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@mapoeggplant
this blog is an archive for my analysis and reviews, plus whatever is on my mind. mainly focused on skip to loafer, ikoku nikki and queer media
#duckreview for manga recommendations, general reviews and analysis on things i've read
#duckmetas mostly reserved for metas on skip to loafer and ikoku nikki
#duckwrites for all the fanfics i wrote
you can also find me on twitter, bluesky or anilist
skip to loafer chapter 80 analysis + very brief mika character study // spoilers
the acceptance that comes with a friendly shoulder: mika's character evolution tied with her platonic relationships. and, ironically, a certain boy who always appears at the strangest times.
i think that, before starting my analysis of the chapter itself, i wanted to make a critique (?), a comment (?) (something related to that, kind of) about something regarding the general context that left me a little bothered or, perhaps, somewhat confused. first of all, i think the introduction of another character who shows romantic interest in mika was very important, especially because it has a very big impact on her character and the way she had been developing up to that point (will get to that a little later).
but… i'm a little confused by the introduction of mukai's girlfriend. to be honest, i thought she was cute and i was quite curious to know more about her. yet, in the end, it felt a bit unresolved. yes, i know that, somehow, sensei needed a slightly more solid hook to pull mukai into the narrative, making him more present as the story progressed, since he often ended up just appearing as a "commentator" or someone who’s there to observe. introducing a girlfriend was a strategy to give him the chance to open up a little more and be more honest about himself. however, i wonder if this wouldn't have been possible with one of the boys (specially yamada) or even a prior development between him and mika. i feel that the introduction of more characters who ended up being discarded very quickly left this whole "dating" arc a little confusing at the end of the day, since we didn't see in depth what the relationship between them is actually like (i mean mukai with his girlfriend and mika with her boyfriend).
of course, as someone who has been rooting for mikamukai since the beginning, i'm very happy with this development between the two and this cute conversation they had. but it's kind of hard for me not to wonder if this couldn't have been introduced earlier, bringing back the briefly in chapter 55, when mukai, mika, and nao talked a little about mika's feelings (or rather, mukai just reflected on everything that was happening while the two of them talked. again, he was just a spectator. but he could have brought up to her at some point, and they would talk. i don’t know…just thoughts).
in the end, i think it was a hook that could have been pulled in a different way, which would result in an earlier development of said relationship. maybe i'm just being picky, as i always am, but anyway. in any case, i still really enjoyed the chapter where mukai opened up more, and i really liked seeing mika having this new moment in her life.
anyway, let's get to the chapter!! (and a little analysis i want write on mika).
i confess that when i saw the chapter for the first time, i laughed. i found the whole unfolding hilarious, as well as very cute. mitsumi crying, oh my god!!! it was so cute and a small detail that made such a difference, especially when we look even deeper into the relationship between mitsumi and mika. besides her, nao automatically understanding who mitsumi was referring to made me so happy, especially reflecting on all the past conversations the two had. mika is truly a second niece to nao, and i think that's beautiful. to add to that, mukai's slip-up was very well placed, making the end of the chapter more fun and increasing the possibility of a slightly more romantic development between him and mika.
i think, overall, the chapter was light and sweet. one of those chapters that sensei loves to write, leaving small clues about a new arc that's about to begin without going into too much detail. well, i could write several things about the conversation between the two, about what i expect from the relationship that might develop, but i think for now i want to focus much more on mika.
mika's development as a character began in the first valentine's day chapter and has been progressing slowly, in the background of every other character’s arc. and i say that because the difference between how she reacted when shima rejected her and now, when her boyfriend broke up with her, is quite noticeable.
to start with the beginning: the valentine’s day. in chapter 30, when obuchi hints his interest in her, mika’s instant reaction is to deny his feelings. for her, the idea that she could attract someone romantically was so illogical that there was no way he wasn’t joking. because of this contempt she felt for herself, it was extremely hard for her to tell someone about everything that happened or, even worse, ask for help, so she just let everything bottle up inside her. (ironically, the one who “tried” to help was mukai himself, but we all know how messy that was).
and then, we have the confession to shima on chapter 31, one that she already knew she would be rejected. at first, mika responds by trying to disguise her feelings, diminishing herself and trying to belittle them, to give a false impression that she wasn't so impacted by everything that happened. however, to her surprise, shima responds with respect and care, kindly rejecting her but showing how appreciative he was of her feelings.
