really specific trope i like that i feel like can only be explained in a diagram
we're not kids anymore.

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@mckiath
really specific trope i like that i feel like can only be explained in a diagram
being a fox party at the mossy wood at 10 dont be late
its not funny but i do think about it a lot
This made me think about this panel from Calvin and Hobbes:
But unlike the adult in this strip, Calvin’s dad actually APOLOGIZED for yelling at him when he saw how guilty his kid was:
just you wait, dude. just you wait
Begging you to put the sound on
Hey Akane I wanted to ask what do you think of the idea that Aqua sorta represents a younger child version of Kris? Now I’m not saying they are Kris but they do seem to act sorta like how Kris was implied to act when they were younger there’s also both of their affinity for knives and it also plays into the little theory that Kris originally had the patience/Cyan soul prior to the red one not to mention I’m pretty sure they share the same blue color
My feelings on the matter is that ALL the flowers represent an aspect of Kris in some way. Aqua is just the one people notice first.
Seth = Kris' gender identity (there is a whole Cafe dialog about it)
Yellow = Kris' internalized guilt and love for cowboys (hinted at in easily missable dialog)
Blue - Kris' grace and femininity as well as their love for art (piano)
Green - Kris' penchant for not speaking
Orange = Kris' identity as a human living among monsters (the mouse claiming she is human)
Flowery - Kris' role as both the party leader and foil towards us and the other heros.
Pink = direct analog to Kris' relationship with the Player (us)
(There is probably more, but it's like 6 AM rn and I gotta go to work lol)
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Okey
this from the guy who wrote the sting pain index, a scale he constructed after letting himself be stung by insects
“why did i start this list” pleaseeeeeee this is so funny
his descriptions were extremely on-point, and frankly inspiring when writing a hurt/comfort scene
Instagram poets could never!
For those who want it, here is the entire list:
Anyways, dude's 1,000% a huge masochist. Nobody just describes pain like this unless they're enjoying it.
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If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.
I keep seeing people making fun of using growled, hissed, roared, snarled etc in writing and it’s like.
have you never heard someone speak with the gravel in their voice when they get angry? Because that’s what a growl is.
Have you never heard someone sharply whisper something through the thin space of their teeth? Or when your mother sharply told you to stop it in public as a kid when you were acting up/being too loud? Because that’s what a hiss is.
Have you never heard a man get so blackout angry that their voice BOOMS through the house? Because that’s what a roar is.
Have you never seen someone bare their teeth while talking to accentuate their frustration or anger while speaking with a vicious tone? Because that’s what snarling is.
It’s not meant to be a literal animal noise. For the love of god, not every description is literal. I get some people are genuinely confused, but also some of these people are genuinely unimaginative as fuck.
This for real. Alllllllll of this. All of these sounds are the way different people speak based on their emotions. A snarl is not going GRAWR like a dog. It's so furious their teeth are bared, every syllable sharp and cutting and loud. A growl is lower, the words dangerously rough and hot, a warning.
It's the same with softer sounds. A purr is that low, gravelly mmmmm noise of pleasure, or words warm and smooth as melted chocolate. When someone chirps, it's bright and happy and quick, the syllables a little clipped in excitement. Panting is not tongue lolling like a dog; it's a heaving chest and words that are half-breath.
This is what language, what storytelling IS. It's symbolic, it's imagination, it's metaphor and analogy and simile. Strip that away and all you have is textbook descriptions, which are of course useful when reading actual textbooks, but far less entertaining when reading a goddamn fictional story.
I was in the trenches of the “said is dead”-war in the olden days, I remember the discourse and I’m glad there’s still people taking it out with the trash
Hell HUMANS pant. We talk through heaving breaths all the time, and that's panting! What's next, humans don't groan or whine?