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please look at this Hajime Sorayama chrome Miffy 😭
Julia Dragović. CBR Building (1970), designed by C. Brodzki, M. Lambrichs. Bruxelles, Belgium
Wood & Glass Lamp by Shawn Michael Lucas
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Created by TumblrTop10
2021-07-21
2019-07-07
Comic GENKi (コミックGENKi) / Kadokawa Shoten (角川書店) / Summer 1991 issue
Ceramic Bowl Depicting a Crab 2nd–4th Century AD
Peru, Nazca Culture The Metropolitan Museum of Art.
山口小夜子
『流行通信』 (株式会社流行通信) 1981年12月号 / No.215 Special Story 「女炎」 撮影:横須賀巧光/アートディレクション : 鬼澤邦
An Iranian motorist rides his motorbike past a mural depicting a scene from the torture of Iraqi prisoners by U.S. personnel at the Abu Ghraib prison near Baghdad, on a major highway in the Iranian capital Tehran, June 1, 2004.
(Photo credit: Behrouz Mehri/AFP)
Kanda, Fukuoka Prefecture
Announcer, American Forces Network (AFN), USMC Iwakuni Air Station, Japan (2008)
Greg Girard
Votive axe or celt (Olmec, Mexico), made of aventurine (a type of quartz, usually green).
The figure has a large head and a small, stocky body that narrows into a blade shape. Its mouth is slightly open, with a flaring lip and the corners turned down; it has flaming eyebrows and a cleft in the middle of its head. Hands and a loincloth have been incised on the lower part. It is 29cm high and 13.5cm wide.
This axe combines characteristics of the caiman and the jaguar, the most powerful predators of the tropical lowlands. The pronounced cleft in the head, which has been compared to the human fontanelle, imitates the indent found on the skulls of jaguars. Other Olmec sculptures have these clefts, as do imagery in which plant motifs spring from similar cracks and orifices, alluding to the underground sources of fertility and life.
The crossed bands glyph, lightly incised on the waistband, represents and entrance or opening. The combination of symbols on the axe proclaims its magic power to cleave open the portals to the underworld. This also reinforces the association of celts with agriculture and maize, as ground stone axes were used for felling forest trees and clearing the ground for planting.
Utilitarian objects were often personified in this way to represent the qualities & attributes of supernatural forces. They accumulated inner power, becoming potent objects that were handed down through the generations.
Fono-type Arabe, Tifinagh, français Hugo Sandevoir et Walid Bouchouchi
Source
Benjamin Schultze’s translation of Johann Arndt’s “De vero Christianismo” Published in Halle (Saale), 1751
source
Ge'ez script (Ethiopic Script)
Source
King Lear performed in the fire-damaged ruins of Teatro Municipal de Lima (c. 1999), conceived by architect Luis de Longhi