against type?â Soul said. âAn enormous character bossing everyone around, well, what if the tiny little character bosses him around?â
At nine inches tall, the other character now pushes the seven-foot-tall Bob around instead, Soul said.
âShe sits in his hand and watches the show in his belly. Itâs much lighter, kinder.
âSoulâs only regret is not being able to watch the show himself, he said.
The Starkeeper/Le Porteur will open on March 11 at the Capitol Theatre, and tickets are on sale, $9 for children and $20 for adults.Â

















