By Olive Rose Cooke (@olivecooke)
Misplaced Lens Cap
occasionally subtle
DEAR READER
Cosimo Galluzzi
styofa doing anything
Monterey Bay Aquarium
YOU ARE THE REASON

⁂
$LAYYYTER

izzy's playlists!
he wasn't even looking at me and he found me
we're not kids anymore.

#extradirty

Kaledo Art

★
"I'm Dorothy Gale from Kansas"
NASA
TVSTRANGERTHINGS

PR's Tumblrdome
Today's Document

seen from United States
seen from United States

seen from Japan

seen from Australia
seen from Poland
seen from Canada
seen from Italy
seen from Egypt

seen from China

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
@malvanxv
By Olive Rose Cooke (@olivecooke)
Wolfgang Tillmans, Giant (2009). Inkjet print on paper. 16 x 12 inches. 40.64 x 30.48 cm. Courtesy David Zwirner.
Andy Warhol, Shirt in a Window ca. 1976, polaroid
Joe’s NYC
What’s Going On by Barkley L. Hendricks, 1974
Oil, acrylic and magna on cotton canvas 65 ¾ × 83 ¾ in / 167 × 212.7 cm Crystal Bridges Museum of American Art
Chinatown, NYC
EVA TAULOIS
I NEVER PLAY BASKETBALL NOW, 2015
Angela Bulloch, “I can’t do that Dave.”, 2015 Simon Lee Gallery
sterling ruby
Solid Rocker (2010) by Ron Arad.
Bone Chair 01 is a minimalist chair created by Montreal-based designer Loïc Bard available on Radnor. Loïc Bard specializes in the art of woodworking. His work is highly personal, and each piece is imbued with memories of people and place. Loïc’s work begins with freely drawn sketches and the carving of unscripted shapes. The organic forms that emerge from this process and inform his designs are rooted in the natural environments of his childhood, and inspired by Japanese philosophies of craftsmanship. He seeks to embody a sense of simplicity and strength in the objects he creates. Loïc Bard’s work is characterized by its unique combination of subjective expressivity with purity of form.
Nick Oberthaler, Untitled , 2015