I WAS @JOEWRIGHT

lena · she/her · #userlenny gifs · letterboxd · heistcinema

[filmgifs]

The Doom Generation (1995) dir. Gregg Araki

[jacksally]

FRIED GREEN TOMATOES 1991, dir. Jon Avnet

[m--bloop]

Marriage Italian Style dir. Vittorio De Sica (1964)

[music-daily]

Queen Latifah photographed by Cass Bird for Good American (2024)

[zartha]

THE TASTE OF THINGS (2023) dir.: Tran Anh Hung Original title: La passion de Dodin Bouffant

[queenbruv]

the power of hitting 'end task' on a glitchy program in task manager is intoxicating. i feel like an assassin. i feel like a tyrant. you don't want to work properly? begone. off with your head. i need to kill my apps with a guillotine

[m--bloop]

Totally Fucked Up dir. Gregg Araki (1993)

[popularculturesource]

AMANDA SEYFRIED ph. for British GQ's Heroes Issue (2026)

[namchyoon]

cuties <3 cr. @taee

[blckgirlacid]

Doing weird stretches in your room is so important.

[acecroft]

A Good Year (2006) dir. Ridley Scott

[dailyflicks]

They called it "The Fog That Stole Souls." Widow's Bay (2026) ⇁ Episode 1: Welcome to Widow's Bay

[kosmogrl]

the thing is, it’s never too late for anyone to start over except me. I’m doomed and it’s over for me

[stars-bean]

Barbie (2023) dir. Greta Gerwig

[rogerdeakinsdp]

Academy Award Winners for Best Cinematography: 1992 — Robert Richardson, ASC JFK (1991) Directed by Oliver Stone Aspect Ratio: 2.39 : 1

Written as a “jigsaw” and “a fragmentation of reality,” Stone wanted the visuals to be equally fractured — “anything that would dent the narrative,” he says. Black-and-white 16mm and 35mm re-create events on Dealey Plaza and in government back rooms; shots on 8mm color echo the Zapruder film; video, archival footage, and news photographs come into play, plus different styles of shooting. “Bob [Richardson] had a documentary background, which we used a lot in Salvador, but we’d refined it by the time we got to JFK,” says Stone. “The suggestions for all the visual stocks and things to make it more fragmented, a lot of that came from Bob and from the editors. It was a hectic shoot, very hectic.” — The American Society of Cinematographers, February 2019

[rogerdeakinsdp]

Academy Award Winners for Best Cinematography: 1992 — Robert Richardson, ASC JFK (1991) Directed by Oliver Stone Aspect Ratio: 2.39 : 1

Written as a “jigsaw” and “a fragmentation of reality,” Stone wanted the visuals to be equally fractured — “anything that would dent the narrative,” he says. Black-and-white 16mm and 35mm re-create events on Dealey Plaza and in government back rooms; shots on 8mm color echo the Zapruder film; video, archival footage, and news photographs come into play, plus different styles of shooting. “Bob [Richardson] had a documentary background, which we used a lot in Salvador, but we’d refined it by the time we got to JFK,” says Stone. “The suggestions for all the visual stocks and things to make it more fragmented, a lot of that came from Bob and from the editors. It was a hectic shoot, very hectic.” — The American Society of Cinematographers, February 2019

[sexchangedotcom]

when your wire letterboxd mutual sees you log a cloth movie