Happy New Year. β₯

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TVSTRANGERTHINGS
I'd rather be in outer space πΈ
sheepfilms
occasionally subtle

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Misplaced Lens Cap
YOU ARE THE REASON
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH

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@manduxkrp
Happy New Year. β₯
What are some standard rules to have for a roleplay?
In my own opinion, in very basic terms, here are some basic rules all roleplays should have
Make sure the askbox of the blog you are applying from is open
You need to be able to communicate with your applicants. This should be made clear.Β
Basic Application Rules
Does your roleplay allow reservations? If so, what is your policy? How long can they reserve a character for and for you, what does a reservation mean? Also include if your rolepay accepts OCs and/or FC changes. If there are any rules regarding those (such as making sure FC changes are of the same race of the original FC, etc.) make those clear as well.Β
Accepting Policy
This isnβt exactly a rule, but I always put it into my rules page. How does accepting go? Do you accept every four days? Do you accept once x amount of applications are in? What time of day do you usually accept? Do you message your applicants once youβve read their app?Β
Once Accepted
This can be on a separate page or just on the rules page, but tell people what you expect them to do once theyβve been accepted. This usually includes things such as setting up their own blog (not a sideblog) for their character and messaging the main page once itβs set up. It usually includes following people on the masterlist and possibly joining an OOC chat. This could include tags to track or a character introduction post you expect new members to write.Β
Playing Rules
You should have some rules explaining what you expect from your roleplayers. This should include if you are strictly a para rolepay, if you allow gif chats, or chatroom conversations. This should include what person you expect paras to be written in (or say that it doesnβt matter). Explain that βbubbleβ roleplaying will not be allowed and that everyone should be included. A few other things to include would be if you have an expectation for how long paras should be, that you expect good spelling/grammar, reblogging as text, how to tag things such as starters and paras, anything that you feel should be said about your roleplay.Β
Activity Rules
Most roleplays have some rule regarding activity, such as how long one can be away before being removed from the rolelplay. If you are going to do that, you should include those rules plain and simple. Also, if there is something you expect as regards to activity, put that here to. Such as, you expect at least a para a week. Mention that photos are not considered activity. Also talk about your hiatus policy and what should happen if a player is removed from the roleplay. Are they allowed to apply again?
Misc.Β
Itβs also important to include rules regarding content. Does your roleplay allow language, gore, smut, and what are your policies regarding that? Must smut be under a read more? Must triggers be tagged in both the tags and the title? Talk about OOC drama and how that will be handled. Also mention if second/third/etc. characters are allowed and how one can go about getting another character. Is there a waiting period or a limit?Β
No. Fucking. Godmodding
Itβs a roleplaying sin.Β
RP Guide: Rules by Megan Helps (i.e. the best resource for making rules for your rp)
Can you make Kim Jong Woon/Yesung and Lee Sung Min gifs hunts ? éèThank you for all the job you've already done **
Hi there! You can find my Yesung gif hunts here. Sadly, I donβt do gif hunt requests, but here are a bunch of Sungmin ghs done by others: {1}{2}{downloadable gif hunt}
Omo guys...sorry I haven't been on for forever. I got so busy with school and exams and - insert more excuses here-...
Anyways, I'll start clearing my inbox, so hang in there (if my help is still needed at this point).
Lastly, saranghaeyo all you followers, both old and new.Β
Emotions: Writing Guilt
writeworld replied to your post: Any topics youβd like me to post about? Leave anβ¦
How to write Guilt. -C
Hmm, okay. Guilt is something I know a lot about.Β
Everyone experiences guilt differently. Like, for me, guilt is amplified and often misplaced due to anxiety and depression. I feel bad about really dumb pointless things.Β
There are different levels of guilt, too. A kid feeling guilty about a lie is different from guilt for hurting a friend or something.Β
Guilt: Wikipedia
How to Write Character Emotion: Guilt and Shame
How to Write about Guilt
TvTropes: Guilt Complex, Survivor Guilt
A character may have differing physical reactions to guilt. They might feel nauseous or uneasy. People may become defensive.Β
One portrayal of guilt I really like would be The Doctor. (Ignoring the recent events with the 50th special.)