in two chapters, we see the beginning of the long road mika would face to accept herself. and this gradually returns, timidly showing how she is increasingly reflecting on what it means for her to like someone romantically and, above all, how to accept that she is indeed someone who deserves to be loved.
and that's where the group of friends comes in, and all the moments mika experiences with them. not only them but also another huge piece of her inner puzzle: nao.
mika begins to understand that, to be accepted, she doesn't need to completely change or deny who she truly is. she just needs to face this fear of finally opening up more to people, and then she will find someone who truly loves her, platonically or romantically. there’s no need to change, there’s no mold to try to fit in. the ones that love her will love her for her ugliness and beauty, for her flaws and qualities.
and this comes in a slightly more timid way in chapter 55, when she manages to open up to nao and admit the loneliness she feels, and then in chapter 62, where she finally opens up to mitsumi and tells her about her past with shima, as well as openly demonstrating how much more important her friendship is to her than any other. and I want to reiterate how important this conversation with mitsumi was, because she was the complete opposite of mika, someone she saw as inferior (at first) and had a very hard time trying to form a bond with. at the end of the day, the girl she thought was the weirdest of them all, became the one she was closer with.
when she truly understands the importance of her platonic friendships and gets to experience how good it is to have friends who are there to love her for who she is and give her the strength to follow her own path makes mika feel even more prepared to open her heart to new people.
and it's thanks to all of this that she has the reaction she had in chapter 70, when she finally had the (second, whether she wanted to or not) confirmation that yes, she is an attractive person who deserves to be loved romantically. romantic relationships were something mika had desired for a while, so there's no denying how much this invite for a date made her even more confident in herself. however, she was only able to face this romantic feeling head on when she had all the platonic love around her.
instead of denying the other person's feelings or thinking she's being the victim of some joke, mika agrees to go out with the boy who would become her boyfriend. and, when the relationship ends, she no longer has the drastic reaction of putting herself down or trying to deny her importance. this is all because she has people by her side who will repeatedly tell her how amazing she is.
once again, we had a chapter that, despite having a tiiiiiny hint of romance between the lines, ends up focusing much more on the importance of forming platonic relationships and finding people who will love you the way you are (yes, i know how repetitive i’m getting, but bear with me). this time, mika isn't alone: a simple phone call brought them all together to cheer her up and distract her from a broken heart (and i hope nao did talk to her at some point too. it's impossible for me not to root for more interactions between these two!!!).
well, let’s see what sensei is planning for mika and mukai individually and for them as a couple (or not, who knows! maybe the bestest of friends). i can’t wait to laugh more with her surprised and little twists she likes to pull on us!!
thank you for reading 💛!! don't forget to support sensei if you can!!
skip to loafer chapter 80 opening page
mika showing up her amazing style on chapter 80 opening page!!! very love bullet if you ask me ☺️. also, i KNEW sensei had some cards on her sleeve and this chapter…ooooh this chapter!!!! a lot of people will be very happy heheheheheheh. don’t forget to support sensei on comic days!!!
岩倉美津未、今日から東京の高校生！ 入学を機に地方から上京した彼女は、勉強こそできるものの、過疎地育ちゆえに同世代コミュ経験がとぼしい。そのうえちょっと天然で、慣れない都会の高校はなかなかムズカシイ！ だけど、そんな「みつみちゃん」のまっすぐでまっしろな存在感が、本人も気づかない
volume 13 is also out in japan so don’t forget to support sensei as well. you can also buy on comic days or you can check kodansha jp website to know where to purchase it!!
also, this month we had a cute little extra chapter that is comic days exclusive!!! it’s a free chapter, where mitsumi becomes bureaucrat of the ministry of internal affairs and communications! the chapter is free for everyone so please check it out
岩倉美津未、ついに総務省の官僚になりました！ 彼女が意見交換会で向かった講談社で出会ったのはエンジニアとなった誠！？大人になった「みつみちゃん」はIT人材となったみんなの活躍に驚くのです！ ※講談社の経験者採用PR漫画です。
This chapter felt sooo bittersweet. I like that some characters' struggles remained somewhat unresolved, because it’s realistic, but it still felt 🥺 Seeing Kazakami handle everything on his own was especially sad, particularly since it turned out his parents are not just toxic, they're straight-up abusive. But I enjoy how Takamine and Kanechika are starting to see through him a bit. And what a fun character overall! I applaud Takamatsu for using limited appearances to build such a deceptive character in a way. It really makes you see all his earlier scenes and things he says in a completely different light. (I also want to believe we will see all three of the seniors again! Especially my girl Takamine!!!)
