MADAM

https://covid19.clubculture.ch

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𝐀 𝐝𝐚𝐫𝐤 𝐰𝐨𝐦𝐛 𝐰𝐞𝐥𝐜𝐨𝐦𝐞𝐬 𝐮𝐬. 𝐒𝐨𝐦𝐞𝐡𝐨𝐰 𝐰𝐚𝐫𝐦, 𝐬𝐨𝐮𝐧𝐝𝐢𝐧𝐠 𝐟𝐚𝐦𝐢𝐥𝐢𝐚𝐫 𝐚𝐬 𝐢𝐟 𝐰𝐞’𝐫𝐞 𝐜𝐫𝐚𝐝𝐥𝐞𝐝 𝐢𝐧𝐬𝐢𝐝𝐞 𝐚𝐧 𝐮𝐧𝐤𝐧𝐨𝐰𝐧, 𝐢𝐧𝐭𝐢𝐦𝐚𝐭𝐞 𝐛𝐨𝐝𝐲. Il Circolo del Frattempo takes a new shape, another impermanent installation to trigger processes of exchange between different forms of arts, humanities and communities, in order to act, react and connect. It’s episode three, season one, different storylines are interlocking the plot. 𝕋𝕙𝕖 𝕓𝕠𝕕𝕪, 𝕥𝕙𝕖 𝕓𝕒𝕤𝕖𝕞𝕖𝕟𝕥: Svetlana Maraš feldermelder Vincent Glanzmann MM (aka Iokoi) ᵀʰᵉ ʰᵉᵃᵈ, ᵗʰᵉ ˢⁱˡᵛᵉʳ ʳᵒᵒᵐ: Loops & Bits aka Isidor Mörgeli plus plus AYAYAY aka Alper Yagcioglu are ready to put your tattoo on tape:: >>>> A modular synth is connected with >> a Compact Cassette Recorder connected with >>> a mixtape of your tattoo and the modular synth sound of the tattoo Plus::: OoO s͓̽u͓̽r͓̽p͓̽r͓̽i͓̽s͓̽e͓̽ oOo aka --->x> Gabriela Jean-Mairet and her threads will be stitching her imaginary friends in t-shirts, shirts and tote bags, so --->x> BRING A PIECE OF FABRIC AND ADOPT A HAND MADE CREATURE because "Hacer amigos después de los 30 es importante." https://gabrielajeanmairet.com https://www.instagram.com/gjeanmairet/ Join –OUS within Hyperlokal and be part of it, because many atoms develop a mountain (aka MADAM). ⓃⓄⓉⒺ The concerts are CHF 15.- For the rest we have a Kollekte-Pot at the entrance aka you're free to give whatever you can and like. No list no free entry no friends of / just sound supporters. Ps: Thanks to Popkredit - Jazz/Rock/Pop Stadt Zürich  and #Fachstelle #Kultur Kt. #Zürich for their support! { We are ravers, artists, musicians, thinkers, parents, theater actors, writers, cooks, festival organizers, un/shapers, printers, illustrators, movie-makers, andandand co-existing together in spaces in order to find new practices to make our future choices sustainable. Feel free to contact us: [email protected] } G҉E҉T҉ ҉I҉N S̶v̶e̶t̶l̶a̶n̶a̶ ̶M̶a̶r̶a̶š̶:̶:̶ Serbian composer and sound artist Svetlana Maraš, works at the intersection of experimental music, sound art and new media. Her musical work finds adequate form of expression in different media, genres and representational contexts and encompasses live electronic music performance, electro-acoustic composition, radiophonic art, sound and media installations. Maraš created sound installations that have been exhibited at places like CTM festival (Berlin), Onassis Cultural Centre (Athens), ISEA (Dubai), Susan Inglett gallery (New York). With her practice of live electronic music performance, she regularly tours in Europe and plays at places like Ausland (Berlin), Ars Electronica festival (Linz), Espace Multimedia Gantner (Bourogne), Blurred edges (Hamburg), A38 (Budapest) and many other places. https://www.facebook.com/svetlanabekamaras https://soundcloud.com/svetlanamaras https://www.youtube.com/channel/UCnEBCpRWrAXO1XgUew-_sbA f̶e̶l̶d̶e̶r̶m̶e̶l̶d̶e̶r̶ Feldermelder is a Swiss musician, sound designer, producer and installation artist. Feldermelder’s influences range from the decomposed structure works of old pioneers of Electronic Music to more classic Jazz, electronic and analog music from the now, before and tomorrow. The diversity of the music that inspires him, finds reflection in his own sonic adventures, forming his ever evolving sound, combining as map and compass to guide his artistic outbursts. His psychedelic live acts, played on a wide range of analog and controlled digital equipment, made him perform all over the world. Since 2015 he collaborates on audio visual installations with different collectives. The collaboration with the Visual Collective Supermafia let to a new show and to the creation of Encor.Studio. https://www.feldermelder.ch/ https://www.instagram.com/feldermelder/ https://open.spotify.com/artist/4P9mfCkm8og92qMsBNDHhV https://soundcloud.com/feldermelder V̶i̶n̶c̶e̶n̶t̶ ̶G̶l̶a̶n̶z̶m̶a̶n̶n̶ is a Zurich, Switzerland based drummer. As a performer and composer he is involved in a multitude of collaborations with artists from various fields. His playful way of working conceptually makes him an active part of the progressive improvisation, pop and jazz scene. With his distinctive sound, creative energy and communicative playing style, which often includes preparations and alternative techniques, he manages to cooperate with a broad spectrum of artists within contemporary music, visual arts, dance, fashion and literature. Cooperating with other percussionists is one of his special interests. One prominent example of this being his work with the New York drummer Gerry Hemingway. This collaboration is directly related to Glanzmann's ongoing electro-acoustical solo work, in which he is primarily interested in cultivating a personal and intimate musical language aswell as investigating compositional and performative ideas. His cryptic and critically well acclaimed second solo album Z/Rzw-Shiiiiiii was released in the beginning of 2018. https://www.facebook.com/vincent.glanzmann https://soundcloud.com/vincentglanzmann https://vincentglanzmann.bandcamp.com/releases M̶M̶ ~ water ~ movement ~ transition ~ transit ~ shit ~ home ~ renewal ~ cleansing ~ node ~ filter ~ power ~ kinetics ~ encounter ~ mash ~ liquid cage ~ choke ~ duress ~ junction ~ release ~ process ~ ongoing ~ To capture momentum. Get caught in its timelessness - imperfect, impermanent, incomplete. MM ist the physical self of Iokoi, perhaps the truly real one. Raw and personal it tells its self, anew. http://mprfctmprmnntncmplt.tumblr.com/ http://maramicciche.net/ -OUS is a place for the in-betweens: electronic music with depth, intention and edges. -OUS has released explorative music from Swiss and international artists like SPIME.IM, Furtherset, IOKOI, Bit-Tuner, Senking, Feldermelder, Simon Grab, Tresque,  NHK yx  Koyxen, Jan Nemeček and Hirsch&Eigner. https://ousooo.bandcamp.com/ #zwischenzeitklub #kulturbrocki #meanwhile #marktplatz #caravanserai #ancientculture #exchange #sellcontent #sellideas #sellerie #whereismychurch #sonntagsrituale #communitybuilding #kulturelleteilhabe #niederschwellig #notnotnotnotnot #holylab #marketorchestra #müzikbazar #zzklub

