after all this time
i am back in tumblr’s sweet embrace
Keni
Phantogram Three
Color Me Curious

Jimmy Eat World
macklin celebrini has autism
let's talk about Bridgerton tea, my ask is open
Fai_Ryy
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titsay
Game of Thrones Daily
NASA

❣ Chile in a Photography ❣

Origami Around

shark vs the universe
tumblr dot com
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TMBGareOK. The Official They Might Be Giants tumblr
YOU ARE THE REASON
hello vonnie
Cosimo Galluzzi
seen from United States

seen from Brazil
seen from United Kingdom

seen from Maldives
seen from China
seen from Australia

seen from United States

seen from Germany
seen from United States
seen from Tunisia

seen from Malaysia
seen from Peru
seen from Canada
seen from United States
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seen from Brazil
seen from Türkiye
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seen from United States
seen from United States
@maybeimjusttired
after all this time
i am back in tumblr’s sweet embrace
Nagoya, Japan, 1987
from the series: Japan Days
2001: A Space Odyssey (1968) dir. Stanley Kubrick
the holy mountain (alejandro jodorowsky, 1973)
Cinema without people: Violet (final pass) (2014, Bas Devos, dir.)
Eado, Houston, Oct. 14, 2017
I’ll be there when you come back
Venice, Italy Polaroid SLR670-S, Impossible Color 600
Carina Brandes, 2015
People cool off in the evening at a public beach in Khasab, Oman
Mamiya 7
Velvia 100
Cold Windy Nights in NYC | Winter 2015
Jalal Sepehr - Water and Persian Rugs, 2004
Veronica
CONTAX T2 | Kodak Tri-X 400
Cinematography by: Roger Deakins Blade Runner 2049 (2017) Directed by Denis Villeneuve
“I watched Andrei Tarkovsky’s Solaris (1972, DP Vadim Yusov) a couple of times – not that it bears much relation to what we were doing, but it is a film I love. My main references came from general searches I did on the Internet relating to stern, modern, brutalist, concrete architecture, looking at how they use natural light as part of their design. What I found was really the greatest stimulation for what I wanted to do.” - Roger Deakins on visual references for Blade Runner 2049
A Ghost Story (2017) dir. David Lowery
Blue Velvet (1986) dir. David Lynch
Twilight time, Alberto Ortega (because)