Carolein SmitÂ
I'd rather be in outer space 🛸
Xuebing Du
todays bird
🩵 avery cochrane 🩵
The Bowery Presents
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The Stonewall Inn
"I'm Dorothy Gale from Kansas"
Claire Keane
Misplaced Lens Cap
almost home

Jar Jar Binks Fan Club
Jules of Nature
d e v o n
Cosimo Galluzzi
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EXPECTATIONS
ojovivo
YOU ARE THE REASON
RMH

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@martiantheatre
Carolein SmitÂ
friendship & romance are a pair of beautiful mirrors facing each other btw
Christian Boltanski (1944) Théâtre d’ombres (Theatre of Shadows)
Lake House designed by Helmut Jahn, 1982
Celia Jacobs, Kissing Cowgirls
Childhood Memory #44 The Cellar: “Don’t worry,” said his sister sweetly, “I won’t turn off the light…”
Elaine H. Spencer
Fort Collins, Colorado
1988
Cotton, 51 Âľ Ă— 43"
From Don’t Forget to Wave
Tommy Keith
Harry Napper, Hemlock design, 1899
While it’s stupid that people are arguing that AI art has no “soul”, it’s troubling that you made no mention at all of the concern many have about feeding AI with stolen art when you were clowning that ask. Just because that person was an idiot about that one part of the ask doesn’t mean they were an idiot about the other part.
firstable, the art isn't stolen. it is still on the artist's hard drive/website/portfolio. complaining about digital files being "stolen" makes you sound like the RIAA.
secondly, before you start arguing semantics about how "well obviously i didn't mean they were LITERALLY stolen, just used without permission," that's not even true either. the current legal theory they're operating on (until it gets challenged in court) is that the AI's output qualifies as a "transformative work", meaning it doesn't violate the original artist's copyright. your kneejerk reaction to this might be to expand copyright law to make this kind of use illegal, but that would also necessarily outlaw a LOT of art forms/techniques, like fanart, fanfiction, collaging, sampling, etc.
at a base level, these AIs aren't doing anything humans weren't already doing - human artists have been taking inspiration from other artists since the first cave painting. anyone telling you the AI is "just mashing together parts of existing art" or whatever has 1. no idea how AIs work because that aint it and 2. no idea how copyright works since "collaging parts of existing art" (which, again, is not what they're doing) is already explicitly protected as transformative work. we don't know enough about how humans OR AIs think to conclusively say that the way one makes art is quantitavely different than the other, and trying to make ethical or God forbid LEGAL judgements based on this imaginary, unmeasurable difference is a losing proposition from the start. there are reasons to be wary of AI art, but "the way an AI views my art and uses it to generate output is fundamentally different than how a human would do it, and that difference means that i am being wronged somehow" rings a bit hollow to me.
to be clear, there are definitely valid reasons to be wary of/dislike AI art. the main one that inevitably comes up is the impact it will create with artists who work on commissions. why would someone pay $50 and wait a week to get a picture of their fursona/concept art for their video game world when they could just punch a few sentences into an AI and have dozens of pics for cheap basically instantly? setting aside the obvious answer of "because most AIs actually suck at drawing really specific things", i feel like this is akin to complaining that the invention of the camera/daguerreotype put professional portrait painters almost entirely out of business. yeah, it did, and that sucked for them, but nobody would ever suggest boycotting the camera for those painters' benefit because that's the nature of technological advancement baybee!
also not to be a communist on main but i NEED to point out the possibly insultingly obvious fact that this is an issue with capitalism, not the "integrity of art" or whatever. the main negative impact the technology has on artists is potential loss of income due to competition, which would stop being an issue if your ability to stay alive was decoupled from your ability to work/sell your labor.
Green Love Letter by Masa-San, Fujino, Kanagawa, Japan
2023
DEVELOPMENT IS A VIRTUE
EXPERIENCE LIVE MUSIC
YOU ARE NOT CURSED FOREVER
THERE IS JOY IN NATURE
GET BETTER ON PURPOSE
Yoruba artist
Armchair
Nigeria, 20th century
glass beads, goatskin
Rago
Louise Glück, winner of the 2020 Nobel Prize in Literature, in “Internal Tapestries,” a Q&A with William Giraldi in the September/October issue of Poets & Writers Magazine. (Congratulations, Louise Glück!)