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𝑾𝒉𝒚 𝒔𝒉𝒐𝒖𝒍𝒅 𝒘𝒆 𝒕𝒉𝒊𝒏𝒌 𝒄𝒐𝒎𝒎𝒐𝒏 𝒔𝒆𝒏𝒔𝒆 𝒊𝒔 𝒂 𝒈𝒐𝒐𝒅 𝒈𝒖𝒊𝒅𝒆 𝒕𝒐 𝒘𝒉𝒂𝒕 𝒕𝒉𝒆 𝒖𝒏𝒊𝒗𝒆𝒓𝒔𝒆 𝒊𝒔 𝒍𝒊𝒌𝒆? Il Circolo del Frattempo is a platform, that aims to trigger a process of exchange between different forms of arts, humanities and communities, in order to act, react and connect. A sort of impermanent installation that looks like this::: A basement music stage wrapped in black velvet, ready to welcome four deep liturgies, guided by: Nicola Ratti Furtherset Belia Winnewisser UHT [Levent Pinarci + Uhuruku] A Bar turned to silver void: Hundreds of no-coin-operated Arcade Video Games, lasers, flashes, leds, modular loops and tattoos. Thanks to Loops & Bits, AYAYAY aka Alper Yagcioglu and MADAM. Join –OUS within Hyperlokal and be part of it, because many atoms develop a mountain. NOTE The concerts are CHF 15.- For the rest we have a Kollekte-Pot at the entrance aka you're free to give whatever you can and like. No list no free entry no friends of / just sound supporters. Ps: Thanks to Popkredit - Jazz/Rock/Pop Stadt Zürich and Fachstelle Kultur Kt. Zürich for their support! G҉E҉T҉ ҉I҉N Ⓝⓘⓒⓞⓛⓐ Ⓡⓐⓣⓣⓘ:: Born in Milano in 1978. Musician and sound designer active since years in the experimental felds. He has performed live in Europe, North America, Russia and Japan and his albums had been released by labels such as Where To Now?, Boomkat Editions, Shelter Press, Room40, Students of Decay, Die Schachtel, Entr’acte, Senufo Editions, Holidays Records, Anticipate, Preservation. He is currently working with Giuseppe Ielasi with whom he formed the project entitled Bellows. Since May 2015, Nicola Ratti is one of the founder and curators at Standards, an experimental sound research gallery located in Milano. In 2016, he founded Frequente, an art organization based in Milano devoted to sound art and experimental performances. He is a founder member of NeitherSound, a Milan based company active in design and sound productions for exhibitions, performing arts and movies. His last album “Continental” was released by Students of Decay in July 2019. https://m.soundcloud.com/nicola-ratti 𝕱𝖚𝖗𝖙𝖍𝖊𝖗𝖘𝖊𝖙 Furtherset is the musical project of Tommaso Pandolfi - class of 1995. His music and live performances are an open invitation to immerse into a sounding world that exhales growth and inhales decay. Walls of sound are restlessly built from layered and looped harmonies, shifting modulations and sampled voices. The figures are pushed over the tipping point to where they explode and are then reshaped into melodic cascades. Furtherset is a representative of the “Italian New Wave”. His third album release “No Logic No Death” was released by White Forest Records. -OUS released his EP “To Alter and Affect" in April 2018. The EP “Drawings of Desire and Hate” was Furtherset’s 2nd release on -OUS. He is currently finalising his forthcoming album. https://soundcloud.com/furtherset 𝓑𝓮𝓵𝓲𝓪 𝓦𝓲𝓷𝓷𝓮𝔀𝓲𝓼𝓼𝓮𝓻 Lucerne-based artist and musician Belia Winnewisser exactly knows how to fuse (synth-)pop references with more abstract sounds. Her latest record Radikale Akzeptanz published on Präsens Editionen combines long running traits from Winnewisser’s practice in various band projects (including Evje and α=f/m) with rather new interests from her studies in sound art. Bittersweet off-pop-hymns can be found next to more austere pieces. Winnewisser’s music is not about those two poles however, but rather the in-between. https://soundcloud.com/beliawinnewisser 𝕌ℍ𝕋 As UHT, Levent Pinarci and Uhuruku explore the elasticity of abstract drum loops, singular bleeps and interspersed sounds. Their improvisational performace is a study in associative composition, drifting on the verge of collapse and stretching towards the musical fusion of sound bits that had never collided before. The heat used during the UHT process can cause dimensional blending and change the taste and smell of sonic experiences. https://soundcloud.com/levvvent/uht-low-speed-chase —🅾🆄🆂 -OUS is a place for the in-betweens: electronic music with depth, intention and edges. -OUS has released explorative music from Swiss and international artists like SPIME.IM, Furtherset, IOKOI, Bit-Tuner, Senking, Feldermelder, Simon Grab, Tresque,  NHK yx  Koyxen, Jan Nemeček and Hirsch&Eigner. https://ousooo.bandcamp.com/ { We are ravers, artists, musicians, thinkers, parents, theater actors, writers, cooks, festival organizers, un/shapers, printers, illustrators, movie-makers, andandand co-existing together in spaces in order to find new practices to make our future choices sustainable. Feel free to contact us: [email protected] }