i knowwww, it was such a beautiful chapter right!! sensei truly knows how to write very realistic characters and you are right about how not having any conclusive ending makes it more real. it’s very sweet that they are all starting to understand each other a little better and that kazakami are slowly letting his walls down. it would make me very happy to see a bit of their lives in university, seeing them living this new adventure 🥹
we’re lucky for having so many beautiful characters to love!!!!
first we had merch inspired on snow white, now it’s little red riding hood!! shima as a wolf is very funny to me ngl HAHAHAHAH
for more infos, please check:
https://eeo.today/store/101/title/3316?utm_source=twitter&utm_medium=social&utm_campaign=20260501_SKP
skip to loafer chapter 79 analysis // spoilers
hanazono-sensei and the future she unknowingly created: the farewell chapter of the senpais trio focuses more on kazakami, concluding what began in chapter 59.
it's incredible how a teacher can change a student's life with just a simple conversation; words exchanged in the school hallways that quickly transform into a new future, a new opportunity. but anyway, before bringing up the previous discussion, i think we need to start from the beginning and focus on the chapter ahead.
sensei delivered a short farewell chapter, without much rambling or dramatic goodbyes. trying to close three cycles at once and tying up loose ends, she focuses much more on providing a general summary of two characters whose stories have already been told, to finally conclude kazakami's, which had been left with a very open ending.
kanechika has been part of the narrative since the beginning. we know about his childhood, how his passion for theater began, and his entire journey with shima. i don't mind that we said goodbye to him in a quicker way, with a short conversation with mitsumi; his arc is over, there's nothing more to say.
takamine’s farewell is conflicting for me. even though i think we didn't have much to talk about regarding her, since in my opinion her story was resolved quickly, i still feel that the conclusion was a bit abrupt. i'm happy to see her talking to kazakami with an open heart, even though he still seems very reluctant to listen to what anyone has to say. but, in the end, i think we had more of a flashback of all the high points of her arc just to summarize it quickly and show readers that today she accepts herself much better than before and has found strength within herself to believe she’s capable of doing what she puts her heart into. sometimes, the pressure we put on ourselves makes it hard to accomplish our dreams and it’s not worth it to keep thinking about the worst outcome, when in the end we all find out ways. i'm happy, obviously, and i'm also grateful that she finally had the chance to laugh at the whole situation at the end of the day. so, i don't know. it feels complete but like something is missing? well, in the end, i think it was overall a good ending for a character who didn't return many times in the story, but who left an important mark when was given the chance to shine on her own arc.
now, the star of the show: kazakami hiroto. of course, it wouldn't be possible to have a farewell chapter without focusing more on him, especially since sensei left us with a loose end at the end of chapter 59. for those who don't remember, chapters 58 and 59 focus on him and his difficulty in finally asserting himself and finding what he wants to do with his life, no longer just following his parents' orders. in a moment of anguish, kazakami ends up letting out much of his pain, which opens a small window for other characters, like the two already mentioned here, to interact more with him.
but it's only in chapter 59 that his arc truly takes shape. kazakami finally meets a worthy adversary, one who doesn't mince words or try to sugarcoat the situation: hanazono-sensei. by recounting her life story and what made her believe in herself, kazakami finally understands that his time isn't over. and so, in this concluding chapter, we reap the fruits that were planted earlier. (if you’d like to read my full analysis on both chapters, you can find it easily on my profile).
chapter 59 ends with kazakami picking up the k-university textbook, focused on liberal arts, literature, and education (also, could this be a hint that kazakami intends to pursue the field of education so he can influence students the way he was influenced?). then, in chapter 79 we have him finally standing up agains his parents and announcing that that’s the path he wants to follow. from accepting that her mother threw his figures away in silence to raising his voice, all because he had the strength to grab the book about the university he desired.
