marizupilami

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[intower15]

Luis Barragan house in Mexico City from 1948.

[marizupilami]

(via Artist Duo ‘Expanded Eye’ Explore Human Consciousness Through Painted Repurposed Wood Assemblages | Colossal)

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(via Moderat "Reminder" - Official Video - YouTube)

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(via 06c2e0a45afffd5841a0aaaaf91c2e4e.jpg (339×480))

[marizupilami]

[marizupilami]

on trying new things..(via Untitled | Flickr - Photo Sharing!)

[marizupilami]

(via Buster Keaton - The Art of the Gag - YouTube)

[indigo-gypsie-deactivated202409]

[marizupilami]

[wowgreat]

Matthew Chambers

[marizupilami]

(via https://www.youtube.com/watch?v=nUMFVzkCYVk)

[marizupilami]

[marizupilami]

Moving Athens from Jevan Chowdhury on Vimeo.

[antonakic]

lost were panther

2015, oil on canvas, 23 x 33 cm

[wowgreat]

(via Zachary Keeting / February (10))

[hyperallergic]

For young painters today, Abstract Expressionism is ancient history; a few rooms in MoMA’s permanent collection galleries, a handful of images from the pages of Gardner or Janson, all set before a backdrop of a now mythical Downtown Manhattan of $200-dollar-a-month lofts. And yet there is a commonality to be found between painters today, struggling along the L train line and points far east of the East River, and their counterparts of the early 1950s — not the giants, but the smaller creatures scuttling about in the undergrowth. For a chance to revisit AbEx from the unique vantage of the humble and the striving, I suggest a short trip to the Upper East Side’s Hollis Taggart Galleries, where one can currently study a gathering of canvases representing what a very young Audrey Flack was up to while breathing the rarified air of mid-century New York. It’s a collection that reveals intriguing aspects of that period from the vantage point of a student.

Learning from an Artist’s Early Experiments with AbEx

[marizupilami]

TWO JOHNS / Antonakis / Study Of Kouros Place (Mike Just Lost His Tooth At The Skate Ramp)