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Il Circolo del Frattempo is a platform, that aims to trigger a process of exchange between different forms of arts, humanities and communities, in order to act, react and connect. And this is how it looks like: The music stage is set up for three live-sets and two dj-sets in the center of a basement, where the make-it-happeners present their works. The wild roof-garden welcomes talks and installations, while the silver room becomes holy lab and hosts a panel with different actors from different niches talking about “How to build communities through sound” on a global and local level. The park, once a garage and now nutrition pool, is for food and chilling. Above us all, on a mezzanine, a momentary art residency takes place. All of this has to be considered as pilot of an impermanent installation, open to change its shape in future for what the hack! You’re gently asked to join -OUS within Hyperlokal and be part of it, because many atoms develop a mountain aka MADAM. RE-ACTORS OF THIS 1ST PILOT EDITION ARE --->>> M a n a (Hyperdub Records) molekühl aka Qu Ara Sandra Weiss Norient Sounds SMEM - Swiss Museum & Center for Electronic Music Instruments –OUS three:four records Press Press Loops & Bits AYAYAY aka Alper Yagcioglu Misterioso aka Pablo Assandri Roberto von Escher El Compañero (foodies) more TBA soon NOTE: The concerts are CHF 10.- For the rest we have a Kollekte-Pot at the entrance aka you're free to give whatever you can and like. Ps: Thanks to Popkredit - Jazz/Rock/Pop Stadt Zürich for their support! #zwischenzeitklub #kulturbrocki #meanwhile #marktplatz #caravanserai #ancientculture #exchange #sellcontent #sellideas #sellerie #whereismychurch #sonntagsrituale #communitybuilding #kulturelleteilhabe #niederschwellig #notnotnotnotnot #holylab #marketorchestra #müzikbazar #zzklub { We are ravers, artists, musicians, thinkers, parents, theater actors, writers, cooks, festival organizers, un/shapers, printers, illustrators, movie-makers, andandand co-existing together in spaces in order to find new practices to make our future choices sustainable. Feel free to contact us: [email protected] }

