he wasn't even looking at me and he found me

shark vs the universe
Cosimo Galluzzi
"I'm Dorothy Gale from Kansas"
YOU ARE THE REASON

Discoholic 🪩
official daine visual archive
Mike Driver
Claire Keane
KIROKAZE
ojovivo
No title available

Kiana Khansmith
Sade Olutola

pixel skylines
One Nice Bug Per Day
TVSTRANGERTHINGS

❣ Chile in a Photography ❣
cherry valley forever
The Bowery Presents
seen from United States
seen from Mexico
seen from United States
seen from United States
seen from China
seen from Türkiye
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
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seen from United States

seen from Bangladesh
seen from Indonesia
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seen from Türkiye
@mattwaples
nr 402, 2015
3.25x4.25″ Unique Dye Diffusion Transfer Print
Binocular eye test for virtual colour
Colour Studies, Installation Shot at Davidson Contemporary in Chelsea, NY
2015
(Photo courtesy of Andre Kan)
2015
www.mattwaples.com
www.mattwaples.com
Another installation shot of my work in the ReGeneration3 Exhibition. The exhibition is now open at Museo Amparo in Puebla, Mexico
Polaroid test for Chroma 45
www.mattwaples.com
Colour Studies, Installation shot at Musée de l'Élysée in Lausanne, Switzerland.
2015
*The exhibition opens at El Museo Amparo in Puebla, Mexico on October 31st!
Polaroid test for Chroma 45
www.mattwaples.com
In which case blue is something of an ecstatic accident produced by void and fire.
“157. The part I do remember: that the blue of the sky depends on the darkness of empty space behind it. As one optics journal puts it, “ The color of any planetary atmosphere viewed against the black of space and illuminated by a sunlike star will also be blue.” In which case blue is something of an ecstatic accident produced by void and fire.”
-Maggie Nelson, Bluets
Colour Opponent, 2015
Flicker loop written with processing
Posted some new work on my website!
Shift, 2015
www.mattwaples.com
Of all God’s gift to the sight of man, colour is the holiest, the most divine, the most solemn. We speak rashly of gay colour and sad colour, for colour cannot at once be good and gay. All good colour is in some degree pensive, the loveliest is melancholy, and purest and most thoughtful minds are those which love color the most.
John Ruskin, “The Nobility of Colour,” from Stones in Venice, in the Lamp of Beauty (via meaganchristou)
4 hour exposure to sunlight
2015
www.mattwaples.com
2015 www.mattwaples.com