Aside from the pain of destroying his people, there are plenty of times when the Doctor fails to save someone. That guilt lingers and stays and you can see how it affects him.Β
Another character who shows guilt would be Aang from Avatar the Last Airbender. He feels guilt. He left his people because he was afraid, and his people suffered. Heβs a really child-like character, but heβs someone who has a lot of regrets and has to grow up very quickly.
Feeling guilt is not pleasant at all, and people can be good at repressing it or denying their feelings.Β
People can feel guilty about things completely out of their control, too. Itβs a really complicated emotion.Β
Thank you, Mandark!Β
More links for guilt:
Psychology Today: The Definitive Guide to Guilt
GROWING STRONGER: #6 The Many Types of Guilt by Aphrodite Matsakis, Ph.D.
Five Kinds of Guilt by Arlene F. Harder, MA, MFT
Hurray learning things about guilt! *confetti*
-C
avoidant personality disorder
avoidant personality disorderΒ (orΒ anxious personality disorder)Β is aΒ personality disorderΒ recognised in the diagnostic and statistical manual of mental disordersΒ handbook in a person characterised by aΒ pervasiveΒ pattern ofΒ social inhibition, feelings of inadequacy, extreme sensitivity to negative evaluation, and avoidance ofΒ social interaction.Β people with avoidant personality disorder often consider themselves to beΒ socially ineptΒ or personally unappealing and avoid social interaction for fear of being ridiculed,Β humiliated, rejected, or disliked. avoidant personality disorder is usually first noticed in early adulthood. childhood emotional neglect and peer group rejection (e.g.Β bullying) are both associated with an increased risk for the development of avoidant personality disorder.
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Hello. I'm curious to know how a romance develops differently between close friends and two people who find comparability? What are some do's and don'ts of such romances (the former)? What are some examples of well and poorly done upgrade romances?
The way I see it, the best way to write romance is to observe romance. People engage in casual or serious relationships all the time, and itβs really nice to observe how these types of relationships are different from each other. Furthermore, each couple has their own story to tell, so if you have the chance to talk to couples who started off as the type of romance you want to portray, take it!Β
What Iβm about to tell you is based on my experience, things Iβve seen happening around me and romance the way Iβve seen it being portrayed in fiction. Therefore, you shouldnβt take any of the following bullet points as a set-in-stone truth, specially because romance is a quite subjective thing and, again, each couple has their own story to tell.
Romance may take longer to begin between close friends than between two people who find comparability. This happens because close friends might be scared of messing up their friendship (something we see often in fiction) or because they might be scared of admitting their feelings or even not noticing them for a while. However, the relationships that evolve from a close friendship tend to be more βnaturalβ since the beginning. Since the two people already know each other really well, they donβt have to go through the initial getting-to-know-the-other-person phase. However, this can also go the other way around: Since two people are very used to their friendship, the relationship can get a bit awkward at first.Β
A relationship between two people who find comparability may take a while longer to βget offβ. Most couples have this initial, beautiful phase when itβs all rainbows and butterflies and theyβre really committed to getting to know the other person first and foremost. This sort of couple can end up finding out that it turns out they have nothing in common, or simply finding more common interests and more ways in which they connect with each other. Two people who didnβt know each other too well before starting a relationship tend to go through a sort of βexperimentalβ phase, when theyβre still trying to figure out whether that relationship has a future or itβs bound to fail. Again, this can go the other way. Some people just have that βinstant clickβ, when they find out they can really connect with each other even if they donβt know each other too well.
Again, there is no exact formula as to how relationships develop. These are just examples of what Iβve seen happening around me, but they shouldnβt be representative of all relationships.Β
Relationships in fiction should really depend on the charactersβ personalities, cultural backgrounds, etc. Both these relationships can take a long while to become βofficialβ, or instantly become something the whole world knows about. The way I see it, itβs all about your charactersβ personalities and the way they would react to a new relationship.Β
I think there are no dos and donβts as long as you develop the characters and the relationships. No writer should be told what they should or shouldnβt write based on whatβs been done before. The so-called βclichΓ©sβ happen when a writer writes about stereotypes without developing the characters and situations properly. If you give your characters substance & if you donβt make them all about the relationship theyβre in, I donβt think thereβs any dos or donβts that should keep you from writing the relationships you think are better for your story and your characters.