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// 30.01.2019 at Orlando Berlin from h18 to h22 // MADAM presents SUPERLUSSO Men are mammals. And mammals are migrants. Wandering from place to place, mammals might end up where they started or they could go somewhere completely different. Most migrations are seasonal, in order to provide mammals a good habitat and food. But what if the problem is not (just) the climate? What if the reasons that push mammals to migrate, turn into other mammals? Or the interests that other mammals see in a specific land. In nature, this would have probably led to a fight, and actually this is what happens: wars. But with unequal weapons the only choice for simple mammals is to run away. Again, in search of good habitat and ​food​. TOURISM is now the largest employer on the planet. One in every 11 people relies on the industry for work. The uneasy balance between the visited and the visitors has gone beyond a tipping point. Venice is one of the most agonisingly pressured of all: 28 million tourists in 2017, in a city with a population of 55,000. Anarchists in Barcelona held up tourist buses in protest against the cost of living that they say is inflicted by tourism, especially by short-term-let companies, which drive up housing costs. Mass tourism is changing the culture, the lifestyle, the tradition. Mass tourism is destroying fishing villages, closing down local grocery stores. Mass tourism is moving masses to migrate because of masses moving. Migrators. What ́s the ​PRICE for the ride? And is its value worth the bid? “We have to recognise that human beings may be becoming an infestation on the planet.” Desmond Morris, nearly 30 years ago, interviewed by Martin Kettle researching for a Guardian series on global population pressures. MADAM​ is born from the desire and the hassle of doing together. It is true: in the end we are alone. All different, but together at the same time, and therefore equal. Check the link: https://www.facebook.com/events/2020224841610514/

