El sonido de un nombre, Luis Camnitzer
The Text and Its Shadow, graphite sur papier, Luis Camnitzer, 2009-2012.
Luis Camnitzer, The Photograph, 1981, laminated photograph, 11 x 13 3/4”.
Lint Roller? I Barely Know Her
One Nice Bug Per Day
Today's Document
AnasAbdin
noise dept.
Xuebing Du
RMH
wallacepolsom
tumblr dot com
let's talk about Bridgerton tea, my ask is open
Mike Driver
cherry valley forever
Cosimo Galluzzi
todays bird

PR's Tumblrdome

Origami Around
trying on a metaphor
styofa doing anything
sheepfilms
I'd rather be in outer space 🛸
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@malou-editions
El sonido de un nombre, Luis Camnitzer
The Text and Its Shadow, graphite sur papier, Luis Camnitzer, 2009-2012.
Luis Camnitzer, The Photograph, 1981, laminated photograph, 11 x 13 3/4”.
Thomas Ruff L’Empereur, 1982
Gilbert & George, There Were Two Young Men from Studio International May 1971, A Magazine Sculpture, 1971
“There were two young men who did laugh
They laughed at the people's unrest
They stuck their sticks in the air And turned them around with the best
Then with time they began to feel strange
For no longer it swung in their way
So to capture again that old thrill They started to take the life-pill.“
Helmud Schmid, Man Made and Nature Made, Affiche conférence, 2013
My Own Private Idaho, Gus van Sant, 1991
Jasper Johns and his little diy encaustic setup repairing Flag after it was damaged in a wild loft party, probably in 1955, photo by Robert Rauschenberg
Mierle Laderman Ukeles, Hartford Wash: Washing, Tracks, Maintenance (Outside), 1973
Ian Hamilton Finlay, Sails & Waves (2), 1971, Miscellaneum, 10.5 x 14.7 cm. Collection: Collection M HKA, Antwerp (Inv. no. 3.71.10).
Ian Hamilton Finlay, Standing poem (Pear, Appear), 1963, Miscellaneum, 21.0 x 7.7 cm. Materials: folding card; ink on paper,
Collection M HKA, Antwerp (Inv. no. 3.63.1).
Giovanni Anselmo, Senza titolo (Entrare nell’opera), Versione #4, 1971
Aspen, a multimedia magazine of the arts published by Phyllis Johnson from 1965 to 1971. Each issue came in a customized box filled with booklets, phonograph recordings, posters, postcards — one issue even included a spool of Super-8 movie film. It's all here.
Finlay (Ian Hamilton). Poor. Old. Tired. Horse., numbers 13, 14, and 16-25
Joséphine Baker et Le Corbusier entre São Paulo et Paris sur le paquebot Giulo Cesare, 1937, photo Lucien Hervé
Portait de Joséphine Baker par Le Corbusier
L’ami américain (Der Amerikanische Freund), Wim Wenders, Bruno Ganz, Dennis Hopper, 1977
DĂ©tournement, Internationale SituationnisteÂ