I think the only examples of poorly done romances are those characters in fiction whose life goal is purely to date this other person. Characters should have substance, and they should have interests other than their significant others. Give your characters goals and motives, make them want to do something in their lives, and then show how this other person completes them and why their relationship is right for your book.
I made this post a while ago about how to make love work in fiction, and you might want to take a look at it. I hope this helps!
β Cho Kyuhyun βΊ Ethnicity: Korean βΊ DOB: Feb 3, 1988
Credit goes to the original creators.Β (Gifs used aboveΒ β Pinkoholik).
Feel free to suggest more resources.
Last updated: Nov 28, 2013
β GIFs:
Nozomisasaki-rph || 100
Lots of Kpop Gifs!
kpopexplosionΒ {1}{2}
Elvishcafe
kpopgifhelp
Kyugifaday
PinkoholikΒ (tag)
kpopcorngifs (tag)
βΒ Icons:
Dramakyu || 100
Puspaherning || 80
Ohmyjongwoon || 45
Rubyls || 13
Infinitekpopicons || 12
AranelFei || 6
II-Rawan-II || 6
β PNGS:
MissJanePattinson(direct link)
Viraia
Rockn-Cy
Yukilyn137
DearyYamachii (tag)
Heoconkutecu (tag)
Daymer06
Capsvini (tag)
Maridicions
β Research:
Wikipedia article
OneHallyu thread
Youtube videos
β GIF Hunt: Super Junior's Siwon
Count: 138.
Way more derpface gifs than needed.
Gifs are not mine.Β If any of these gifs are yours and you want them credited or removed, please message me.
Writing Fear
Writing about fear isnβt just about writing a scary scene or working on a horror novel. Writing about fear is about understanding your characters and what really terrifies them. Since we all donβt share the same fears, it can be difficult to get your readers to understand what your characters are going through. You need to write in a way that convinces the reader that your character is really scared by using all the sensesβwithout flat-out telling them.
Showing fear through your writing is a very effective way to reach your audience and to write an intriguing scene. First off, letβs start off with some body language that shows fear.
Someone who is afraid might not might eye contact with whoever theyβre afraid of. On the other hand, in a more intense situation, they might have a wide-eyed stare. For example, if someone is hiding their fear of another person, thatβs when they might avoid eye contact. If something scares them suddenly, they might have the wide-eyed stare and have unwavering eye contact.
A scared character might be breathing heavily (maybe through the nostrils) and might have a clenched mouth. Itβs likely that most of their body will be clenched, think tightened muscles and clenched fists, and they might be stuck in one spot.
They might be sweating or shaking as a result of excess adrenaline. Their feet might be turned away from the person theyβre afraid of, subconsciously ready to get away. Some people might hunch or slouch and other people might stand taller and become more aggressive. It all depends on the situation.
Nervous behaviors such as tapping legs, crossing arms, or fidgeting might indicate fear. Rocking back and forth might also be from fear.
All of these body language suggestions should help you shape your character and how they experience fear. However, this is just one part of writing fear. Explaining why someone is so afraid could be just as important. Creating a back story, even if you donβt reveal it for a while, will help YOU and your readers understand why your character is so afraid. Knowing the intricacies of your characterβs fear is important and it will help you translate it into your novel.
The emotional implications of fear also need to be explored in order to strengthen your novel. That fear might somehow manifest itself into their daily life, which will make your character development stronger. Someone who is afraid might have trouble dealing with that fear and might develop depression or distrust issues. Fear can often cause nightmares, trouble sleeping, or other health issues that will make their lives uncomfortable. Even after someone βgets overβ a fear, there might be some residual issues. They might still be dealing with it for the rest of their lives.