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Nodo A series of encounters w/a special guest curated by OUS + MADAM. #1 _22_11_2017_ Nodo meets Anna Homler+Alessio Capovilla (a.k.a. XIII, Gang Of Ducks rec.), pre- & post-surrounded by Davide Tomat (Superbudda), feldermelder ( -OUS), Giuseppe Magistro (Martin Pas Synth Shop) @ Superbudda, Torino. Nodo#1 is co-produced w/ Superbudda, Martin Pas Synth Shop and Gang Of Ducks /// Anna Homler, is a vocal, visual and performance artist based in Los Angeles. She has performed and exhibited her work in venues around the world. With a sensibility that is both ancient and post-modern, Homler sings in an improvised melodic language. Her work explores alternative means of communication and the poetics of ordinary things. She creates perceptual interventions by using language as music and objects as instruments. HOMLER’s music first became known in the 1980s with her Breadwoman cassette (High Performance Audio), a collaboration with Steve Moshier. Highlighting HOMLER’s work is the performance/installation project PHARMACIA POETICA, which examines the symbolic and tonal qualities of words and objects. “HOMLER is…making words musical and music like words.” —New York Times “America seems to be rife with female experimental vocalists, yet of them all, ANNA HOMLER is one of the more original.” —Audion “The work is transportative, mesmerizing, witty, sexy and intelligent. It has the power to transform the kitsch artifacts and consumer culture into something ethereal, surreal and beautiful.” —Performance Magazine http://annahomler.com/ /// Turin-based XIII (real name: Alessio Capovilla) is a producer and the co-founder of multidisciplinary Gang Of Ducks rec. label, on which he released his debut ‘No (The Relative Effect of Explication)’ in 2015. He is interested in sound modeling working through synthesis, computer music and field recording, crossing beats and genres towards something not easily definable. https://boilerroom.tv/xiii-laguna/ /// Turin-based TOMAT (Davide Tomat) is a producer and sound designer focused on space drone/ambient sounds and psychedelic electronic music. He’s co-founder of Superbudda Creative Collective and has been releasing records with the Niagara and Tomat projects on London label Monotreme Records.He produce music for art performances and installations ,for theatre and contemporary dance acts and for soundtracks. His tracks has been remixed by international artist like Animal Collective, Liars, Fennesz, Acid Pauli and Gonja Sufi. https://www.davidetomat.com/ /// As co-founder of -OUS Records feldermelder’s influences range from the decomposed structure works of old pioneers of Electronic Music to more classic Jazz, electronic and analog music from the now and before and tomorrow. The diversity of the music that inspires him, finds reflection in his own sonic adventures, forming his ever evolving sound, combining as map and compass to guide his artistic outbursts. Since 2015 he collaborates on audio visual installations with different collectives. The collaboration with the Visual Collective Supermafia let to a new show for his upcoming Album. Erratic. He was described as the lost art of keeping a secret. http://feldermelder.ch/ /// Giuseppe Magistro is an italian producer and curator. Active since 2005 he release music under different monikers // Since 2013 he run and curateDetails Sound, a post-industrial-neo-tribal-techno label on which his first solo album “Informations” as A HAND and two Ep’s as DETAILS has been released. Recently he co-founded Martin Pas Synth Shop which is a concept store dedicated to handcrafted synthesizers, pedal effects and eurorack modules located in Turin. www.details-sound.com www.martinpas.com /// -OUS is a label based in between Switzerland and Italy for wonderfully crafted, electronic music ranging from electronica, over bass-infected beats and deconstructed techno to experimental pop. http://ous.ooo/ /// MADAM is born from the desire and the hassle of doing together. It arises from the need to charge and infect each other. Intent is to create a set of chaotic nature, in which harmony and dissonance, silence and noise can coexist. MADAM is Many Atoms in order to Develop A Mountain. Take conscience and be part of it. http://manyatomsdevelopamountain.tumblr.com/

