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@maderrific
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it’s monday i’m in the labyrinth
it’s tuesday i’m in the evil lab
it’s wednesday i’m in the time loop
it’s thursday i’m in the medieval torture apparatus
🌸it’s friday i’m in love🌸
"x has been done before" no experience is unique. all art is born out of connection. rejoice in being part of something bigger than yourself
someone added the tag "the oat" on one of the reblogs of my stoat draws and it amused me
crossfaded on a pastry + a little drinky drink
stimboard of kitten with bloodlust? be crazy be insane with it
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(The gifs with the “?” were originally found of discord)
Ankle biter dog Stimboard
the appeal of studying human history is like. your brothers and sisters, who all died just before you got here, managed to pass down only a few things to you, and almost all of them are in your blood. the rest of your inheritance is scattered in ruins and tombs and libraries that have outlived their makers. they wanted you to know them but they are gone. will you look back into time and try to find whatever is left?
we exist for love btw
they should invent a being in your twenties in which you do not feel your life is unsalvageable and ruined
I think the most radical thing the hunger games does is tell young people that the most revolutionary thing you can do is have unconditional love for humanity. Katniss throughout the entire series is guided by a deep sense of compassion for the people around her. It is what causes her to volunteer, to bury rue, to mercy kill cato, its why she tries to save peeta, why finnick telling her to remember who the real enemy is works, and even though her compassion for the larger world falters when peeta is kidnapped, it comes back when she visits hospitals and asks for mercy for other victors and ultimately, it is love and belief in a better humanity that makes her kill coin. Through it all, she maintains an unfaltering belief in the fundemental goodness of humanity, which is diametrically opposed to dr gaul's and snow's worldview. Peeta is even more unwaveringly compassionate
So the series tells young people that the most revolutionary thing you can be is compassionate. Let compassion drive your politics. Let yourself believe in the fundemental goodness of people. And i think that's deeply important in a world that touts the superiority of pure reason or logic, to allow yourself to be guided by something as emotional as compassion. Katniss everdeen tells us that your politics should be rooted in compassion in a world that thinks detatchment or cynicism is intelligence and i think thats v cool
Katniss is like Lucy Gray this, Katniss is like Sejanus that, and yes find that's all good and true and lovely but Katniss Everdeen is also a direct parallel to Coriolanus Snow and people NEED to start talking about this because it's driving me crazy.
Think about it: they both grew up poor and deeply vulnerable, losing parents at a very young age, with a matriarchal adult (Katniss' mother and Coriolanus' Grandma'am) who fails to provide for them emotionally and physically. They intimately understand the threat of starvation, even developing with stunted growth because of it, and their narrations in the books share a fixation on food. Throughout their childhoods, both experienced constant fear and suffered a fundamental lack of control over their circumstances. Because of this, they're inherently suspicious of the people around them. They resent feeling indebted to others, especially those who have saved their lives. They're motivated almost entirely by family and deeply connected to their communities. Both are used and manipulated by the Capitol, both are forced to perform to survive and despise every inch of it, both are thrown into the Arena and made to kill. Both have a self-sacrificial, genuinely sweet sister figure acting as their conscience. Peeta and Lucy Gray - performers and love interests with a fundamental kindness and sense of hope about them - fulfill markedly similar roles in their narrative. Both contribute to the development of the future Hunger Games, Snow throughout tbosas and Katniss towards the end of Mockingjay.
It's easy to ignore these similarities because, as mirrors of each other, they are exact opposites. Katniss is from District 12, viewed and treated as less than human; Snow is the cream of the Capitol crop, given the privilege of a name with social weight, an ancestral home, and the opportunity of the Academy despite having no more money than a miner from 12. Katniss has no agency over her life, and responds by being kind whenever she's able, while Snow justifies horrendous evils in order to continue his quest for complete control. Katniss does everything she can to protect her family; Snow does everything he can to protect his family's image as an extension of his own ego. Katniss loves her District and connects with its inhabitants on a meaningful level, but Snow is indifferent at best to his peers - the apparent "superior people" - and only engages with his community for personal gain. Katniss emerges from the Arena horrified at herself and the system, but Snow takes his trauma and turns it into an excuse to perpetuate the violence with himself at the top. Katniss cares for Prim until her death and then snaps at the loss of her little sister, while Snow survives on Tigris' blood, sweat, and tears and then torments and abandons her, presumably because she calls him out on his insanity. Snow actively adds to and popularizes the Hunger Games because of his vendetta against the Districts following his childhood wartime trauma - Katniss briefly agrees to a new Hunger Games in the pursuit of vengeance, but later stops them from happening by killing Coin and choosing a life of peace and privacy. Snow is obsessed with revenge, but Katniss empathizes with the Capitolites and does what she can to keep them from suffering. He exists in a cruel system and selfishly upholds it; she exists in a cruel system and works to dismantle it for the good of her family and community, at great personal cost. And Peeta and Lucy Gray are incredibly similar, but Katniss and Peeta forge a relationship of genuine love and understanding that shines in comparison to Coriolanus' obsessive projection onto Lucy Gray.
