Gustav Adolphe Mossa - The Fates (1917)
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Gustav Adolphe Mossa - The Fates (1917)
Vladimir Tretchikoff (Russian,1913-2006)
Crayfish Seller, 1969
Oil on canvas
Oda Iselin Sønderland (Norwegian/Irish, 1996) - Ophelia (2023)
Kensa Hung (Chinese, 1993) - Synchronised Swimming (2020)
Samantha Joy Groff (American, 1993) - Still in the Mud and Mire (2021)
Ilya S. Glazunov, The Lake of Tears, 1988.
Leonard Koscianski - Nice Doggie, 1997 - Oil on panel
Ilya S. Glazunov, The Lake of Tears, 1988.
The long way home, Jeroen Henneman
by Kayama Mataz
Leonard Koscianski - Nice Doggie, 1997 - Oil on panel
Katharina Fritsch, Tischgesellschaft (Company at the Table), 1998, polyester, wood, cotton and paint
Gregory Crewdson-
Gregory Crewdson Untitled, Ophelia 2001 photograph
The secrecy of this surveillance is neither idle nor prosaic; places that do not appear on maps are also places that are often outside or above the rule of law. This process of manifestation creates a platform for re-examining the surveyed landscapes which we inhabit.
Trevor Paglen, They Watch the Moon
Trevor Paglen, Untitled, Reaper Drone
Alexander Rodchenko, 1918