well, i think chapter 79 made it clear that all his confidence comes from his ability to stand up, to start again, and show that he finally managed to reveal who he is. i don't know if there's an answer to takamine's question about which of the two comes first, his confidence or the ability to back it up. in the end, i believe they blend together. and both are needed when you finally face the parents who only saw a puppet, not a son. parents who made you choose between family or your own life. i’m glad that he chose the latter.
fear still lingers. kazakami no longer has the comfort of knowing his whole life is written for him. deviating from the path chosen by his parents is choosing an abyss of new possibilities, and not even the most confident escapes the self-deprecation that comes to those who are walking on their own two feet for the first time.
a short chapter, a farewell. or rather, i want to be cliché: a chapter of new beginnings. i can't be sure if we'll see these characters again, or if they'll have another arc. i think that, just as the characters have this uncertainty, so does the reader. and for me, that's great. i'm happy to say goodbye to such beautiful characters, and i'm preparing to find out what the next loose end that sensei will tie up will be.
thank you for reading this very fast analysis 💛 don't forget to support sensei if you can! volume 13 is out in japan already!!
2024.12.26
gong announced on their weibo page a new collection of the tiny skip to loafer figurines 🥰💛!! they are all inspired by old merch designs, which is so cute!
quality isn't the best because i took a screenshot of the video, sorry!
for more informations, check their weibo page:
skip to loafer chapter 79 opening page
the chapter is out!! 🥳
picking up where we had left off, we have a chapter focused on our beloved senpai trio and their current challenges!! a very sweet, full of emotions chapter for sure
don't forget to support sensei on comic days
岩倉美津未、今日から東京の高校生！ 入学を機に地方から上京した彼女は、勉強こそできるものの、過疎地育ちゆえに同世代コミュ経験がとぼしい。そのうえちょっと天然で、慣れない都会の高校はなかなかムズカシイ！ だけど、そんな「みつみちゃん」のまっすぐでまっしろな存在感が、本人も気づかない
skip to loafer vol 13 cover
the cover for vol 13 of skip to loafer dropped today!!!!! i love the colors on this one so much, might be one of my favorites 🍁🍁
UPDATE:
volume 13 of skip to loafer is out today!! which means: we have the back cover!!!!!!!!!! i'm so happy you guys have no idea 😭 i was thinking how i missed seeing both nao and fumi, and now we're seeing both!!!!!
you can buy it on:
comic days: https://comic-days.com/volume/12207421983589205013
renta: https://renta.papy.co.jp/renta/sc/frm/item/178522
animate: animatebookstore.com
cdjapan: www.cdjapan.co.jp/product/NEOB...
for more infos, don't forget to check kodansha's website:
地方から東京の高偏差値高校に首席入学した美津未は、勉強こそできるものの、過疎地育ちゆえに同世代コミュ経験がとぼしい。そのうえちょっと天然で、慣れない都会の高校はなかなかムズカシイ！ だけど、そんな「みつみちゃん」のまっすぐでまっしろな存在感が、本人も気づかないうちにクラスメイトた
new skip to loafer merch design
it’s a new lottery with the theme “check and pastel”, so cute, so stylish!!!!
for more informations about the lottery, check fukuya website:
FUKUYA ONLINE フクヤオンライン
what i've read recently:
talk to my back, by yamada murasaki
finished reading one of the most raw and heart breaking manga. “talk to my back” by yamada murasaki explores the fantasy of the perfect nuclear family, the oppression and alienation imposed on housewives, and the way in which husbands view their wives as mere accessories.
to me, the way the story is told is very agonizing, which makes the message even more impactful. being an episodic manga, it shows the passage of time for a housewife who finds herself trapped, with nowhere to run or anyone to lean on. it addresses how many women are led to believe that they will only find happiness and purpose in life after marriage, only to find themselves trapped with a man who no longer even sees them as human beings. for many men, their wives exist to satisfy their desires and to be invisible.
one of my favorite parts is how motherhood is explored and how it doesn’t shy away of showing how it is sold to us as absolute purity, often making women feel guilty for finding their voice within their own homes. a woman's individuality is sidelined for the greater good stemming from the illusion of the perfect mother. this is my first experience reading anything by yamada murasaki, but i’m definitely going to explore more of her works. i’m impressed with her storytelling, her paneling and the whole structure of her narrative.
