Audrey Hepburn photographed by William Read Woodfield, 1953
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Audrey Hepburn photographed by William Read Woodfield, 1953
Jak to się stało, że w ogóle się spotkaliśmy? Przecież to kompletnie inna bajka. Dwóch tak różnych od siebie bajek nie powinno się łączyć. Nic dobrego z czegoś takiego nie wychodzi.
“Będę czekać całą noc” Justyna Luszyńska
(via domsaaa)
Nie miałem pretensji do nikogo, poza samym sobą. Byłem przyzwyczajony, bo odkąd żyję, mam do siebie mnóstwo pretensji.
Jakub Żulczyk “Wzgórze psów” (via polskie-zdania)
Miłość jest niedorzeczna i przez to niepowtarzalna.
“W rytmie passady” Anna Dąbrowska (via domsaaa)
Po pomoc dzwonili zawsze ale gdy czułem się nikim to odkładali słuchawkę.
(via jestem-nikim)
heeee;)
Marilyn Monroe photographer by Bert Stern, 1962.
The Trellis (Young Woman Arranging Flowers), 1862, Gustave Courbet
Medium: oil, canvas
Rancho Las Lomas by Kim Sanders
Audrey Hepburn photographed during the production of Sabrina, 1953.
Jim Morrison & Ray Manzarek at the original Hard Rock Cafe, December 1969, by Henry Diltz. Love Ray’s sandals!
Próbowałem ci pomóc ze wszystkich sił. Ale bardzo trudno jest pomagać człowiekowi, dla którego życie stało się skrzynką na listy, które nie nadejdą.
Waldemar Łysiak “M W” (via polskie-zdania)
Nie lubię, kiedy ktoś lekceważy moje uczucia. Ja się otwieram, rozbieram, flaki wypruwam, a ktoś mówi: “przesadzasz” - to nie fair.
Nie fair (via dziurywniebie)
Audrey Hepburn’s Givenchy gown from Sabrina sold at auction for $170,000. It was apart of The Personal Property Auction of Carrie Fisher and Debbie Reynolds sold on October 8, 2017.
Note: The dress had yellowed over time, which is common of this fabric.
Description:
554. Audrey Hepburn “Sabrina Fairchild” signature white organza gown with black floral embroidery from Sabrina from a design by Hubert de Givenchy.(Paramount, 1954) Historic 2-piece bespoke gown from a design by Hubert de Givenchy and worn by Audrey Hepburn in one of her most beloved roles. Acquired by Debbie Reynolds in her unparalleled Hollywood memorabilia collection. The white strapless organza gown appears light as a cloud, clinging to form in a simple pencil-like sheath dress, but subsidized by a voluminous bustled train that attaches to the back for dramatic affect. The entire confection of an ensemble is meticulously hand embroidered with delicate black thread and pearl peacock feather motif at the bodice and hem. The unforgettable gown was not only highly visible in the Cinderella moment of the film when “Sabrina”, the daughter of a chauffeur, upstages the haughty socialites at a party, but was regularly worn off-screen for publicity around the world to promote the film. (READ MORE HERE)
Jim Morrison, by Chris Walter
A gif of me reblogging this post every time I see it.
A Moment’s Reflection (detail) Federico Andreotti