Common Writing Mistakes
Benjamin Dreyer is the VP Executive Managing Editor & Copy Chief of Random House Publishing Group. Below is his list of the common stumbling blocks for authors, from A to X.Β
One buysΒ antiquesΒ in anΒ antiques storeΒ from anΒ antiquesΒ dealer; anΒ antiqueΒ store is a very old store.
He stayedΒ awhile; he stayedΒ for a while.
BesidesΒ is other than;Β besideΒ is next to.
The singular ofΒ bicepsΒ is biceps; the singular ofΒ tricepsΒ is triceps. Thereβs no such thing as a bicep; thereβs no such thing as a tricep.
AΒ blondΒ man, aΒ blondΒ woman; heβs aΒ blond, sheβs aΒ blonde.
AΒ capitalΒ is a city (or a letter, or part of a column); aΒ capitolΒ is a building.
SomethingΒ centres onΒ something else, not around it.
If youβre talking about a thrilling plot point, the word isΒ climactic; if youβre discussing the weather, the word isΒ climatic.
AΒ cornetΒ is an instrument; aΒ coronetΒ is a crown.
OneΒ emigratesΒ from a place; oneΒ immigratesΒ to a place.
The word isΒ enmity, not emnity.
One goes to workΒ every day, or nearly, but eating lunch is anΒ everydayΒ occurrence.
AΒ flairΒ is a talent; aΒ flareΒ is an emergency signal.
AΒ flierΒ is someone who flies planes; aΒ flyerΒ is a piece of paper.
Flower bed, not flowerbed.
Free rein, not free reign.
ToΒ garnerΒ is to accumulate, as a waiter garners tips; toΒ garnishΒ (in the non-parsley meaning) is to take away, as the government garnishes oneβs wages; aΒ garnisheeΒ is a person served with a garnishment;Β to garnisheeΒ is also to serve with a garnishment (that is, itβs a synonym for βto garnishβ).
AΒ gelΒ is a jelly; itβs also a transparent sheet used in stage lighting. When Jell-O sets, or when oneβs master plan takes final form, it eitherΒ jellsΒ orΒ gelsΒ (though I think the former is preferable).
Bears areΒ grizzly; crimes areΒ grisly. Cheap meat, of course, isΒ gristly.
Coats go onΒ hangers; planes go inΒ hangars.
Oneβs sweetheart is βhon,β not βhun,β unless oneβs sweetheart is Attila (not, by the way, Atilla) or perhapsΒ Winnie-the-PoohΒ (note hyphens).
OneΒ insuresΒ cars; oneΒ ensuresΒ success; oneΒ assuresΒ people.
Lawn mower, not lawnmower.
The past tense of lead isΒ led, not lead.
OneΒ loathesΒ someone else but isΒ loathΒ to admit oneβs distaste.
If youβreΒ leeching, youβre either bleeding a patient with a leech or otherwise sucking someoneβs or somethingβs lifeblood. If youβreΒ leaching, youβre removing one substance from another by means of a percolating liquid (I have virtually no idea what that means; I trust that you do).
You wear aΒ mantle; your fireplace has aΒ mantel.
MasseursΒ are men;Β masseusesΒ are women. Many otherwise extremely well educated people donβt seem to know this; I have no idea why. (These days theyβre all called massage therapists anyway.)
The short version ofΒ microphoneΒ is still, so far as RH is concerned,Β mike. Not, ick, βmic.β [2009 update: I seem to be losing this battle. Badly. 2010 update: Iβve lost. Follow the authorβs lead.]
Thereβs no such word asΒ moreso.
MucusΒ is a noun;Β mucousΒ is an adjective.
Nerve-racking, not -wracking;Β racked with guilt, not wracked with guilt.
One buys a newspaper at aΒ newsstand, not a newstand.
AnΒ ordinanceΒ is a law;Β ordnanceΒ is ammo.
PaletteΒ has to do with colour;Β palateΒ has to do with taste; aΒ palletΒ is, among other things, something you sleep on.Β Eugene PalletteΒ was a character actor; heβs particularly good in the 1943 filmΒ Heaven Can Wait.
Noun wise, aΒ premierΒ is a diplomat; aΒ premiereΒ is something one attends. βPremierβ is also, of course, an adjective denoting quality.