“talk to my back” by yamada murasaki is published in english by drawn & quarterly. i bought the digital version but i know they still have physical as well
kageki shoujo!!, by saiki kumiko
finally caught up to kageki shoujo: a story marked by dedication and loyalty, which is often used as a barrier to hide nightmares such as bulimia, aesthetic pressure, and shattered dreams. it also dives into familiar drama, the idol industry and brings kabuki to the table as well.
i have to say: i was very hooked on kageki since the start. i loved how the story was told and the main characters, love the underdog storytelling being used on sarasa and how she bloomed when she was on stage. this also happened because i always love stories that introduces me to a new form of art that i’ve never heard before, so i was completely intrigued by it and wanted to know more and more (and it being told from the perspective of students and their professors also made it so fun, since we had different generations interpretations of it, and the mains plot not being focused on who’s already at the top, with only flashbacks here and there, made it more interesting in this case).
my main criticism about it is that sometimes it offers way more than it can handle. we have kouka, kabuki, narata’s pass with the idol industry, sarasa’s very confusing bloodline…it’s a lot. sometimes, i feel like there’s way too many threads being left behind that will have to be picked up at a time that might clash with other plot line. the fact that some other characters' stories were explored in greater depth in extra chapters made the dynamic between the main narrative and the smaller plots inserted here and there lighter, since we didn't stray too far from the main line of thought to enter another. i think it does makes sense to drag sarasa’s plot line further since she’s the main character, of course, but at times it gets tiring. the part that i loved the most was when she had to confront her resentment regarding kabuki and how she could never have the chance to participate on it, using her frustration to pump up her acting.
the clash between the two different theaters was also something i really liked, and how sarasa’s past with kabuki is slowly creeping into her movements is extremely interesting. she uses it on her favor even if she has no idea about it, which is nice. it’s not something forced, rather something that’s inside her already.
the friendship plot was sweet and the acting part of it all was very well explored, mixing scenes with the girls wearing uniforms and how they would look if they were on stage. it does brings the love for acting very clearly, specially when they are training for a new play. i’m also glad that the story brought up topics about the pressure of having an extreme slim body to be able to perform (although i do think it was “resolved” rather quickly, i wish they would come back to it), and the way they explored ai’s assault and her trauma. i think there’s a lot of things to be developed still, so i will wait. i admit that vol 15 having 40%ish dedicated to the plot of their next play threw me off a little, since i wanted *them* to tell me the story, but i’ll let it slide.
very excited to what’s to come!!! can’t wait to dive even more deeper into the story! (also not that important but the comments about sarasa’s curly hair annoyed me a little NDKANDJA)
"kageki shoujo!! by saiki kumiko is published in english both physically and digitally by seven seas
i’d like to write about love, by roji
i have a very soft spot for roji-sensei’s works. i like how it’s always very focused on communication and how romantic love works differently for everyone. and ofc “i’d like to write about love” wouldn’t be different from that: a story about two people learning to connect.
it’s very good to know more about keito, since i’ve been very curious about him, however i do think that anyone who would like to read this one needs to read all about my two dads since i believe it talked way more of his internal homophobia there. here we’re more focused on exploring how difficult it is to him to be open and true to people around him, since he’s always extremely afraid to be hurt or left behind. it connects a lot with furukawa’s own problems with not feeling capable of helping people, which makes their communication very good and very nice to explore.
i do wish we had more, in a way. wish the story were longer and we could explore more of the characters and their internal conflicts. i wanted to know a lot more of their families and their traumas. it’s a very fast read that could use some work here and there, since i felt like a lot was left unsaid. however i do like how the story ends up being focused on “two people who love each other and are learning to fall in love”, since it’s a stand alone volume.
in the end, i can’t help it but always have a soft spot for all the characters roji creates, wishing i had more of them. seeing riri again made me so happy, i love this little angel
i’d like to write about love by roji is published in english digitally by animate international
final volume of gene bride, by takano hitomi
last volume of gene bride was most definitely packed. we finally had all the answers we were looking for and a bigger commentary on the debate of women not been seen as humans or even have their rights be consider, which i do appreciate and respect a lot.