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Madam #4 happened during a 4-days-residency at Boutique Festival in wonderous Villa Lena Tuscany from june 2-5, 2016. It was made by sounds, memories, strobe, lines, fog, rays, bodies, drones, chances.

MADAM absorbed, MADAM recorded, MADAM listened, MADAM drew, You. https://www.facebook.com/manyatomsdevelopamountain http://www.villa-lena.it/

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MADAM#4 444 / june 2-5, 2016

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SOUNDING THE CITY: Rotonda di via Besana, Milano

A project by Jen Reimer & Max Stein 

Residence: 29-30-31 august 2014 Exhibition: 31 august 2014 / 6pm-10pm Location: Rotonda Bistro (Rotonda di via Besana), via Enrico Besana 12

Jen Reimer (CAN) & Max Stein (USA) share a fascination with resonant  spaces, the urban soundscape and site-specific performance and installation. Drawing inspiration from the hidden harmony and secret rhythms present in urban sound environments, they create immersive multichannel sound works for processed horn and field recordings: conceived, composed, performed and recorded in the spaces themselves.

Sounding the City is a series of site-specific installations that explore the act of melding the urban soundscape with precomposed musical compositions. In this installation, the compositions will consist of field recordings and harmonic textures collected from the Rotonda Besana. These compositions will blend with the natural soundscape and blur the perceptual lines of what is natural and what is inserted into the environment.

MADAM and VSA invited Jen Reimer (CAN) & Max Stein (USA) for an artistic residency at the Rotonda Besana in Milano to set up their site-specific installation Sounding the city.

On August 29-30 they will record and set up their installation, which will be presented on august 31 for visitors to come in and listen.

> Have a look at our video-trailer:

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SPACE - MADAM #3 at MOODS, Zürich October 28, 2014, 20.30h

Huge eXXXcitement over here to play some movs for Florian Egli's "Artist in Residence" at Moods, Zürich. Weird Beard and Lumières de l'espace will come together and join us on this psychedelic trip through different virtu/real spaces of our time.

"If the mountain will not come to Mahomet, Mahomet must go to the mountain."

>>>Follow the mountain heading towards Zürich>>>

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#1MADAM

Focus on Black MIDI Music Black MIDI Music was born in a recent time/space no better defined. Son of the digital area, video games and nerds, born in Japan near the end of 2009, cherished within the virtual walls at the crossroads of the East and the West. On Youtube, composers-programmers (or groups of composers) from different corners of the world, face with the intent of including as many notes as possible in a musical composition. The outcomes are 8 bit-post-baroque tracks together with multicolor representations of MIDI softwares. A binomial putting through the wringer the video cards of several computers. From the name, Black Midi Music. MADAM presents the installation ‘#1’. A waterfall of sound bricks invades the spaces of teatro Franco Parenti. Ten, eleven, thirty-six million of colored notes, evade from the musical compositions and hit the bystanders’ mind. Each evening, operas composed by a different author will be presented. Each evening, you will become a Black MIDI Music composer. One click is enough. One note is enough. One atom is enough. One each is enough, to develop a mountain.

> listento: 1ST SOCIAL BLACK MIDI SINFONIA

https://www.youtube.com/watch?v=mH0QljhiVno

#1MADAM at Design Week Festival 9 / elita milano in partnership with Video Sound Art 8th-13th of April 2014 - Milano h. wed-sat 19:30 - 00:30 / sunday 17:00 - 00:30 Teatro Franco Parenti, Sala A.