So, yeah, Katniss is Lucy Gray haunting Coriolanus. But I bet you anything that eighty-something year old President Snow looks at her, the girl on fire, bright and young and brilliant, emerging from a childhood of starvation with a relentless hunger for success, a talented and charming performer helping her win the Games, and he sees the ghost of his own past. And that's why he's so afraid of her! Because if he sees himself in her, then he's up against his own cunning, his own talent for manipulation, his own charisma, his own genius. He's up against the version of himself that he once wished to be, with the nightmare army of his childhood at her back and her star-crossed lover at her side, spewing Sejanus' truths in his own voice. This isn't to say that Katniss ever achieved the level of power and agency that Coriolanus did during her time with the rebellion, but it is to say that Snow was taken down by what truly terrified him - his own morality, come to finish the job.
watching the movie has really brought to my attention that what katniss did with rue was not new.
like watching reaper make a mass grave of the children, covering them with the symbol of a government whose job it was to protect them. or lamina giving a mercy blow to marcus, putting him out of his misery.
and then thinking about haymitch and maysilee. the way he ran when he heard her screaming. and stayed with her until she died.
memorializing the other children in the games might have been less common, but it was not new. because, as it turns out, children do not like to see their friends, their peers die in front of them.
and so, it makes me feel a little more dubious when people say that katniss's memorialization of rue in the first book was *the* catalyst for the revolution. and that is not to say that it was not part of the reason, but it just wasn't the most revolutionary thing that happened.
because while the movie directly connects that incident with the first protest in district eleven, that is not what we get in the book. in the book, all we get is a little gift of gratitude from district eleven to the girl who protected a child.
so, what was so revolutionary?
i think it all revolves around katniss's actions that put aside her will to survive to protect the people she loves. because when push comes to shove, she will not become the monster that is set solely on self-preservation. one that is only focused on her survival.
and for some reason, in my head, katniss's actions with peeta are a little more important than her volunteering for prim.
because while she did volunteer to enter an arena that almost guaranteed her death, it was for her sister. a perfectly healthy girl with a future ahead of her.
but when peeta was dying, it was a little different. she didn't need to do anything and she would be guaranteed safety. he would just die and she would be crowned victor.
even if she could save him, who knows if he would even survive when the capitol picked him up. (i mean... he almost didn't). so, it literally does not make any practical sense why she would sacrifice her life for a dying boy.
but she couldn't let him die. so if that meant that if she had to gamble her life to possibly get him to safety, she would do it. because she had no choice. because she loved him, she gambled her life to call the capitol's bluff.
and that was revolutionary.
Reading TBoSaS was an eye opening experience for me because for a minute I was like Katniss and Peeta had it so much better than Lucy and these other children who were treated like literal animals- transporting them like livestock and putting them in cages not to mention the very public, dehumanizing parades. But then I was horrified at myself because I couldn’t believe myself. It wasn’t better at all, Katniss and Peeta were brought there for the same exact purpose and putting them in fancy dresses and providing them with expensive amenities doesn’t take it away. It’s still the same horrible, wretched, gruesome tradition, I just thought it was better because it was also wrapped up nicely with a pretty bow which I guess was the whole point.
suzanne collins is such a genius... the cultural phenomena of her series leading to the hanging tree house remixes, mockingjay being milked for two (bad) movies, the capitol-inspired makeup palettes, the halloween costumes, the explosion of the market for dystopia, the butchering of her characters and removal of disabilities, disfiguration, and racial tension + representation to sell more tickets, the extra gale scenes to fuel discourse, and the audience showing up to cinemas to watch what was pretty honestly marketed to them (the jacob vs edwardification of the symbolic love story and also to watch children fight to the death) it's just so ridiculously ironic i would say you can't write this shit, but she did write about it... in The Hunger Games published 2008