while i don’t feel like the ending was rushed, i would also like, even more than anything, for all the information we received in the final volume to be disseminated throughout the four total volumes. it left a taste in my mouth that things resolver way too easily way too fast, when in my opinion the writing shinned way more when it slowly solved all the problems that were brought up with a little more calm and “difficulty”. that being said, i still did like the work as a whole. i liked a lot. i think it’s very good to have a manga that discusses sexual assault and the erasure of women in society very openly, and uses the sci-fi subtext to push that debate even further. the mystery of the school as a whole add a more interesting taste to the narrative, which makes us crave more.
i firmly believe it’s a story that is better when read in one go, which i do plan on rereading. there were a lot of small details that i missed in between a volume or two that would be very helpful for me not to feel so lost. but it can also be a “me thing”, since i’m not the biggest sci-fi expert in the world.
i think that, if we had everything more spread out, we would even have more time to develop more of the characters, give them more time to breath in between actions. some of them did feel very flat to me, or more like they had potential, but wasn’t used to the max. the easier solution in my opinion would be to erase some that didn’t add anything important, so it would give more time to the ones who were really making the plot move forward. reading the author’s words at the end, i feel like i understand her choices a little more and i honestly respect her for creating such an intriguing story that further exposes the absurdity that women have faced in society throughout the centuries.
i will miss gene bride! wish we had more volumes, but if the author is satisfied with what she could deliver with 4 volumes, specially the main theme she wanted to approach, all i can say is that i fully respect that.
gene bride by takano hitomi is published in english both physically and digitally by seven seas
yon, by camille broutin
vol 1 of “yon” by camille broutin was intriguing. it’s a french manga about girls truing to survive a so called “event” that will possibly kill them. the way that the story flows and the art gives the sensation of a continuous silence, which contrast with the girls’ desperation.
i don’t have a very solid opinion of it, since it’s only vol 1. the story is still developing and the characters are still taking shape, but i’m curious enought to want to keep reading it.
“yon” by camille broutin is published in english by europe comics
illumination, by yamashita tomoko
no matter how many works i read, i will never cease to be impacted and get chills from the way yamashita tomoko tells her stories, all immersed in understanding how relationships and emotions collide. she’s a mastermind in dissecting the mundane and exploring its pain.
her short stories always leaves me breathless. “roses, thorns and shattering clang” was my favorite by far and in my opinion reflects a lot with her most recent works, which shows how much she’s been diving deeper into exploring humanity (crazy to think it’s from 2008).
and one that made me go “oh, this is so her” was most definitely “about that person”, a story about how we never know the impact we cause in other people’s life and what will be left of us when we’re gone.
the anthology “illumination” by yamashita tomoko is another one of sensei’s gems.
skip to loafer vol 13 cover
the cover for vol 13 of skip to loafer dropped today!!!!! i love the colors on this one so much, might be one of my favorites 🍁🍁
looks like GONG is releasing a new collab with skip to loafer once again 🥹💛 this time, it’s a figurine of them running!!!! please they look so adorable. i believe we’ll have more infos soon
UPDATE:
we do have more informations about it now 💛🥹 they both have 11cm each and will be available 29/01!!
please the photos are so cute!!!! mitsumi tiny loafers 🥹
more photos:
for more informations and how/when to buy, please check gong's oficial weibo page:
WE HAVE MORE UPDATES!!
look who decided to join 🥹 GONG already released a vol 2 of the running figurines, now with all the girls!! so so adorable!!!
please check gong's weibo page for more informations:
so cute! the new skip to loafer pop up shop is inspired by chapter 65 opening page 💛 so cute to see it in colors
for more informations, check the official website
株式会社ブリスコラは”FAVE”を実現するエンターテインメント業界の最先端を目指す企業です。みなさまの”FAVE”がわたしたちの”FAVE”に。新たなる”FAVE”を産み出すシナジーになることを願っています。
in between all the emotions of the last episode of ikoku nikki's anime, asa's necklace caught my attention. we do have asa thinking of the future on ch35, but the conversation she and emiri had plus the necklace, i can't help but think this is a homage to the last chapter 🥹
new skip to loafer merch design AGAIN!!!
it’s so surprising how many new merch designs we’re getting 😭😭 now, it’s a snow white themed one!!! and the whole group is part of it:
for more informations, check the official website:
https://eeo.today/store/101/title/3316?utm_source=twitter&utm_medium=social&utm_campaign=20260313_SKP
