let's talk about Bridgerton tea, my ask is open
Cosmic Funnies
Three Goblin Art
Kaledo Art
Jules of Nature
No title available
Today's Document
blake kathryn
Sweet Seals For You, Always
ellievsbear
$LAYYYTER
Origami Around
@theartofmadeline
untitled
★
he wasn't even looking at me and he found me
TVSTRANGERTHINGS
PUT YOUR BEARD IN MY MOUTH
One Nice Bug Per Day
Andulka
seen from United States
seen from Egypt
seen from United States
seen from Germany
seen from Malaysia
seen from United States
seen from United States
seen from Türkiye
seen from Switzerland
seen from United States
seen from Indonesia
seen from United States
seen from T1
seen from Germany
seen from United Kingdom
seen from India
seen from United States
seen from United States
seen from Italy
seen from Singapore
@malonsaria
Café 1930 from Histoire Du Tango by A. Piazzolla
Chloe Chua and Kevin Loh
I discovered this yesterday and have been sharing it with everyone I know who would remotely care about it. And, I have no doubt that includes the classical music side of tumblr. I teared up upon first listening to it and have teared up listening to it since. I think everyone should listen to it at least once.
Remedios Varo (1908–1963, Spanish/Mexican) ~ Creación con rayos astrales, 1955
[Source: Christie's]
John William Waterhouse (Italian-born British, 1849-1917) Saint Cecilia, Details, 1895
‘Circe Invidiosa’ 1892
John William Waterhouse
Title: Ophelia
Artist: John William Waterhouse
Date: 1894
Style: Romanticism
Genre: Literary Painting
‘Lamia and the Soldier‘ by John William Waterhouse, c. 1905.
Circe Invidiosa (Red edit), 1892 - oil on canvas — John William Waterhouse (English, 1849-1917)
Molly Judd
Jean Gabriel Domergue (French,1889-1962)
Woman Kneeling in a Garden
oil on canvas
Jean Gabriel Domergue (1889-1962), 'An Artist's Idyll', ''The Tatler'', Christmas Issue, 1925 Source
Artwork by Leonora Carrington.
Remedios Varo photographed by Kati Horna, 1957. The mask Varo is wearing was made by Leonora Carrington.
Odilon Redon Day (Le Jour), from the series, Dreams (Songes), plate VI, 1891
"One must respect black. Nothing prostitutes it. It does not please the eye and it awakens no sensuality. It is the agent of the mind far more than the most beautiful color to the palette or prism."
Alone in my world
linocut of the series Fish and Metaphors
William Baxter Closson (American,1848-1926)
Night Moths
photomechanical wood engraving on paper
