I feel like we're in a "stevenbomb" era of warframe
I'd rather be in outer space 🛸

★

titsay

Product Placement
he wasn't even looking at me and he found me
Not today Justin

No title available
🩵 avery cochrane 🩵

Andulka
2025 on Tumblr: Trends That Defined the Year
YOU ARE THE REASON
Sade Olutola
EXPECTATIONS
Aqua Utopia|海の底で記憶を紡ぐ
trying on a metaphor

izzy's playlists!

@theartofmadeline
occasionally subtle
The Bowery Presents
Xuebing Du

seen from Malaysia
seen from Indonesia
seen from Philippines

seen from Russia
seen from Malaysia

seen from Malaysia

seen from Argentina

seen from Pakistan
seen from Canada

seen from Australia
seen from Bolivia

seen from Portugal
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seen from Türkiye
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seen from United States
@makedvioletplayable
I feel like we're in a "stevenbomb" era of warframe
It seems some of the Old Knowledge has disappeared from warframe players, so let me tell you a little secret:
Scanning the codex fragments on the planets gives you a picture and lore about that picture, like mars settlements for example.
But.... if you move your mouse around on that picture, listening closely, you might find some MORE lore about a completely unrelated, but cool topic.
New phone who's this?
"I will let mommy exploiter punish me however she wishes"
smash or pass: exploiter orb (warframe)
smash
pass
You know, the more I play through Roathe's KIM conversations, the angrier I get in retrospect about Kaya's.
Don't get me wrong; Roathe's are pretty good. They're not great, but the bar is very low in this game, so I can forgive some clunky and contrived exchanges, especially given all the lore we get.
But. Really? Our Drifter can forgive and forget with an Orokin, laugh at his jokes, agree with him, even fucking flirt with him, but they can't muster the patience to not be a condescending piece of shit to a traumatized 19 year old girl?
I doubt those conversations will ever see any kind of rewrite; people don't talk about Kaya the way they talk about the more popular characters. But they desperately need one. It's incredibly depressing, and feels more than a little misogynistic, that the one character you're forced to be rude to at multiple points is the one you're furthest from being able to fuck. Nevermind that she's arguably the character we should have the most proximity to, given that she can literally time travel and is nearly the same physical age as our Operator the game is so drearily insistent on styling as a child.
I venture into a dreamland where the waves have come alive And I watch them chase the people down the beach
I don't care what anyone says I love this skin 😓
I swear to god if narin has heels
Also with a new ice frame can you take a look at archon flow because it's not that good
Amir's F&F self insert
pour one out for all the adults who grew up "gifted" and dont know how to not feel like a failure for not making 100k a year yet
Whoops.. failed the stealth check~ (sorry amir <3)
God the tennocon reveals have been so cool I wish I could play again 😔
Also I miss my cupcakke gyre 😭
Next Update is gonna have Zariman stuff in it... which means the new warframe will have no lore other then one (1) line of dialogue that's more confusing then anything!!!
Reheating gyre's nachos 😔
Honestly I wouldn't care that much that multishot doesn't work with the alternox's alt fire if it wasn't, you know the signature fucking buff that gyre gets with it 🙄
primadonna
I'm still wondering why they didn't give gyre prime any more energy or a new polarity
Thousands of starfish had washed up on the beach, and a little girl was diligently throwing them back into the water, one at a time.
A man came up to the girl and said, "You'll never save all of them. What you're doing is pointless. It doesn't matter."
The girl threw another starfish into the water. "It mattered to that one."
The man snorted and walked away.
The girl kept throwing starfish, one after another.
To throw one starfish back into the ocean takes a trivial amount of effort, but to throw ten, or fifty, is much less so. The girl had not learned much of biomechanics, but she began to feel the strain in her back. Her skin had softened from the seawater, and the starfish themselves were abrasive. Her fingers had pruned. Her shoulder hurt. She was cut, twice, on her fingers, as the same storm that had stranded the starfish had also brought up broken shells and crab carapaces. The skin of a starfish was like sandpaper.
She tried switching hands, and could throw the starfish less well, and it wasn't long before she had mirrored all her injuries. She was bleeding, though the blood wept rather than flowing, briefly staining the starfish pink before they were tossed into the ocean.
It seemed as though there were just as many dying starfish as when she'd started.
After three hours, the girl was sunburnt. A passing man had told her that she should stop what she was doing, and had offered her some water, which she took, but he hadn't helped to throw the starfish back.
The girl's hands were cracked, scraped, and raw. Saltwater found the wounds, but she'd gone numb, and her motions became more mechanical.
"It mattered to that one," she thought to herself, "It mattered to that one," over and over, like a mantra. Her muscles ached, but the ache became familiar. When she'd started, her throws had been beautiful things, guided by purpose, but now they were sloppy and threatened to pull her off balance.
She did fall, more than once, landing on sand that was filled with jagged debris, and sometimes she was slow to get up. But she did get up, because there were more starfish to save, tens of thousands of them.
Night fell, and it was harder to see the starfish, but they were still in need of help. She was tired, and the cuts on her fingers had multiplied. The skin had been wet for too long, and in one place, on her palm, where she had gripped a thousand starfish to throw them, a piece of white skin had come off.
Still, she kept throwing starfish.
Her mother didn't find her until after midnight.
"Hi mom," said the girl. Her voice croaked. She had been saying, "It mattered to that one" under her breath for long enough that her vocal cords had strained. She threw another starfish into the ocean.
"You need to come home," her mother said.
"These starfish will die without me," said the girl.
"I know," said her mother. "But you need to come home, because if you keep doing this, you'll collapse on the beach, and like a starfish, you'll need to be rescued too."
The girl stooped down, back aching, and picked up another starfish. Many of them had died by this point, but there were still uncountably many that lived. The rough skin of the starfish grated at her tender skin, but she rose and threw it, arm protesting, and watched it fall down into the water.
Her mother grabbed her gently by the shoulders. "I'm bringing you home," she said. "It would be better if I didn't have to carry you, but I will if I have to."
"I don't want to be the sort of person who leaves starfish to die," said the girl, shrugging off her mother. But a part of her did want to be carried, because she'd walked for miles along this beach, one stooping step at a time.
"I know," said her mother. "But to survive, you have to be. Save as many as you can, but take breaks, get good sleep, eat well. Then go back and save more."
The girl swayed where she was. She was close to passing out, though maybe it was because her rhythm had been interrupted.
Her mother held out a hand, so they could walk together, like they'd done when she was smaller.
And it was then that she noticed the scars on her mother's hands, the calluses and rough spots, the places where cuts had healed. She had seen her mother's hands many times before, but had never asked why they were that way.
The girl slipped her hand into her mother's and began to cry as they walked back home.
WOMEEEEEEEEEEN