That which the English callΒ paraffinΒ (as in βparaffin stoveβ), we Americans callΒ kerosene. Copy editors should keep an eye open for this in mss. by British authors and query it. The term paraffin should generally be reserved for the waxy, oily stuff we associate with candles.
ProphecyΒ is a noun;Β prophesyΒ is a verb.
Per Web 11, itβsΒ restroom.
TheΒ SibylΒ is a seeress;Β SybilΒ is Basil Fawltyβs wife.
Please donβt mixΒ somewhatΒ andΒ somethingΒ into one murky modifier. A thing is somewhat rare, or itβs something of a rarity.
AΒ tickΒ bites; aΒ ticΒ is a twitch.
TortuousΒ is twisty, circuitous, or tricky;Β torturousΒ is painful, or painfully slow.
Transsexual, not transexual.
TroopsΒ are military;Β troupesΒ are theatrical.
AΒ viceΒ is depraved; aΒ viseΒ squeezes.
Vocal cords; strikes aΒ chord.
A smart aleck is aΒ wise guy; a mobster is aΒ wiseguy.
X rayΒ is a noun;Β X-rayΒ is a verb or adjective.
A 16 year old Jaejoong muse?
Seriously?
A zombie (Haitian Creole: zonbi; North Mbundu: nzumbe) is an animated corpse raised by magical means, such as witchcraft. The term is often figuratively applied to describe a hypnotized person bereft of consciousness and self-awareness, yet ambulant and able to respond to surrounding stimuli. Since the late 19th century, zombies have acquired notable popularity, especially in North American and European folklore.
In modern times, the term βzombieβ has been applied to an undead being in horror fiction, often drawing from the depiction of zombies in George A. Romeroβs 1968 film Night of the Living Dead.They have appeared as plot devices in various books, films, television shows, video games and comics.
Origin of Zombies
Zombie Origins
A History of Real Zombies
The Truth Behind Zombies
A brief history of Zombies
Zombie History and Haitian Folklore
Zombies: The Real Story of the Undead
On the Origin of the Zombie
Origin and PopularΒ Culture
5 Reasons a ZombieΒ Apocalypse Could Happen
A Real Zombie Apocalypse Is Possible After All
Science Behind The Last Of Us
The Biology of Zombies
Zombie Strength and Weaknesses
Zombie Weaknesses
8 Best Guns for a Zombie Apocalypse
Zombie Tools
Zombie Apocalypse Weapon Guide
Gun Terms
Best Guns for the Zombie Apocalypse
Anti-Zombie Weapons and Defense
Survival Skills
Common Sense to Surviving the Apocalypse
Surviving the Zombie ApocalypseΒ
The Science of Surviving the Zombie Apocalypse
So You Want To:Β Write A Zombie Apocalypse
How to Write a Good Zombie Novel
Top Tips for Writing Zombies
How to Write a Zombie Book
A Good Ending to a Zombie Novel
The Top 20 Zombie Novels of the Past Decade
15 Essential Zombie Reads
List of Zombie Novels
One of the best weapons you have with a novel like this is the characters. The threat is everywhere and danger is close to the heart. The key to a good novel is developed characters, and with Zombies you need that raw development so the reader worries about any sudden death or injury they have. Do not treat zombies just like they are monsters, pick out certain features on some, have some younger and older once. They were people once.
Guide to Roleplaying a Character Who is Hearing-Impaired
This guide will focus on how to play someone who is hearing impaired. The guide will be going through common and politically correct terms/descriptions, means of communication, education, work, and everyday life, and some behaviours of people with hearing impairment.
Disclaimer: I am not hearing-impaired myself, and anything I write will be taken from the internet or from personal experiences interacting with the deaf community in my country.
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I'd like to request a Kim Jaejoong gif hunt, but preferably more recent gifs from this past year, if possible. Thanks!
Iβm sorry, anon, but I donβtΒ make gif hunts on request. Here is a pretty recent gif hunt, so you might find what youβre looking for.
β GIF Hunt: Jo Boah
Count: 62.
Gifs are not mine.Β If any of these gifs are yours and you want them credited or removed, please message me.