Tower of Toghrul, Rey, northern Iran, circa 1860s.

Janaina Medeiros
Cosmic Funnies

shark vs the universe
YOU ARE THE REASON

JBB: An Artblog!

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PUT YOUR BEARD IN MY MOUTH
Lint Roller? I Barely Know Her

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taylor price

titsay

#extradirty
One Nice Bug Per Day

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oozey mess

⁂

Kiana Khansmith
Claire Keane
sheepfilms
RMH
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@mbelt
Tower of Toghrul, Rey, northern Iran, circa 1860s.
Excavation of Persepolis, Throne Hall, Iran, circa 1923.
Plastic World, 2016
The Church of San Martino, Lucca
My point of reference was always Ursula and, in fact, a certain way she had of proceeding as if twisting could make more familiar the idea that our fall was like a winding and unwinding in a sort of spiral that tightened and then loosened. However, Ursula - if you watched her carefully - would first in one direction, then in the other, so the pattern we were tracing was more complicated. The universe, therefore, had to be considered not a crude swelling placed there like a turnip, but as an angular, pointed figure where every dent or bulge or facet corresponded to other cavities and projections and notchings of space and of the lines we followed. This, however, was still a schematic image, as if we were dealing with a smooth-walled solid, a compenetration of polyhedrons, a cluster of crystals; in reality the space in which we moved was all battlemented and perforated, with spirers and pinnacles which spread out on every side, with cupolas and balustrades and peristyles, with rose windows, with double and triple arched fenestrations, and while we felt we were plunging straight down, in reality we were racing along the edge of moldings and invisible friezes, alike ants who, crossing a city, follow itineraries traced not on the street cobbles but along walls and ceilings and cornices and chandeliers. Now if I say city it amounts to suggesting figures that are, in some way, regular, with right angles and symmetrical proportions, whereas instead, we should always bear in mind how pace breaks up around every cherry tree and every leaf of every bough that moves in the wind, and at every indentation of the edge of every leaf, and also it forms along every vein of the leaf, and on the network of veins inside the leaf, and on the piercings made every moment by the riddling arrows of light, all printed in negative in the dough of the void, so that there is nothing now that does not leave its print, every possible print of every possible thing, and together every transformation of these prints, instant by instant, so the pimple growing on a caliph's nose or the soap bubble resting on a laundress's bosom changes the general form of space in all its dimensions.
Italo Calvino, Cosmicomics, excerpt from “The Form of Space”
Stumble Upon Sofa Alessandro Isola
Ordinarily a ‘ridge’ in a carpet would immediately be pulled straight or be stood on to regain its flat purpose. But not in this case.
Instead, imperfection is magnified until ridges are large enough to offer supportive curves that create a distinctly different seating structure, named the Stumble Upon Sofa. The changing height and curvature of the sofa along the length of its ridges, provides upright seating positions at one end and comfortably informal lounging at the other.
Images and text via Alessandro Isola
Get action. Do Things; be sane; don't fritter away your time; create, act, take a place wherever you are and be somebody; get action
Theodore Roosevelt
Casa IV MESURA
Las Mercedes House-Workshop Lukas Fúster
[Individual works in series can] become critical of each other.
Richard Serra, Rounds, 1999 (via nickkahler)
The external spiral staircase at the Chateau de Chambord
Skinny Dip Falls
Asheville, NC
September, 2015
Dupont Falls
Asheville, NC
September, 2015
Blue Ridge Parkway
Asheville, NC
September, 2015
Omni Grove Park Inn
Asheville, NC
September, 2015
Looking In/Out_Glass Rock
Asheville, NC
September, 2015
(via Super Fast Cameras)